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All the spectacle and clamor you crave...without those pesky crowds.
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|Artist||Track||Album||Label||Comments||Approx. start time|
|Witold Lutoslawski||Overture for Strings||Concerto for Orchestra + other works||Naxos||Written - not in the 70s or 80s as I thought, - rather, 1949.||0:00:00 (Real | )|
|Gavin Bryars||The English Mail-Coach||Homages||LTM||0:08:40 (Real | )|
|Clocked Out Duo||Water Pushes Sand||Water Pushs Sand||Clocked Out Productions||0:09:09 (Real | )|
|Ann-Louise Liljedahl||Balans (Balance)||Arikpelag||Ann-Louise Liljedahl||0:18:07 (Real | )|
|0:25:36 (Real | )|
|Piccio del Pozzo||Uccelini del Bosco||The Recommended Sampler 1982: 25th Anniversary Edition||ReR||0:30:14 (Real | )|
|Dawid Szczesny||Contiguity of Yours||Luxated Symmetry||Porter||0:30:55 (Real | )|
|Nexus (William Cahn)||The Birds (1979)||Whose Forest?||Hornblower||0:36:05 (Real | )|
|Ton de Leeuw||Antiphonie (1960)||Anthology of Dutch Electronic Music, Volume 1: 1955-66||Basta||0:45:00 (Real | )|
|1:02:51 (Real | )|
|Conlon Nancarrow||Two Canons for Ursula||Contemporary American Piano||Music & Arts||1:03:23 (Real | )|
|Trio of Uncertainty||Unhinged||Unlocked||Emanem||Satako Fukuda - violin Hannah Marshall - cello Veryan Weston - piano||1:13:53 (Real | )|
|Elliott Carter||Duo for Violin and Piano||Elliott Carter: Chamber Music||Montaigne||Performed by Irvine Arditti - violin, and Ursula Oppens - piano||1:25:51 (Real | )|
|Elliott Carter||5th String Quartet||Elliott Carter: Chamber Music||Montaigne||Performed by Arditti Quartet||1:45:05 (Real | )|
Sun. 12/14/08 10:53pm
happy holidays bethany,,,great show 2nite. have you got any holiday plans?? btw what was the worst gift you ever got???
Sun. 12/14/08 10:56pm
This seriously reminds me of Close Encounters of the 3rd Kind at the end.
Sun. 12/14/08 11:19pm
request: some Kyle Gann?
Sun. 12/14/08 11:56pm
Carter was on Charlie Rose the eve of his birthday. He's pretty amazing. Don't feel bad about Close Encounters. I get the same feeling when I see Richard Dreyfuss.
Mon. 12/15/08 11:15am
When I was a young boy (well, young enough) I went to see Close Encounters in a suggestible state. I came out transfixed by moving lights into a night-time city and felt so carried away I could have run into the side of a passing bus. Apart from that I don't remember it as scary!
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