The Night Owl Show with Owl Sun:
Playlist
from March 12, 2023
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EDT)
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Mono]
|
1967 | 0:00:23 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:49 (Pop-up) | ||||
| The Shadows of Knight |
Dark Side
|
1966 |
|
0:03:18 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
Shepherd - A Haiku Dampness wintertime A savage shepherd shepherd beyond the shadows |
|
0:05:15 (Pop-up) |
||
| The Savage Rose |
The Shepherd & Sally
|
1968 |
|
0:05:39 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
Dragonfly - A Haiku Sunless wintertime A huge, dragonfly shepherd at the old cootchie |
|
0:10:51 (Pop-up) |
||
| Dragonfly |
Hootchie Cootchie Man
|
1968 |
|
0:11:11 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
Harrisson - A Haiku Heavy wintertime before sound harrisson sound by the dragonfly |
|
0:15:28 (Pop-up) |
||
| Christopher |
Disaster
|
1970 |
|
0:17:14 (Pop-up) | ||
| The Magic Mushrooms |
Never More
|
1966 |
|
0:20:52 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
Pay attention to the matthew, the matthew is the most reverend gospels of all. Now sacred is just the thing, To get me wondering if the matthew is sublime. A greg, however hard it tries, Will always be more. A greg is more than. a greg is further, a greg is additional, however. |
|
0:23:35 (Pop-up) |
||
| The Unspoken Word |
For The World
|
1968 |
|
0:24:17 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
Pay attention to the matthew, the matthew is the most reverend gospels of all. Now sacred is just the thing, To get me wondering if the matthew is sublime. A greg, however hard it tries, Will always be more. A greg is more than. a greg is further, a greg is additional, however. |
|
0:25:59 (Pop-up) |
||
| jeff beck |
Shapes Of Things
|
1968 |
|
0:27:19 (Pop-up) | ||
| The Rush Hour |
Set Me Free
|
1969 |
|
0:30:33 (Pop-up) | ||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07
|
Production - A Haiku Threatening winter A mass, production release by the electric |
|
0:34:05 (Pop-up) |
||
| The Electric Prunes |
Shadows (From "The Name Of The Game Is Kill") (A Poore & Todd Production - Fanfare Film Release)
|
0:34:32 (Pop-up) | ||||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
Production, Part 2 - A Haiku Dampness wintertime A scale, production release on the electric |
|
0:36:47 (Pop-up) |
||
| bo grumpus |
If I Came To You
|
1968 |
|
0:37:36 (Pop-up) | ||
| Children |
Enough Of What I Need
|
1968 |
|
0:41:05 (Pop-up) | ||
| The id |
The Rake
|
The Inner Sounds Of The Id |
|
0:43:03 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
|
0:44:58 (Pop-up) |
|||
| The Del-Vetts |
That's the Way it is
|
1966 |
|
0:45:18 (Pop-up) | ||
| Adjéèf The Poet! His Girl(s) His Friend(s) And The Rest Of The World(s) |
Ieek! I'm A...Freak
|
1967 |
|
0:47:24 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
I cannot help but stop and look at puzzling disappearances. Never forget the incomprehensible and confusing disappearances. Why would you think the deceased is first? the deceased is the most second soul of all. Never forget the forward and first deceased. I cannot help but stop and look at the wooly absence. An absence is flocculent. an absence is muddled, an absence is soft, however. |
|
0:50:10 (Pop-up) |
||
| Shadows of Knight |
Someone Like Me
|
1967 |
|
0:51:48 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
Chrysalis - A Haiku Polar wintertime A dead, like chrysalis knight after the getting |
|
0:54:01 (Pop-up) |
||
| Chrysalis |
Father's Getting Old
|
1968 |
|
0:54:25 (Pop-up) | ||
| Peter Pan & The Good Fairies |
Balloons
|
1967 |
|
0:56:46 (Pop-up) | ||
| TSU Tornados |
Getting the Corners
|
TSU Tornados Tracks |
|
0:59:07 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
Chrysalis, Part 2 - A Haiku Glacial wintertime A brown, chrysalis woman under the getting |
|
1:00:24 (Pop-up) |
||
| The Oxford Circle |
Foolish Woman
|
1997 |
|
1:00:59 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
Alexander - A Haiku Wicked wintertime A late, alexander peace whilst watching the spence |
|
1:03:29 (Pop-up) |
||
| Alexander Spence |
War In Peace
|
1969 |
|
1:03:53 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
Alexander, Part 2 - A Haiku Foggy wintertime A great, alexander peace whilst watching the sounds |
|
1:07:49 (Pop-up) |
||
| Sounds Unlimited |
A Girl As Sweet As You
|
1967 |
|
1:08:43 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
Cowsills - A Haiku Foggy wintertime Surprisingly cowsills milk because of the sounds |
|
1:11:00 (Pop-up) |
||
| Neighb'rhood Childr'n |
Chocolate Angel
|
1968 |
|
1:13:04 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
|
1:15:33 (Pop-up) |
|||
| The Velvet Underground And Nico |
All Tomorrow's Parties
|
1966 |
|
1:15:44 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
The Savage And Underground Underground Whose underground is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his underground a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
1:18:29 (Pop-up) |
||
| The Savage Rose |
A Trial In Our Native Town
|
1968 |
|
1:19:15 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
The Native And Savage Circus Whose circus is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his circus a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
1:26:19 (Pop-up) |
||
| The Stone Circus |
Adam's Lament
|
1969 |
|
1:27:49 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
|
1:30:20 (Pop-up) |
|||
| Les Yper-Sound |
Psyché Rock
|
Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 |
|
1:30:34 (Pop-up) | |
Music behind DJ: The Shadows |
A Place in the Sun
|
Ypersound - A Haiku Previous winter suddenly ypersound love the america |
|
1:33:09 (Pop-up) |
||
| The United States Of America |
Hard Coming Love
|
The United States Of America | 1968 |
|
1:33:53 (Pop-up) | |
Music behind DJ: Big Jim Sullivan |
The Koan
|
The Coming And United Decision Whose decision is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his decision a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
1:38:32 (Pop-up) |
||
| Christopher |
Burns Decision
|
1970 |
|
1:39:20 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
|
1:45:24 (Pop-up) |
|||
| jeff beck |
Morning Dew
|
1968 |
|
1:46:17 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
|
1:50:38 (Pop-up) |
|||
| The Skunks |
The Journey
|
1967 |
|
1:51:02 (Pop-up) | ||
| The Unspoken Word |
Rossby
|
1968 |
|
1:53:16 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
|
1:55:49 (Pop-up) |
|||
| The Shiver |
No Time
|
1969 |
|
1:56:05 (Pop-up) | ||
| TSU Toronados |
Play the Music Toronadoes
|
Play The Music Toronados |
|
1:58:50 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
I saw the the subsequent quality of my generation destroyed, How I mourned the inability. Never forget the resultant and antecedent inability. How happy is the pervasive presence! Does the presence make you shiver? does it? Lack is persistent relief. persistent relief is lack. |
|
2:01:11 (Pop-up) |
||
| The Children |
Don't Ever Lose It
|
1968 |
|
2:02:09 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
Productions - A Haiku Glacial wintertime A best, productions sample watching the children |
|
2:04:22 (Pop-up) |
||
| The Oxford Circle |
The Raven
|
1997 |
|
2:07:14 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
A sternberg, however hard it tries, Will always be famous. Are you upset by how illustrious it is? Does it tear you apart to see the sternberg so famed? I cannot help but stop and look at the constable archibald. Does the archibald make you shiver? does it? Hartley is sackett answers. |
|
2:11:05 (Pop-up) |
||
| Grahame Bond |
Walk On To Me
|
1969 |
|
2:12:43 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
Alexander - A Haiku Dampness wintertime A meet alexander meet before the grahame |
|
2:15:05 (Pop-up) |
||
| Alexander Spence |
All Come To Meet Her
|
1969 |
|
2:16:42 (Pop-up) | ||
| The Little Boy Blues |
The Great Train Robbery
|
1966 |
|
2:18:50 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Moonrakers - A Haiku Polar wintertime A baby moonrakers meet the alexander |
|
2:21:04 (Pop-up) |
||
| The Moonrakers |
Baby Please Don't Go
|
1966 |
|
2:22:42 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
One afternoon I said to myself, "Why isn't the gonna more easy?" Now tumid is just the thing, To get me wondering if the gonna is adamantine. How happy is the big why! A why is ample. a why is colossal, a why is prominent, however. The big hey sings like a loud modification |
|
2:25:27 (Pop-up) |
||
| Band Of Wyndand |
Day-Time Nite-Time
|
2:26:24 (Pop-up) | ||||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
|
2:28:35 (Pop-up) |
|||
| Neighb'rhood Childr'n |
Patterns
|
1968 |
|
2:30:01 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
Pay attention to the sunset, the sunset is the most gorgeous time of day of all. Does the sunset make you shiver? does it? An afternoon, however hard it tries, Will always be sultry. Does the afternoon make you shiver? does it? |
|
2:33:36 (Pop-up) |
||
| Saturday's Children |
Leave That Baby Alone
|
1967 |
|
2:35:04 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
Saturdays - A Haiku Coldness wintertime A free, ground saturdays ground under the children |
|
2:37:23 (Pop-up) |
||
| Pussy |
The Open Ground
|
1969 |
|
2:38:39 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
Chrysalis - A Haiku Frigid wintertime A black, ground chrysalis ground at the perfect ground |
|
2:40:57 (Pop-up) |
||
| Chrysalis |
Piece Of Sun
|
1968 |
|
2:41:29 (Pop-up) | ||
| The Motherhood |
Soul Town
|
1969 |
|
2:43:37 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
|
2:45:33 (Pop-up) |
|||
| mutantes |
Não Vá Se Perder Por Aí
|
1969 |
|
2:45:38 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
|
2:47:14 (Pop-up) |
|||
| The Stone Circus |
Sara Wells
|
1969 |
|
2:49:01 (Pop-up) | ||
| The Shadows |
Man of Mystery
|
1996 |
|
2:51:08 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
How happy is the sharp plough! Never forget the sharp-worded and scratching plough. The play that's really violent, Above all others is the bout. Does the bout make you shiver? does it? Just like a sharp movement, is looks. Looks are colored. looks are cowardly, |
|
2:53:30 (Pop-up) |
||
| Zone 26 |
As The World Turns Cold
|
1968 |
|
2:55:01 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
River - A Haiku Coldness wintertime A mighty, cold river zone at the perfect turns |
|
2:57:20 (Pop-up) |
||
| jeff beck |
Ol' Man River
|
1968 |
|
2:59:01 (Pop-up) | ||
| The Unspoken Word |
Sunday Suit Of Clothes
|
1968 |
|
3:02:34 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
Mattress - A Haiku Nighttime wintertime An unspoken mattress word into the drinker |
|
3:04:58 (Pop-up) |
||
| fat mattress |
All Night Drinker
|
1969 |
|
3:06:33 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
The In And Fat Anticipation Whose anticipation is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his anticipation a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
3:08:53 (Pop-up) |
||
| Ron Geesin |
Agitation in Anticipation of Offspring Part "X"
|
1969 |
|
3:10:13 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
The Wild And Wild Anticipation Whose anticipation is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his anticipation a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
3:12:34 (Pop-up) |
||
| William The Wild One |
(They Call Me) Willie The Wild One
|
1966 |
|
3:14:06 (Pop-up) | ||
| The Children |
Sitting On A Flower
|
1968 |
|
3:16:34 (Pop-up) | ||
| U.S. 69 |
Never A Day Goes By
|
1969 |
|
3:18:25 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
|
3:24:17 (Pop-up) |
|||
| The Unusuals |
Babe, It's Me
|
1966 |
|
3:26:07 (Pop-up) | ||
Music behind DJ: The Beatles |
The Bus
|
|
3:28:16 (Pop-up) |
|||
| Alexander Spence |
Books Of Moses
|
1969 |
|
3:30:06 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
|
3:32:58 (Pop-up) |
|||
| The Zakary Thaks |
Face To Face
|
1967 |
|
3:33:01 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
Feeling - A Haiku Gloomy wintertime A bad, feeling feeling face whilst watching the charles |
|
3:35:11 (Pop-up) |
||
| Sweet Feeling |
Charles Brown
|
1967 | 3:36:49 (Pop-up) | |||
| The Zoo |
Gonna' Miss Me
|
1967 |
|
3:38:56 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
How happy is the georg michael! Does the michael make you shiver? does it? All that is unworthy is not cuthbert, cuthbert, by all account is worthy. Down, down, down into the darkness of the cuthbert, Gently it goes - the solid, the sacred, the suitable. The fat carey sings like a british bit |
|
3:41:44 (Pop-up) |
||
| Southbound Freeway |
Southbound Freeway
|
2008 | 3:42:48 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Freeway - A Haiku Glacial wintertime A first, southbound freeway love watching the freeway |
|
3:45:34 (Pop-up) |
||
| Wool |
Love, Love, Love, Love
|
1969 |
|
3:46:19 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
How happy is the five forgotten! Does the forgotten make you shiver? does it? I cannot help but stop and look at the last revised. Are you upset by how ultimate it is? Does it tear you apart to see the revised so unlikely? The go away that's really fat, Above all others is the absent. |
|
3:48:39 (Pop-up) |
||
| Neighb'rhood Childr'n |
Happy World Of Captain K
|
1968 |
|
3:49:15 (Pop-up) | ||
| The Byrds |
Stranger In A Strange Land [Instrumental Backing Track]
|
Turn! Turn! Turn! | 1965 |
|
3:51:23 (Pop-up) | |
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Neighbrhood - A Haiku Freezing wintertime before black neighbrhood captain because of the childrn |
|
3:53:41 (Pop-up) |
||
| The Wrongh Black Bag |
Wake Me, Shake Me
|
1968 |
|
3:55:13 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
The absentee is not insignificant! the absentee is exceptionally cardinal. Now operative is just the thing, To get me wondering if the absentee is cardinal. I cannot help but stop and look at the strange absence. Now freaky is just the thing, To get me wondering if the absence is exotic. Just like a never drinking, is the failing. |
|
3:57:36 (Pop-up) |
||
| Chrysalis |
Dr. Root's Garden
|
1968 |
|
3:59:14 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
|
4:01:23 (Pop-up) |
|||
| mutantes |
Dia 36
|
1969 |
|
4:02:58 (Pop-up) | ||
| The Shadows of Knight |
Oh Yeah
|
1966 |
|
|||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
|
||||
| The Yardbirds |
Puzzles
|
1967 |
|
|||
Music behind DJ: Roland Vincent |
LSD Party
|
I cannot help but stop and look at sure whereabouts. Now predestinate is just the thing, To get me wondering if whereabouts are doomed. Why would you think the deceased is first? the deceased is the most second soul of all. Down, down, down into the darkness of the deceased, Gently it goes - the ordinal, the instant, the 2nd. How happy is the fat failing! |
|
|||
| The Stone Circus |
Inside-Out Man
|
1969 |
|
|||
| jeff beck |
Beck's Bolero
|
1968 |
|
|||
Music behind DJ: Roland Vincent |
LSD Party
|
Insideout - A Haiku Dampness wintertime before insideout stone before the circus |
|
|||
| The Unspoken Word |
For The World
|
1968 |
|
|||
Music behind DJ: The Shadows |
Wonderful Land
|
World - A Haiku Polar wintertime A real, unspoken world rush beyond the hour |
|
|||
| The Rush Hour |
Set Me Free
|
1969 |
|
|||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
Pictorial - A Haiku Coldness wintertime A less, pictorial rush before the children |
|
|||
| The Children |
Pictorial
|
1968 |
|
|||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
|
||||
| fat mattress |
Mr. Moonshine
|
1969 |
|
|||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
|
||||
| Pawnbrokers |
Someday
|
1995 | ||||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
|||||
| Ramsey Lewis |
Sexy Sadie
|
1968 |
|
|||
| Gerry & Paul & the Soul Emmissaries |
Little Bit of Soul
|
Northern Soul Fever 4b |
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Listener comments!
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