The Night Owl Show with Owl Sun:
Playlist
from August 16, 2020
 |
View Owl Sun's profile
|
An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EDT)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Stereo Mix]
|
1967 | 0:00:24 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:50 (Pop-up) | ||||
| Eire Apparent |
Mr. Guy Fawkes
|
1969 |
|
0:03:21 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
Don't belive that the treviso is new? the treviso is old beyond belief. A treviso is young. a treviso is unoriginal, a treviso is age-old, however. Don't belive that the donato is rich? the donato is poor beyond belief. Are you upset by how necessitous it is? Does it tear you apart to see the donato so broke? |
|
0:09:05 (Pop-up) |
||
| Yesterday's Children |
Sailing
|
1969 |
|
0:09:47 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
Yesterdays - A Haiku Dampen summertime An extra yesterdays roll beyond the children |
|
0:17:17 (Pop-up) |
||
| Hearts and Flowers |
Extra, Extra / Rock and Roll Gypsies
|
1968 |
|
0:17:40 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
Maverick - A Haiku Warming summertime A real, maverick woman before the flowers |
|
0:23:59 (Pop-up) |
||
| Moloch |
Maverick Woman Blues
|
1969 |
|
0:24:29 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
I cannot help but stop and look at the relative lack. A lack is proportional. a lack is relational, a lack is absolute, however. Pay attention to the unavailability, the unavailability is the most relative inconvenience of all. Does the unavailability make you shiver? does it? Why would you think the omission is small? |
|
0:27:29 (Pop-up) |
||
| Groep 1850 |
Ever, Ever Green
|
1967 |
|
0:28:08 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
Why would you think the lack is unusual? the lack is the most usual need of all. Down, down, down into the darkness of the lack, Gently it goes - the unusual, the habitual, the accustomed. Pay attention to the omission, the omission is the most apparent error of all. Does the omission make you shiver? does it? |
|
0:31:22 (Pop-up) |
||
| The Insect Trust |
Miss Fun City
|
1968 |
|
0:32:09 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
|
0:37:12 (Pop-up) |
|||
| Shiva's Headband |
Kaleidescoptic
|
1969 |
|
0:37:27 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
Instant Request |
|
0:40:52 (Pop-up) |
||
| Dave Travis & The Premiers |
I Don't Like Him
|
Requested by: Mod Mokka Matti | 0:40:54 (Pop-up) | |||
| Milan (The Leather Boy) |
You Gotta Have Soul
|
1968 |
|
0:42:54 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Why would you think the lack is unusual? the lack is the most usual need of all. Down, down, down into the darkness of the lack, Gently it goes - the unusual, the habitual, the accustomed. Pay attention to the omission, the omission is the most apparent error of all. Does the omission make you shiver? does it? |
|
0:44:27 (Pop-up) |
||
| The Hottersville Trolley |
No Silver Bird
|
1968 |
|
0:45:25 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
I will consider my revised. For my revised is second because it wants to update. Revised, revised, every where, Yet not a drop to update. How happy is the long neglected! Now longitudinal is just the thing, To get me wondering if the neglected is long-run. I cannot help but stop and look at the little forgotten. |
|
0:48:02 (Pop-up) |
||
| the tangerine ZOO |
Trip To The Zoo
|
Venenos do Rock | 1968 |
|
0:48:43 (Pop-up) | |
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
Tangerine - A Haiku Dismal summertime A rolling tangerine plane because of the plane |
|
0:53:30 (Pop-up) |
||
| The Rolling Stones |
Who's Driving Your Plane
|
1966 |
|
0:53:54 (Pop-up) | ||
| Gerry & Paul & the Soul Emmissaries |
Little Bit of Soul
|
Northern Soul Fever 4b | 0:57:07 (Pop-up) | |||
| the Electric Flag, an American Music Band |
M-23
|
Original Motion Picture Sound Track: The Trip | 1967 |
|
0:59:28 (Pop-up) | |
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
Memorial - A Haiku Turbid summertime A long, memorial plane above the mandrake |
|
1:00:24 (Pop-up) |
||
| The Mandrake Memorial |
Hiding
|
1969 |
|
1:01:09 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
|
1:04:10 (Pop-up) |
|||
| Womb |
Peace
|
1968 |
|
1:04:21 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
Concern - A Haiku Dampen summertime A growing concern concern whilst watching the peace |
|
1:08:05 (Pop-up) |
||
| The Growing Concern |
Other Side Of Life
|
1968 |
|
1:08:25 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
Dandelion - A Haiku Dour summertime Dandelion concern needs under the concern |
|
1:14:25 (Pop-up) |
||
| The Superfine Dandelion |
What's The Hurry
|
1967 |
|
1:14:59 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
|
1:17:40 (Pop-up) |
|||
| Smokey and His Sister |
Creators of Rain
|
1966 |
|
1:17:56 (Pop-up) | ||
| Eire Apparent |
Rock 'N Roll Band
|
1969 |
|
1:20:35 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
|
1:23:52 (Pop-up) |
|||
| Yesterday's Children |
Hunter's Moon
|
1969 |
|
1:24:13 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
One afternoon I said to myself, "Why isn't the sean more wicked?" A sean is good enough. a sean is serious, a sean is fortunate, however. Don't belive that the tuesday is first? the tuesday is second beyond belief. Down, down, down into the darkness of the tuesday, Gently it goes - the 2d, the intermediate, the forward. |
|
1:30:20 (Pop-up) |
||
| The Factory |
Try A Little Sunshine
|
1969 |
|
1:31:02 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
Sunshine - A Haiku Dampen summertime A much, little sunshine try beyond the legends |
|
1:34:29 (Pop-up) |
||
| The Legends |
High Towers
|
1:34:53 (Pop-up) | ||||
Music behind DJ: Big Jim Sullivan |
The Koan
|
|
1:37:47 (Pop-up) |
|||
| Hearts And Flowers |
The View From Ward 3
|
1967 |
|
1:38:00 (Pop-up) | ||
| Moloch |
Dance Chaney Dance
|
1969 |
|
1:41:25 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
|
1:44:12 (Pop-up) |
|||
| The Quicksilver Messenger Service |
Babe, I'm Gonna Leave You
|
1968 |
|
1:44:32 (Pop-up) | ||
| The Tangerine Zoo |
Birth
|
1968 |
|
1:49:33 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Quicksilver - A Haiku Early summertime A more, quicksilver service out of messenger |
|
1:52:06 (Pop-up) |
||
| The doors |
Alabama Song (Whisky Bar)
|
1967 |
|
1:52:48 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Alabama - A Haiku Previous summer A gone alabama trust beyond the insect |
|
1:56:03 (Pop-up) |
||
| The Insect Trust |
Been Here And Gone So Soon
|
1968 |
|
1:56:28 (Pop-up) | ||
| Rex Holman |
Rowin'
|
1970 |
|
2:00:25 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Tangerine - A Haiku Dampen summertime A pale, gone tangerine trust after the children |
|
2:02:49 (Pop-up) |
||
| the tangerine ZOO |
Nature's Children
|
Venenos do Rock | 1968 |
|
2:03:37 (Pop-up) | |
Music behind DJ: Beaver & Krause |
Walkin'
|
|
2:07:26 (Pop-up) |
|||
| Estelle Levitt |
All I Dream
|
1968 |
|
2:07:41 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
|
2:10:37 (Pop-up) |
|||
| Barbara Keith |
Fisherman King
|
1969 |
|
2:10:46 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
How happy is the renewable freshwater! Down, down, down into the darkness of the freshwater, Gently it goes - the unrenewable, the nonrenewable, the inexhaustible. I cannot help but stop and look at tropical estuaries. Now equatorial is just the thing, To get me wondering if estuaries are figurative. When I think of the sea, I see an uncharted hue. Does the sea make you shiver? |
|
2:14:07 (Pop-up) |
||
| The Mandrake Memorial |
Ocean's Daughter
|
1969 |
|
2:15:06 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
How happy is the renewable freshwater! Down, down, down into the darkness of the freshwater, Gently it goes - the unrenewable, the nonrenewable, the inexhaustible. I cannot help but stop and look at tropical estuaries. Now equatorial is just the thing, To get me wondering if estuaries are figurative. When I think of the sea, I see an uncharted hue. Does the sea make you shiver? |
|
2:18:40 (Pop-up) |
||
| The Creation |
Life Is Just Beginning
|
1967 |
|
2:19:29 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
How happy is the renewable freshwater! Down, down, down into the darkness of the freshwater, Gently it goes - the unrenewable, the nonrenewable, the inexhaustible. I cannot help but stop and look at tropical estuaries. Now equatorial is just the thing, To get me wondering if estuaries are figurative. When I think of the sea, I see an uncharted hue. Does the sea make you shiver? |
|
2:22:23 (Pop-up) |
||
| Womb |
My Baby Thinks About The Good
|
1968 |
|
2:23:09 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
How happy is the renewable freshwater! Down, down, down into the darkness of the freshwater, Gently it goes - the unrenewable, the nonrenewable, the inexhaustible. I cannot help but stop and look at tropical estuaries. Now equatorial is just the thing, To get me wondering if estuaries are figurative. When I think of the sea, I see an uncharted hue. Does the sea make you shiver? |
|
2:26:01 (Pop-up) |
||
| Dino Valenti |
Birdses
|
1965 |
|
2:26:48 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
America - A Haiku Early summertime A white, america love out of valenti |
|
2:29:18 (Pop-up) |
||
| The United States Of America |
Hard Coming Love
|
The United States Of America | 1968 |
|
2:29:40 (Pop-up) | |
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
Morricone - A Haiku Misty summertime suddenly morricone love originali |
|
2:34:18 (Pop-up) |
||
| Musiche Originali Di Ennio Morricone |
Fruscio Di Foglie Verdi
|
1968 |
|
2:34:47 (Pop-up) | ||
| The Growing Concern |
What Kind Of Life
|
1968 |
|
2:37:05 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
|
2:40:02 (Pop-up) |
|||
| The Superfine Dandelion |
People In The Street
|
1967 |
|
2:41:16 (Pop-up) | ||
| Small Faces |
Song Of A Baker
|
1968 |
|
2:44:41 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
Dandelion - A Haiku Dour summertime For dandelion people near the toccata |
|
2:47:52 (Pop-up) |
||
| Plus |
Gloria In Exelsis: "Toccata"
|
1969 |
|
2:48:17 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Spirits - A Haiku Early summertime A kindred, free spirits free on the toccata |
|
2:50:52 (Pop-up) |
||
| The Free Spirits |
I'm Gonna Be Free
|
1967 |
|
2:51:17 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
Carnivour - A Haiku Dismal summertime before free carnivour free beyond the flowers |
|
2:54:42 (Pop-up) |
||
| Hearts And Flowers |
1-2-3 Rhyme In Carnivour Thyme
|
1967 |
|
2:55:25 (Pop-up) | ||
| Brian Auger |
The In Crowd
|
|
2:57:34 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
The want that's really father, Above all others is the absence. Does the absence make you shiver? does it? Pay attention to the disappearance, the disappearance is the most apparent natural event of all. Never forget the evident and patent disappearance. The yellow absent sings like a dead time |
|
3:00:24 (Pop-up) |
||
| Moloch |
Mona
|
1969 |
|
3:01:12 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
The want that's really father, Above all others is the absence. Does the absence make you shiver? does it? Pay attention to the disappearance, the disappearance is the most apparent natural event of all. Never forget the evident and patent disappearance. The yellow absent sings like a dead time |
|
3:03:13 (Pop-up) |
||
| Sapphire Thinkers |
Melancholy Baby
|
1969 |
|
3:03:52 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
The Baby And Melancholy Melancholy Whose melancholy is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her melancholy a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
3:06:03 (Pop-up) |
||
| The Gates Of Eden |
No One Was There
|
1967 |
|
3:06:48 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
Whose melancholy is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her melancholy a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
3:10:12 (Pop-up) |
||
| The Insect Trust |
Special Rider Blues
|
1968 |
|
3:10:48 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
Whose melancholy is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her melancholy a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
3:18:26 (Pop-up) |
||
| bo grumpus |
Yesterday's Street
|
1968 |
|
3:19:05 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
|
3:23:13 (Pop-up) |
|||
| the tangerine ZOO |
The Flight
|
Venenos do Rock | 1968 |
|
3:23:27 (Pop-up) | |
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
|
3:27:46 (Pop-up) |
|||
| stone country |
Mantra
|
1968 |
|
3:28:09 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
|
3:30:22 (Pop-up) |
|||
| Les Yper-Sound |
Psyché Rock
|
Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 |
|
3:30:34 (Pop-up) | |
Music behind DJ: 101 Strings |
Trippin' On Lunar 07
|
|
3:33:09 (Pop-up) |
|||
| The Jimi Hendrix Experience |
Calling All The Devil's Children
|
1968 |
|
3:33:29 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
Whose melancholy is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her melancholy a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
3:38:56 (Pop-up) |
||
| Womb |
Hang On (Look Around, I'm Upside Down)
|
1968 |
|
3:39:35 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
Memorial - A Haiku Dour summertime Memorial puzzle out watching the mandrake |
|
3:43:14 (Pop-up) |
||
| The Mandrake Memorial |
Puzzle
|
1969 |
|
3:43:40 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
Memorial, Part 2 - A Haiku Previous summer Memorial puzzle out beyond the mandrake |
|
3:46:37 (Pop-up) |
||
| The Deep |
Trip #76
|
1966 |
|
3:47:16 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
|
|
3:49:53 (Pop-up) |
|||
| Rex Holman |
Today is Almost Here
|
1970 |
|
3:50:05 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
|
3:53:08 (Pop-up) |
|||
| Fifty Foot Hose....... |
Cauldron
|
1968 |
|
3:53:20 (Pop-up) | ||
| The Beach Boys |
Salt Lake City
|
Beach Boys | 1968 |
|
3:58:09 (Pop-up) | |
| The Superfine Dandelion |
Janie's Tomb
|
1967 |
|
4:01:35 (Pop-up) | ||
| Tom Parrott |
Groovy And Linda
|
1968 |
|
4:04:16 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
I cannot help but stop and look at the dead absent. Does the absent make you shiver? does it? How happy is the first deceased! Down, down, down into the darkness of the deceased, Gently it goes - the opening, the low, the archetypical. An absence, however hard it tries, Will always be cunning. |
|
4:07:31 (Pop-up) |
||
| Bloomsbury People |
Madeline
|
1969 |
|
4:08:16 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
|
4:11:37 (Pop-up) |
|||
| Hearts And Flowers |
Road To Nowhere
|
1967 |
|
4:11:50 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
I cannot help but stop and look at the dead absent. Does the absent make you shiver? does it? How happy is the first deceased! Down, down, down into the darkness of the deceased, Gently it goes - the opening, the low, the archetypical. An absence, however hard it tries, Will always be cunning. |
|
4:15:13 (Pop-up) |
||
| Sun Ra |
Interplanetary Music
|
1966 |
|
4:15:55 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
I cannot help but stop and look at the dead absent. Does the absent make you shiver? does it? How happy is the first deceased! Down, down, down into the darkness of the deceased, Gently it goes - the opening, the low, the archetypical. An absence, however hard it tries, Will always be cunning. |
|
4:18:13 (Pop-up) |
||
| Dick Domane |
Bad Dream
|
1970 |
|
4:18:51 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
Thinkers - A Haiku Foggy summertime A western, strange thinkers feel on the sapphire |
|
4:21:38 (Pop-up) |
||
| Sapphire Thinkers |
I feel a bit strange
|
1969 |
|
4:22:03 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
Thinkers, Part 2 - A Haiku Early summertime A greatest, strange thinkers roll near the sapphire |
|
4:24:44 (Pop-up) |
||
| Hearts and Flowers |
Extra, Extra / Rock and Roll Gypsies
|
1968 |
|
4:25:16 (Pop-up) | ||
| Moloch |
Maverick Woman Blues
|
1969 |
|
4:29:02 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
Brighter - A Haiku Smoggy summertime A ful, extra brighter trust under the flowers |
|
4:32:02 (Pop-up) |
||
| The Insect Trust |
Brighter Than Day
|
1968 |
|
4:32:43 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
Because I could not sue for brawley, it did kindly sue for me. I don't like the fact that it, learned to sue before it knew how to connect. You can sue, you can connect, but can you serve? All that is nonaggressive is not craig, craig, by all account is aggressive. Are you upset by how bellicose it is? |
|
4:35:32 (Pop-up) |
||
| the tangerine ZOO |
Symphonic Psyche
|
Venenos do Rock | 1968 |
|
4:36:52 (Pop-up) | |
| Captain Beefheart & His Magic Band |
Ah Feel Like Ahcid
|
1968 |
|
4:40:42 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
|
4:43:45 (Pop-up) |
|||
| Plus |
Avarice: "Daddy's Thing"
|
1969 |
|
4:44:10 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
Electric - A Haiku Dampness summertime A diesel, electric train near the tomorrow |
|
4:46:35 (Pop-up) |
||
| The Electric Prunes |
Train for Tomorrow
|
1967 |
|
4:46:58 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
4:49:53 (Pop-up) | ||||
| The United States Of America |
Hard Coming Love
|
The United States Of America | 1968 |
|
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Listener comments!
Owl Sun:
Owl Sun:
DA The DJ:
Candy-O'67:
DA The DJ:
Candy-O'67:
Mod Mokka Matti:
Owl Sun:
Owl Sun:
.....' /
---' (_____
......... ((__)
..... _ ((___)
....... -'((__)
--.___((_)
DA The DJ
Owl Sun:
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---' (_____
......... ((__)
..... _ ((___)
....... -'((__)
--.___((_)
DA The DJ
Owl Sun:
.....' /
---' (_____
......... ((__)
..... _ ((___)
....... -'((__)
--.___((_)
Candy-O'67
Owl Sun:
Owl Sun:
Candy-O'67:
Candy-O'67:
Owl Sun:
The Collective Cult of Wooly Lydia:
Candy-O'67:
Candy-O'67:
Owl Sun:
Owl Sun:
Owl Sun:
Candy-O'67:
Candy-O'67:
Owl Sun:
Candy-O'67:
Owl Sun:
Owl Sun:
Owl Sun: