It's in the mix, without reservations.

Non-commercial indie-pop-rock, but with plenty of WTF? non-sequitur delightful/irritating moments; 90% stuff we've never heard before (45% you'll hate, 45% you'll love), 10% stuff we've heard before (5% you hate, 5% you love). (29 words, 6 numbers.)

Fist-pumping, air-drumming freeform mayhem. Caffeinated rock, experimental pop, oddball beats, and novelties.

" I can't tell when you're telling me the truth."
- I'm not.
"How do I know anything you've told me is..."
- You don't.

Too Much Information is the sober hangover after the digital party has run out of memes, apps and schemes. Host Benjamen Walker finds out that, in a world where everyone overshares the truth 140 characters at a time, telling tales might be the most honest thing to do.

Forward-thinking electronic music, regional sounds from around the world, hip-hop, dancehall, and float. Frequent international guests widen the picture.

Anti-fascist researcher Dave Emory (spelled E-M-O-R-Y) goes into all the hidden truths and details about evil men and their trade practices.

When the musics align, you can stare a future in the eye.

Three hours of the latest hip-hop and beat-oriented music go round and round on the turntable with your host, Noah Zark.

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A musical journey through the lands of rock, pop, jazz and soul on the spaceship of time.

Drawing an endless knot. Improvised, international, American, old, abstract, other.

All the hits that fit... and more! Freeform programming featuring Creative Commons jams from the Free Music Archive, live music, and free culture conversations.

Music to slaughter livestock to; 5,000 factory farmers can't all be wrong.

Order and disorder in a freeform haze of terribly played guitars, shorted-out electronics, found audio detritus, strange sounds from strange lands all around. Psych-punk-junk, collage, even pop. Lots of in-studio live performances to boot.

WFMU's first callerless call-in show. Sixty minutes of news, reviews, interviews, egregious technical errors, and baffling streams of non sequiturs. Violating the false dichotomy between jokes and serious shit since 2010.

Dear Dr. Whiplash… Legendary comedy group The Firesign Theatre returns to the air as WFMU presents 16 restored & remastered episodes of their notorious Los Angeles radio series The Firesign Theatre Radio Hour Hour, Dear Friends, and Let’s Eat.

The Antique Phonograph Music Program is a collection of pop, standard, and ethnic music acoustically recorded on discs and cylinders and played on period machines circa 1895-1925.

Funny. Rocking. Intriguing. Engaging. Modest. The best talk. The best music. Simply put: The Best.

Collage, cut-ups, and crass appropriation. New aesthetic, top-40 fixation, and computer music, both contemporary and historic. Homespun remix smooth, stunt coding, and science non-fiction rantage.

"I listened yesterday. It's no reflection on you but I could'nt see where you were going or what you were going for. This early seventies thing did'nt get noticed the first time and you talk about friends of like Dealney and Bonnie who had records out like we're supposed to remember who they are. Then you play this long winded free jazz stuff that really grates on my nerves. And that noise without a beat and sounds like someones being pinched. Then you play a reggae song, I think you called it Dub, to what, be cool? You seem to really fetishize the whole folk thing too which is obnoxious to us who don't even care. I liked it when you played that punk song though. I like Joe Belock a lot."

Freeform radio for the chronically impatient. Avant-garde pop, poppy avant-garde, train whistles, loud guitars and guttural screaming. Playlists and photos posted in real time on the web so you can play along or comment at home or work.

Music without words, words without music, and combinations therein.

Genre-surfing tokenism.

Ken and Andy further lower WFMU's already abysmal standards as the program enters its death throes. Stunt radio which subjects the radio audience to concepts and topics which mature adults should not have to endure. Find the fatal flaw.

Home of all things avant-retard.

Join Nardwuar the Human Serviette for 60 minutes of clam chowder-flavoured (note Canadian spelling!) entertainment and interviews all the way from, yes, Vancouver, BC, Canaduh! Doot Doola Doot Doo... Doot Doo!
Hop on over to the Nardwuar Homepage, follow Nard on Twitter and do some Facebookin' here.

Every show starts with a cut from the ‘70s: Rediscovering the forgotten rockers, revisiting the once-hated disco beats, replaying the power-pop favorites. Next: copious amounts of new releases and occasional live bands. Also: I’m the biggest Nick Gilder fan on WFMU.

A four-hour call-in show about the unexplained, jam-packed into one hour.

~*Enormous Two Bed w/Exposed Brick Walls*~/~*Easy Commute!*~/
||| The History of Computers and Synthesizers, As Told By Your Friend's Dad Through An RnB Storybook. ~*No Fee!*~/~*Close to All!!!*~

Theme (n) - the subject of talk, a piece of writing, a person's thoughts, or an exhibition; a topic.

A viking ship appears on the horizon, a likeness of Loretta Lynn carved into its bow. Rare birds flock together to sing Francoise Hardy as soul hits. A sunset of blips and bleeps fills the air.

Hither and zither and yon and on. Except for the zither. Mostly.

The Failure of Noise
The Failure of Sound
The Failure of Rock
The Failure of the Avant Garde
The Failure of the Space Age
The Failure of Jazz
The Failure of Psychedelia
The Failure of Krautrock
The Failure of Electronic
The Failure of Pop
The Failure of Free-form
The Failure of the 20th Century

Street interviews with everyone from the homeless to the glitterati. Live call-ins, hyper-editing, original fiction, and obscure vinyl exhumation. Clay's soft-spoken ways elicit love from guests and listeners alike.

I apologize in advance. It's only an hour.

Scratchy vanity 45s, pilfered field recordings, muddy off-the-radio sounds, homemade congregational tapes and vintage commercial gospel throw-downs; a little preachin', a little salvation, a little audio tomfoolery.

A chimpified, sonic soiree of overmodulated, toe-stubbing rock and roll.

Radio through the lens of cinematic horror. Black metal, dark hardcore, modern "noise," occult-kosmische electronics, soundtracks, and horrorscapes™ galore. Monthly live performances, and guests from the world of film.

Dishin' out the hits!

Shamanic vibrational love frequencies for the infinite mind. Shed all fear and allow the forces of nature to rattle your spine. We are the future. Welcome to the 5th Dimension.

Sounds from the archive of the future, sonic drilling into the past, dissonant rumbling, lyrical melodies, noises (human, animal, mechanical, digital) inscrutable yet honest, desultory but consistent.

I never miscue a record. I am punctual, well-prepared, and dislike clutter. Outgoing and helpful, I'm always appropriately dressed. I do not behave erratically and have excellent penmanship. My CD's never skip, and I am in good health. I like all the notes, in any order.

Hip-hop and rap. Yeah, that's where my heart's at. But any genre will fit as long as it ain't crap!

The promise of joy, the magic of blather. A call-in show for the New Age of Inquiry. The Man can't bust our chit-chat.

One hour; 23 or 24 soul 45's.

WFMU's first regularly-scheduled phone-in talk show.

A virtual playground for whimsical queasiness.

A yurt for the transgenred.

On the way home, the view was beautiful.

Folk; old-timey; blues; psych, avant and acid folk old and new; melancholy pop; lots of guitar; detours elsewhere.

Disc jockey has a fondness for sound.

Country classics, scratchy soul, groovy jazz, Jamaican jukebox, gospel goodies, and assorted rocktastic/poptastic #1 hits! All that and interviews with the world's finest music makers. It's just plain good!

The unsung heroes of rock 'n' roll, presented at 45 RPM: 50s/60s bop, slop, & schlock.

Punk/new wave, psych, glam, garage, mod, freakbeat, funk, krautrock, noise, hardcore, indie, DIY, power pop, soul -- any and all good moving music! Live bands frequently, tix @ 4:06 -- why stop? Live life -- it's hectic but short, yo!

Popular and Unpopular Music From Around the World

The run-around drill sergeant of love meets the freeform radio nurse in an international popularity crisis. Twang, dub, noise, rockers, aliens, drum machines, foreigners, imported goods, songs, rumbles, hollers, blips and squiggles, along with an occasional musical number.

A pennant-winning battery of songland. Ongoing feature: Single File, a half-hour of randomly selected small records with big holes.

100-plus years of audio media with an emphasis on the ecstatic, the sorrowful, and hypothetical cosmologies.

Musical delirium induced by sounds from electronic noise to free jazz, drone rock to a capella African song.

Roots rock, much culture; lovers rock for the soul and mind. Drum and bass rule--light up something!

featuring X-Ray Burns
The real life alternative radio show where a zonked pair of New Jersey fat boys mix Led Zeppelin with Sinatra while ranting about wrestling and the unmentionable.

Garage rock and the big tent that is r-r-real rock & roll.

There are two errors in this this freeform radio program description.

I am but a vessel.

Way-left-of-center music and chatter. Guaranteed less than 2% rock and roll.

Tangents, parenthetical asides, and digressions.

Grand pianos in the surf, singing frogs, hyphenated psych, outtakes, live collaging, twangy drone, old folk, ephemeral pop, and the Grateful goddamn Dead.