Hinky Dinky Time with Uncle Michael:
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from January 8, 2021
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Turning over the toy box and jamming together the gloriously mismatched musical Lincoln Logs, Legos and Tinker Toys from Tin Pan Alley pluggers, pickled egg tavern weepers, lockstep soul ensembles, skinny-tie power poppers, Eurotrash ravers, moontanned art school rockers, drunken soccer anthems and anything else that seems like a good idea at the time. There are no guilty pleasures.
Fridays
Noon - 3pm
(EST)
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On
WFMU's
Give the Drummer Radio
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January 8, 2021: Show #381: "Choke my monkey?"
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Listener comments!
Hi everybody!
Fixed, Artie!
TDK60, he is useless for any job.
still b/p hope you can vouchsafe for the provenance of the chicken.
attention
now perhaps jazz
kaleidoscope?
on phone controlling
sound system
we may now be back
on give the drummer stream;>?/
and playlist match!
2streams but rarely
at the exact same time
Left field question, prompted by 5 Royales sound, and now Mills boys (and, speaking of cutting-pasting):
Does anyone know what group's vocals are being edited/manipulated in Bathtime in Clerkenwell by The Real Tuesday Weld? Sounds like early Mills Brothers, but heard something else recently that could be a candidate. Sure don't think the vocals were freshly created.
Alvy: "Well, the universe is everything, and if it's expanding, someday it will break apart and that will be the end of everything."
Mother: "What is that your business?!"
from thailand?
but now r&b on stereo stream
and twitch video is on
Throw in King Crimson for a mega jam
WHY ARE YOU UP *THERE*?!
Amazing article I came across recently.
In 1959, Ace Records removed Smith's vocal track from the original recording of his song "Sea Cruise" and replaced it with a vocal track by singer Frankie Ford.[3] The song was Ford's first hit, selling over a million copies. Ace's decision to release the song with the Ford vocal and to not release Smith's original version meant that Smith was unable to fully benefit from his own work, and the move by Ace is considered by music historians to be an example of racial injustice in the 1950s pop-music industry. (Smith's original version of the song was eventually released.)
Theo!
Scott! melinda!
@dan thanx for link
Great job UM