The Night Owl Show with Owl Sun:
Playlist
from July 10, 2020
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View Owl Sun's profile
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EDT)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Stereo Mix]
|
1967 | 0:00:16 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:41 (Pop-up) | ||||
| Kaleidoscope |
flight from ashiya
|
1967 |
|
0:03:21 (Pop-up) | ||
| The Byrds |
Old John Robertson
|
1967 |
|
0:05:57 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
|
0:07:45 (Pop-up) |
|||
| The 13th Floor Elevators |
I've Got Levitation
|
1967 |
|
0:08:04 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
Evening - A Haiku Foggy summertime A pleasant, evening love in spite of the love |
|
0:11:34 (Pop-up) |
||
| Gandalf |
Nature Boy
|
1969 |
|
0:12:07 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
|
0:15:10 (Pop-up) |
|||
| SRC |
Up All Night
|
1969 |
|
0:15:17 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
|
0:18:21 (Pop-up) |
|||
| The Millennium |
5 A.M.
|
1968 |
|
0:18:33 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
Pay attention to the deceased, the deceased is the most private soul of all. Never forget the offstage and inward deceased. How happy are suspicious disappearances! Now questionable is just the thing, To get me wondering if disappearances are leery. When I think of the absent, I see a beloved lip. Now artful is just the thing, |
|
0:21:11 (Pop-up) |
||
| Procol Harum |
Quite Rightly So
|
1968 |
|
0:21:51 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
|
0:25:19 (Pop-up) |
|||
| The Other Half |
Mr. Pharmacist
|
1967 |
|
0:25:39 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
How happy are smaller dimensions! Now small is just the thing, To get me wondering if dimensions are littler. How happy are interrelated facets! Do facets make you shiver? do they? Changes, however hard they try, Will always be zany. |
|
0:28:05 (Pop-up) |
||
| The 13th Power |
Shape Of Things To Come
|
1968 |
|
0:28:44 (Pop-up) | ||
| The Yardbirds |
Drinking Muddy Water
|
1967 |
|
0:30:34 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
Candyo67 - A Haiku Loving summertime A better candyo67 message into the candyo67 |
|
0:33:28 (Pop-up) |
||
| Aorta |
Sleep Tight
|
1969 |
|
0:34:17 (Pop-up) | ||
| The Thyme |
Very Last Day
|
1967 |
|
0:38:59 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
Instant Request |
|
0:42:05 (Pop-up) |
||
| Procol Harum |
Conquistador
|
1968 | Requested by: Candy-O'67 |
|
0:42:08 (Pop-up) | |
| Art |
Room With A View
|
1967 |
|
0:44:39 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
Feeling - A Haiku Dampen summertime A feeling feeling better above the better |
|
0:48:13 (Pop-up) |
||
| les Goths |
out of the sun
|
1968 |
|
0:48:59 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
Beatnik - A Haiku Dampish summertime A happy beatnik message beyond the message |
|
0:51:44 (Pop-up) |
||
| Tim Buckley |
Pleasant Street
|
1967 |
|
0:52:33 (Pop-up) | ||
| L. J. Reynolds & the Chocolate Syrup |
The Penguin Break Down
|
L. J. Reynolds |
|
0:57:43 (Pop-up) | ||
| Stu Phillips |
Skip To My Mary J.
|
Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 |
|
1:00:09 (Pop-up) | |
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
Sounds - A Haiku Turbid summertime A consonant, like sounds like whilst watching the like |
|
1:00:16 (Pop-up) |
||
| Ars Nova |
Sunshine & Shadows
|
1969 |
|
1:01:09 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
Beatnik - A Haiku Loving summertime An unknown beatnik better above the unknown |
|
1:04:07 (Pop-up) |
||
| Bobby Callender |
Nature
|
1968 |
|
1:04:35 (Pop-up) | ||
| Alice Cooper |
Laughing at Me
|
1970 |
|
1:09:02 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
Beatniks - A Haiku Sunless summertime A young, like beatniks message above the beatnik |
|
1:11:37 (Pop-up) |
||
| Beaver & Krause |
Salute To The Vanishing Bald Eagle
|
1970 |
|
1:12:18 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
Beatnik - A Haiku Dampness summertime A sorry beatnik message above the beatnik |
|
1:15:02 (Pop-up) |
||
| The Johnnys |
Nothing Sacred
|
1967 |
|
1:15:44 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
Twinkie - A Haiku Muddy summertime A last, long twinkie message above the message |
|
1:18:08 (Pop-up) |
||
| Blonde On Blonde |
Time Is Passing
|
1970 |
|
1:18:40 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
All that is timid is not tomorrows, tomorrows, by all account is brave. Down, down, down into the darkness of the tomorrows, Gently they go - the mettlesome, the gallant, the intrepid. I cannot help but stop and look at the past sean. Down, down, down into the darkness of the sean, Gently it goes - the knightly, the prehistorical, the ancient. Don't belive that the monday is lean? |
|
1:21:14 (Pop-up) |
||
| Appaloosa |
Yesterday's Roads
|
1969 |
|
1:22:01 (Pop-up) | ||
| Strawberry Alarm Clock |
Black Butter, Present
|
1968 |
|
1:25:12 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
|
1:27:14 (Pop-up) |
|||
| The Sunshine Company |
Love, That's Where It Is
|
1968 |
|
1:27:34 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
Sunshine - A Haiku Foggy summertime A warm, blonde sunshine mother out of company |
|
1:29:36 (Pop-up) |
||
| Blonde on Blonde |
Mother Earth
|
1969 |
|
1:30:00 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
Wildflower - A Haiku Loving summertime A blonde wildflower mother beyond the coffee |
|
1:35:56 (Pop-up) |
||
| Wildflower |
Coffee Cup
|
Love Is The Song We Sing (San Francisco Nuggets 1965-1970 |
|
1:36:31 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
|
1:38:45 (Pop-up) |
|||
| marcus |
A Million Grains Of Sand
|
1970 |
|
1:39:13 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
How happy is the decorative handicraft! Does the handicraft make you shiver? does it? I cannot help but stop and look at wooden handicrafts. Are you upset by how awkward they are? Does it tear you apart to see the handicrafts so woody? I saw the the fat workmanship of my generation destroyed, How I mourned the woodcraft. |
|
1:43:08 (Pop-up) |
||
| Joe Byrd And The Field Hippies |
The Southwestern Geriatrics Arts And Crafts Festival: Elephant At The Door
|
1969 |
|
1:43:49 (Pop-up) | ||
| Erik |
Be Off Man
|
1968 |
|
1:48:59 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
Geriatrics - A Haiku Misty summertime An aged, geriatrics field the american |
|
1:51:03 (Pop-up) |
||
| The Electric Flag; An American Music Band |
Another Country
|
1968 |
|
1:51:36 (Pop-up) | ||
| Kevin Ayers |
The Lady Rachel
|
1969 |
|
2:00:10 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
Candyo67 - A Haiku Hearty summertime A running candyo67 message beyond the candyo67 |
|
2:00:14 (Pop-up) |
||
| Family |
Scene Through The Eye Of A Lens
|
1967 | 2:01:20 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
Encouragement - A Haiku Warming summertime A much, encouragement page above the twinkie |
|
2:03:54 (Pop-up) |
||
| Ace of Cups |
Glue
|
2004 |
|
2:04:25 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
Message - A Haiku Loving summertime An urgent, message message near the lovely |
|
2:09:17 (Pop-up) |
||
| Coven |
"Dignitaries of Hell"
|
1969 |
|
2:09:52 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
Candyo67 - A Haiku Dampness summertime before funny candyo67 read enjoying the cheer |
|
2:13:47 (Pop-up) |
||
| deviled ham |
Come On In
|
0 | 1969 |
|
2:18:44 (Pop-up) | |
Music behind DJ: Beaver & Krause |
Walkin'
|
Rainbow - A Haiku Warm up summertime A white, deviled rainbow come above the bardo |
|
2:22:12 (Pop-up) |
||
| The Third Bardo |
Rainbow life
|
1967 |
|
2:22:50 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
Encouragement - A Haiku Wicked summertime A more, encouragement scream above the candyo67 |
|
2:25:21 (Pop-up) |
||
| The Can |
Soul Desert (aus dem roger fritz film: madchen mit gewalt)
|
2017 |
|
2:25:59 (Pop-up) | ||
| Don Van Vliet |
"A lot of money for you, a lot of money for me."
|
1969 |
|
2:29:47 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
Trouble - A Haiku Dampness summertime A more, bound trouble trouble by the grocery |
|
2:31:06 (Pop-up) |
||
| People |
I've Got You On My Mind
|
1969 |
|
2:31:49 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
Harrison - A Haiku Loving summertime A young, harrison people before the seacombe |
|
2:34:16 (Pop-up) |
||
| George Harrison |
Party Seacombe
|
Wonderwall Music | 1968 |
|
2:34:55 (Pop-up) | |
Music behind DJ: Pedro Santos |
Savana
|
Candyo67 - A Haiku Heavy summertime suddenly candyo67 message at the old message |
|
2:39:21 (Pop-up) |
||
| Dave Clark Five |
Come Home
|
2000 |
|
2:40:04 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
How happy is the fort craig! Does the craig make you shiver? does it? Don't belive that the darren is new? the darren is old beyond belief. Down, down, down into the darkness of the darren, Gently it goes - the emeritus, the senescent, the immature. Danny is pal letters. |
|
2:43:49 (Pop-up) |
||
| CAN |
Millionenspiel: 1969
|
1969 |
|
2:44:00 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
The go away that's really respiratory, Above all others is the absent. Does the absent make you shiver? does it? An omission, however hard it tries, Will always be latter. Does the omission make you shiver? does it? |
|
2:50:11 (Pop-up) |
||
| Ace Kefford Stand |
For Your Love
|
1969 |
|
2:50:49 (Pop-up) | ||
| Big Jim Sullivan |
Tallyman
|
Sitar Beat | 1968 |
|
2:56:27 (Pop-up) | |
| Melvin Carter |
Midnight Brew
|
Welfare Cadillac / Midnight Brew |
|
2:58:57 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
Message - A Haiku Smoggy summertime A gospel, message message despite the franco |
|
3:00:17 (Pop-up) |
||
| Warlocks |
Can't Come Down
|
Love Is The Song We Sing (San Francisco Nuggets 1965-1970 |
|
3:01:15 (Pop-up) | ||
| Captain Beefheart and His Magic Band with Frank Zappa |
Alley Cat
|
1969 |
|
3:04:12 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
I cannot help but stop and look at red hellions. Are you upset by how bloody they are? Does it tear you apart to see the hellions so ruby? How happy are winged monsters! Are you upset by how alated they are? Does it tear you apart to see the monsters so alar? How happy is the cunning coven! A coven is sly. a coven is cute, |
|
3:06:53 (Pop-up) |
||
| Caravan |
Ride
|
1969 |
|
3:07:50 (Pop-up) | ||
| Captain Beefheart & His Magic Band |
Safe As Milk
|
1968 |
|
3:11:49 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
Beefheart - A Haiku Loving summertime A magic beefheart captain above the captain |
|
3:11:56 (Pop-up) |
||
| The Savage Resurrection |
Every Little Song
|
1968 |
|
3:17:56 (Pop-up) | ||
Music behind DJ: Created by Bruce Haack |
Super Nova
|
Sagittarius - A Haiku Misty summertime magic sagittarius despite the beefheart |
|
3:19:42 (Pop-up) |
||
| Sagittarius |
Another Time
|
1968 |
|
3:20:31 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
One afternoon I said to myself, "Why aren't aquarians more few?" Are you upset by how umteen they are? Does it tear you apart to see the aquarians so few? One afternoon I said to myself, "Why isn't the libran more electronegative?" Down, down, down into the darkness of the libran, Gently it goes - the affirmative, the electronegative, the irrefutable. |
|
3:23:08 (Pop-up) |
||
| The Zombies |
One Day I'll Say Goodbye
|
1997 |
|
3:23:58 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
How happy is the obvious omission! An omission is frank. an omission is featured, an omission is marked, however. Why would you think the lack is invisible? the lack is the most conspicuous miss of all. Never forget the big and attention-getting lack. Just like a meaningless void, is the void. Never forget the muddled and flocculent void. |
|
3:26:45 (Pop-up) |
||
| The Unwritten Law |
Action Speaks Louder
|
1967 |
|
3:27:30 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
Burning - A Haiku Depressing summer An open, burning balloon at the old balloon |
|
3:29:42 (Pop-up) |
||
| Pretty Things |
Balloon Burning (A Phase In The Life Of S.F. Sorrow)
|
Private Sorrow | 1968 |
|
3:29:46 (Pop-up) | |
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
The Pretty And Burning Morning Whose morning is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his morning a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
3:33:45 (Pop-up) |
||
| Kevin Ayers and the Whole World |
Singing A Song In The Morning
|
1970 |
|
3:34:36 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
Pay attention to the dancing, the dancing is the most acrobatic recreation of all. Does the dancing make you shiver? does it? Why would you think the choir is unharmonious? the choir is the most harmonious sing of all. Down, down, down into the darkness of the choir, Gently it goes - the appropriate, the congruous, the symmetrical. |
|
3:38:18 (Pop-up) |
||
| the Collectors |
She (Will-O-The-Wind)
|
1968 |
|
3:39:18 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
|
3:42:57 (Pop-up) |
|||
| Frumious Bandersnatch |
Chesire
|
1968 |
|
3:43:07 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
|
3:50:09 (Pop-up) |
|||
| Serpent Power |
Up & Down
|
Love Is The Song We Sing (San Francisco Nuggets 1965-1970 |
|
3:50:20 (Pop-up) | ||
| The Leathercoated Minds |
Sunset And Clark
|
3:53:51 (Pop-up) | ||||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
|
3:55:42 (Pop-up) |
|||
| Dream |
Ain't No Use
|
1967 |
|
3:56:08 (Pop-up) | ||
| Deep Purple |
Lalena
|
1969 |
|
4:04:24 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
The scarceness that's really resulting, Above all others is the dearth. Never forget the sequent and ensuant dearth. How happy is the abiding presence! Now imperishable is just the thing, To get me wondering if the presence is enduring. A lack, however hard it tries, Will always be zany. |
|
4:08:54 (Pop-up) |
||
| Smokestack Lightnin' |
Look What You've Done
|
2004 |
|
4:10:22 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
Smokestack - A Haiku Turbid summertime A cherubic smokestack look watching the lightnin |
|
4:12:40 (Pop-up) |
||
| Created by Bruce Haack |
Cherubic Hymn
|
1970 |
|
4:13:20 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
The Little And Cherubic Kaleidoscope Whose kaleidoscope is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his kaleidoscope a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
4:15:38 (Pop-up) |
||
| The Kaleidoscope |
Little Orphan Nannie
|
1967 |
|
4:16:32 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
Message - A Haiku Loving summertime A last, through message message into the window |
|
4:20:03 (Pop-up) |
||
| The 13th Floor Elevators |
Earthquake
|
1967 |
|
4:21:29 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
How happy is the nehru tito! Does the tito make you shiver? does it? How happy is the old selena! Never forget the aging and hand-me-down selena. All that is thin is not maynard, maynard, by all account is fat. Never forget the sebaceous and productive maynard. |
|
4:22:45 (Pop-up) |
||
| Pink Floyd |
Point Me At The Sky
|
Point Me At The Sky / Careful With That Axe Eugene | 1968 |
|
4:23:10 (Pop-up) | |
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
Gatering - A Haiku Muddy summertime A tribal gatering point because of the byrds |
|
4:25:29 (Pop-up) |
||
| The Byrds |
Tribal Gatering
|
1967 |
|
4:27:09 (Pop-up) | ||
| The Millennium |
Prelude
|
1968 |
|
4:29:15 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
|
4:31:18 (Pop-up) |
|||
| SRC |
Up All Night
|
1969 |
|
4:33:09 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
|
4:35:17 (Pop-up) |
|||
| Kaleidoscope |
flight from ashiya
|
1967 |
|
4:36:31 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
An aaron, however hard it tries, Will always be dear. Now good is just the thing, To get me wondering if the aaron is close. I cannot help but stop and look at okay chris. Never forget the fine and satisfactory chris. Just like a crazy plight, is the jim. Down, down, down into the darkness of the jim, |
|
4:38:53 (Pop-up) |
||
| David Axelrod |
The Fly
|
1969 |
|
4:39:49 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
Quicksilver - A Haiku Loving summertime A native, quicksilver band near the axelrod |
|
4:43:21 (Pop-up) |
||
| Steve Miller Band |
Quicksilver Girl
|
Love Is The Song We Sing (San Francisco Nuggets 1965-1970 |
|
4:45:00 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
The In And Quicksilver Quicksilver Whose quicksilver is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his quicksilver a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
4:47:22 (Pop-up) |
||
| Endle St. Cloud In The Rain |
Tell Me One More Time -What's Happening to Our World-
|
1969 |
|
4:48:39 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
Yardbirds - A Haiku Hazy summertime where an old, still yardbirds still near the happening |
|
4:50:57 (Pop-up) |
||
| The Yardbirds |
Still I'm Sad
|
1997 |
|
4:52:27 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
Yardbirds, Part 2 - A Haiku Warm up summertime For an old, strange yardbirds still betrayed by the still |
|
4:54:44 (Pop-up) |
||
| The Strange Fate |
Love Is Like
|
1967 |
|
4:55:35 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
4:57:50 (Pop-up) | ||||
| Stu Phillips |
Hells Angels On Wheels
|
Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 |
|
5:03:37 (Pop-up) | |
| The Byrds |
Stranger In A Strange Land [Instrumental Backing Track]
|
Turn! Turn! Turn! | 1965 |
|
5:05:36 (Pop-up) |
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Owl Sun:
Last Ave San Francisco:
Owl Sun:
Owl Sun:
.....' /
---' (_____
......... ((__)
..... _ ((___)
....... -'((__)
--.___((_)
Last Ave San Francisco
Candy-O'67:
Ojai John:
Owl Sun:
Candy-O'67:
Candy-O'67:
Candy-O'67:
Owl Sun:
Ojai John:
Owl Sun:
Bri The Beatnik:
Candy-O'67:
Candy-O'67:
Candy-O'67:
Bri The Beatnik:
Bri The Beatnik:
Candy-O'67:
Bri The Beatnik:
Candy-O'67:
Bri The Beatnik:
Candy-O'67:
Owl Sun:
Owl Sun:
Owl Sun:
.....' /
---' (_____
......... ((__)
..... _ ((___)
....... -'((__)
--.___((_)
Bri The Beatnik
Bri The Beatnik:
Candy-O'67:
Bri The Beatnik:
Candy-O'67:
Candy-O'67:
Franco Twinkie:
Owl Sun:
.....' /
---' (_____
......... ((__)
..... _ ((___)
....... -'((__)
--.___((_)
Candy-O'67
Candy-O'67:
Candy-O'67:
Franco Twinkie:
Bri The Beatnik:
Candy-O'67:
Owl Sun:
.....' /
---' (_____
......... ((__)
..... _ ((___)
....... -'((__)
--.___((_)
Bri The Beatnik
Owl Sun:
.....' /
---' (_____
......... ((__)
..... _ ((___)
....... -'((__)
--.___((_)
Candy-O'67
Owl Sun:
Candy-O'67:
Owl Sun:
Owl Sun:
Bri The Beatnik:
Franco Twinkie:
Franco Twinkie:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Franco Twinkie:
Candy-O'67:
Bri The Beatnik:
Bri The Beatnik:
Candy-O'67:
Franco Twinkie:
Mod Mokka Matti:
Bri The Beatnik:
Ojai John:
Bri The Beatnik:
Mod Mokka Matti:
Franco Twinkie:
Bri The Beatnik:
Bri The Beatnik:
Franco Twinkie:
Candy-O'67:
Franco Twinkie:
Owl Sun:
Owl Sun:
.....' /
---' (_____
......... ((__)
..... _ ((___)
....... -'((__)
--.___((_)
Ojai John
Owl Sun:
.....' /
---' (_____
......... ((__)
..... _ ((___)
....... -'((__)
--.___((_)
Candy-O'67
Owl Sun:
.....' /
---' (_____
......... ((__)
..... _ ((___)
....... -'((__)
--.___((_)
Bri The Beatnik
Owl Sun:
Candy-O'67:
Owl Sun:
.....' /
---' (_____
......... ((__)
..... _ ((___)
....... -'((__)
--.___((_)
Mod Mokka Matti
Candy-O'67:
Candy-O'67:
Mod Mokka Matti:
@Franco, She may have been ill longer than I realized, but she really went into decline from the end of May, and even more accelerated in the past 2.5 weeks or so.
Candy-O'67:
Candy-O'67:
Franco Twinkie:
Candy-O'67:
Franco Twinkie:
Candy-O'67:
Owl Sun:
Owl Sun:
Franco Twinkie:
Candy-O'67:
Candy-O'67:
Candy-O'67:
Franco Twinkie:
Candy-O'67:
Candy-O'67:
Bri The Beatnik:
Owl Sun:
Candy-O'67:
Candy-O'67:
Bri The Beatnik:
Candy-O'67:
Candy-O'67:
Mod Mokka Matti:
Owl Sun:
Franco Twinkie:
Candy-O'67:
Candy-O'67:
Owl Sun:
Franco Twinkie:
Bri The Beatnik:
Candy-O'67:
Candy-O'67:
Bri The Beatnik:
Candy-O'67:
Mod Mokka Matti:
Bri The Beatnik:
Owl Sun:
Candy-O'67:
Mod Mokka Matti:
Mod Mokka Matti:
Candy-O'67:
Bri The Beatnik:
Owl Sun:
Last Ave San Francisco:
Candy-O'67:
Franco Twinkie:
Owl Sun:
Mod Mokka Matti:
Last Ave San Francisco:
Candy-O'67:
Bri The Beatnik:
Owl Sun:
Mod Mokka Matti:
@Bri: Yikes! ;-P
Mod Mokka Matti:
Candy-O'67:
Bri The Beatnik:
Franco Twinkie:
Candy-O'67:
Bri The Beatnik:
Franco Twinkie:
Candy-O'67:
Mod Mokka Matti:
Owl Sun:
Owl Sun:
Owl Sun:
Bri The Beatnik:
Bri The Beatnik:
Candy-O'67:
Candy-O'67:
Mr. Pumpy:
Bri The Beatnik:
Candy-O'67:
Bri The Beatnik:
Mr. Pumpy:
Bri The Beatnik:
Mod Mokka Matti:
Mr. Pumpy:
Bri The Beatnik:
Bri The Beatnik:
Candy-O'67:
Mr. Pumpy:
Candy-O'67:
Franco Twinkie:
Mr. Pumpy:
Franco Twinkie:
Candy-O'67:
Candy-O'67:
Mr. Pumpy:
Bri The Beatnik:
Bri The Beatnik:
Candy-O'67:
Bri The Beatnik:
Owl Sun:
Owl Sun:
Owl Sun:
TeeTee:
Franco Twinkie:
Bri The Beatnik:
Candy-O'67:
Bri The Beatnik:
Bri The Beatnik:
Mod Mokka Matti:
Candy-O'67:
Franco Twinkie:
Owl Sun:
Owl Sun:
Owl Sun:
Bri The Beatnik:
TeeTee:
@Franco u always have these great music anecdotes :)
Franco Twinkie:
Mod Mokka Matti:
Owl Sun:
Bri The Beatnik:
Mod Mokka Matti:
TeeTee:
Franco Twinkie:
Owl Sun:
Franco Twinkie:
Bri The Beatnik:
Bri The Beatnik:
Mod Mokka Matti:
Bri The Beatnik:
Owl Sun:
Candy-O'67:
Mod Mokka Matti:
Mod Mokka Matti:
Franco Twinkie:
Owl Sun:
Bri The Beatnik:
Bri The Beatnik:
Franco Twinkie:
Bri The Beatnik:
TeeTee:
@Owl Sun thanks for reading my request for Them. I asked mainly to reinforce MMM’s request for Them...
I think he needs it tonight.
@Bri& MMM - jeeeeez sleep paralysis dreams are the absolute worst. I’ve only had them a few times , they are the type of dream experience u can’t easily forget. I in addition to being ‘awake’ yet immobilized & mute I always feel as tho if I don’t fight it the da debil is gonna get me... ugh so bad. And yes I think calm ‘lucid dreaming’concentration helps u out of it. It’s like a bad trip yr struggling to get out of tho
TeeTee:
Franco Twinkie:
Bri The Beatnik:
TeeTee:
@ OwlSun I’m so discouraged
Bri The Beatnik:
Candy-O'67:
Bri The Beatnik:
Bri The Beatnik:
TeeTee:
Owl Sun:
Owl Sun:
Candy-O'67:
Owl Sun:
spacecowboy:
spacecowboy:
He sat laughin' as he wrote the end's in sight
So I said goodbye to all my friends
And packed my hopes inside a matchbox
'Cause I know it's time to fly
Oh yeah, come on, meet me in the morning
Meet me in the middle of the night
Ah yeah, the morning light is comin'
Don't it make you want to go and feel alright
spacecowboy:
Southern lady, had a very, very special smile
We are in the middle of a change in destination
When the train stops, all together we will smile
Oh, come on, come on now meet me in the morning
Won't you meet me in the middle of the night, night, night
Oh oh, yeah, everybody know the mornin' time is comin'
Don't it make you want to feel alright
Owl Sun:
Owl Sun:
spacecowboy:
spacecowboy:
Old age should burn and rave at close of day;
Rage, rage against the dying of the light.
Though wise men at their end know dark is right,
Because their words had forked no lightning they
Do not go gentle into that good night.
Good men, the last wave by, crying how bright
Their frail deeds might have danced in a green bay,
Rage, rage against the dying of the light.
Wild men who caught and sang the sun in flight,
And learn, too late, they grieved it on its way,
Do not go gentle into that good night.
Grave men, near death, who see with blinding sight
Blind eyes could blaze like meteors and be gay,
Rage, rage against the dying of the light.
spacecowboy:
I see the boys of summer in their ruin
Lay the gold tithings barren,
Setting no store by harvest, freeze the soils;
There in their heat the winter floods
Of frozen loves they fetch their girls,
And drown the cargoed apples in their tides.
These boys of light are curdlers in their folly,
Sour the boiling honey;
The jacks of frost they finger in the hives;
There in the sun the frigid threads
Of doubt and dark they feed their nerves;
The signal moon is zero in their voids.
I see the summer children in their mothers
Split up the brawned womb's weathers,
Divide the night and day with fairy thumbs;
There in the deep with quartered shades
Of sun and moon they pa
spacecowboy:
Two one-dimensional ghosts, love on a reel,
Strange to our solid eye,
And speak their midnight nothings as they swell;
When cameras shut they hurry to their hole
down in the yard of day.
They dance between their arclamps and our skull,
Impose their shots, showing the nights away;
We watch the show of shadows kiss or kill
Flavoured of celluloid give love the lie.
III
Which is the world? Of our two sleepings, which
Shall fall awake when cures and their itch
spacecowboy:
Dylan’s portrait appeared on the cover of The Beatles’ 1967 album Sgt Pepper’s Lonely Hearts Club Band at the request of John Lennon. The iconic cover designed by Peter Blake and Jann Haworth features a tableau of historical figures and celebrities.
spacecowboy:
A photograph of Dylan was taken into space on board the Space Shuttle Columbia in 1998. Nasa official George Abbey made the arrangements to honour his Welsh roots and his mother who was born in Laugharne.
Thursday May 14th is International Dylan Thomas Day.
spacecowboy:
spacecowboy:
spacecowboy:
On his first American tour in 1950 Dylan had dinner at Charlie Chaplin’s house in Los Angeles. The dinner was also attended by actress Shelley Winters and writer Christopher Isherwood. At Dylan’s request Chaplin cabled Caitlin in Laugharne so that she’d believe he’d met him.
spacecowboy:
spacecowboy:
spacecowboy:
spacecowboy:
spacecowboy:
spacecowboy:
Clean sparks diving down
Cool in the waterway
Where the baptized drown
Naked in the cold sun
Breathing life like fire
Thought I was the only one
But that was just a lie
'Cause I heard it in the wind
And I saw it in the sky
And I thought it was the end
And I thought it was the fourth of July
Owl Sun: