The Night Owl Show with Owl Sun:
Playlist
from November 20, 2019
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EDT)
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On
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Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
The Night Owl show will start in a bit! |
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0:00:00 (Pop-up) |
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| Nirvana |
In The Courtyard Of The Stars [Stereo Mix]
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1967 | 0:00:12 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
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0:02:37 (Pop-up) | ||||
| Savage Resurrection |
Every Little Song
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0:03:03 (Pop-up) | ||||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
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Resurrection - A Haiku Glorious autumn why resurrection savage on the nobody |
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0:04:50 (Pop-up) |
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| Bee Gees |
I can't see nobody
|
1967 |
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0:05:13 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
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Because I could not hit for gees, they did kindly hit for me. Do gees make you shiver? do they? I cannot help but stop and look at the dan dat. Does the dat make you shiver? does it? The pitched battle that's really modern, |
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0:08:54 (Pop-up) |
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| Syd Barrett |
Gigolo Aunt
|
1987 |
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0:09:35 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
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Electric - A Haiku Overcast autumn A piezo, electric light under the barrett |
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0:14:12 (Pop-up) |
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| The Electric Banana |
(Vocal Tracks): What's Good For The Goose (Light pop vocal)
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1969 |
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0:14:34 (Pop-up) | ||
| Elmer Gantry's Velvet Opera |
Dreamy
|
1968 |
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0:16:28 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
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Elevators - A Haiku Overcast autumn A large, elevators floor near the electric |
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0:18:51 (Pop-up) |
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| The 13th Floor Elevators |
May The Circle Remain Unbroken
|
1969 |
|
0:19:35 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
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Elevators, Part 2 - A Haiku Overcast autumn A speed, elevators grass on the crayola |
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0:22:11 (Pop-up) |
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| Red Crayola, The |
Vile Vile Grass
|
2008 |
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0:22:40 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
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Brainticket - A Haiku Glorious autumn before black brainticket black on the crayola |
|
0:24:50 (Pop-up) |
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| Brainticket |
Black Sand
|
1971 |
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0:25:14 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Instant Request |
|
0:29:15 (Pop-up) |
||
| The Free Spirits |
Early Mornin' Fear
|
1967 | For: The Ayatolluh of Rock n' Rolluh |
|
0:29:18 (Pop-up) | |
| Electric Banana |
(Vocal Tracks): Blow Your Mind (Heavy 'rhythm & blues' sound)
|
even more electric banana | 1969 |
|
0:31:51 (Pop-up) | |
| Bob Seger |
East Side Story
|
1966 |
|
0:35:24 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
An omission, however hard it tries, Will always be frequent. Does the omission make you shiver? does it? The void is not nice! the void is exceptionally unpleasant. Now nice is just the thing, To get me wondering if the void is unpleasant. |
|
0:37:48 (Pop-up) |
||
| The Fort Mudge Memorial Dump |
What Good Is Spring
|
1970 |
|
0:39:13 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
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Memorial - A Haiku Overcast autumn A long, memorial spring before the fusion |
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0:43:10 (Pop-up) |
||
| fusion |
News Of Salena
|
1969 |
|
0:43:33 (Pop-up) | ||
| The Naturals |
Inernationally Me
|
1967 |
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0:46:21 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
Don't belive that the stolen is white? the stolen is red beyond belief. Never forget the marxist and bloody stolen. How happy is the several deceased! Never forget the various and respective deceased. Why would you think whereabouts are lean? whereabouts are the most fat location of all. Never forget the adipose and thickset whereabouts. |
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0:48:28 (Pop-up) |
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| The Asylum Choir |
Welcome To Hollywood
|
1968 |
|
0:49:15 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
jonas are not malevolent! jonas are exceptionally ill. Jonas are complete. jonas are ill, jonas are near, however. I cannot help but stop and look at the non mcgee. Does the mcgee make you shiver? does it? Just like a famous side, is the lindsey. |
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0:52:09 (Pop-up) |
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| The Litter |
Mindbreaker
|
1968 |
|
0:52:47 (Pop-up) | ||
| The Thirteenth Floor Elevators |
Reverbaration (Doubt)
|
1966 |
|
0:55:52 (Pop-up) | ||
| The United States Of America |
Hard Coming Love
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The United States Of America | 1968 |
|
0:58:35 (Pop-up) | |
Music behind DJ: Velvett Fogg |
Telstar '69
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Mindbreaker - A Haiku Overcast autumn A much mindbreaker litter despite the mcgough |
|
1:00:11 (Pop-up) |
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| McGough & McGear |
So Much
|
1968 |
|
1:00:53 (Pop-up) | ||
| The Sparrow |
Isn't it Strange
|
1966 |
|
1:04:45 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
|
Mcgough - A Haiku Overcast autumn before much mcgough reason before the reason |
|
1:07:08 (Pop-up) |
||
| Shere Khan |
No Reason
|
1969 |
|
1:07:50 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
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Construction - A Haiku Early dampish fall A first construction reason on the company |
|
1:11:33 (Pop-up) |
||
| The Cape Kennedy Construction Company |
The First Step On The Moon
|
1969 |
|
1:12:06 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
Construction, Part 2 - A Haiku Last dampish autumn A strict, first construction place on the caravan |
|
1:16:41 (Pop-up) |
||
| Caravan |
Place of My Own
|
1969 |
|
1:17:10 (Pop-up) | ||
| Dave, Dee, Dozy, Beaky, Mick & Tich |
The Sun Goes Down
|
1967 |
|
1:21:08 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
|
1:23:56 (Pop-up) |
|||
| Syd Barrett |
Clowns and Jugglers (Octopus)
|
1989 |
|
1:24:38 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
I saw the the conspicuous mistake of my generation destroyed, How I mourned the omission. Never forget the prominent and pretentious omission. How happy is the god forgotten! Does the forgotten make you shiver? does it? Pay attention to the absent, the absent is the most zany go away of all. |
|
1:27:57 (Pop-up) |
||
| Funkadelic |
Music For My Mother (Instrumental)
|
1969 |
|
1:28:38 (Pop-up) | ||
| Les Yper-Sound |
Psyché Rock (outro)
|
Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 |
|
1:34:46 (Pop-up) | |
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
I cannot help but stop and look at the solitary lost. Now unsocial is just the thing, To get me wondering if the lost is nongregarious. All that is absent is not absent, absent, by all account is present. Does the absent make you shiver? does it? A stolen, however hard it tries, |
|
1:35:03 (Pop-up) |
||
| Irmin Schmidt, Gesang: Margareta Juvan |
"I'm Hiding My Nightingale"
|
1969 |
|
1:36:00 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
I saw the the persistent inconvenience of my generation destroyed, How I mourned the unavailability. Are you upset by how relentless it is? Does it tear you apart to see the unavailability so caducous? I cannot help but stop and look at the permanent presence. Never forget the perpetual and eternal presence. How happy is the big omission! Never forget the bragging and life-size omission. |
|
1:39:45 (Pop-up) |
||
| Tyrannosaurus Rex |
Cat Black (the wizard's hat)
|
1969 |
|
1:40:46 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
I saw the the persistent inconvenience of my generation destroyed, How I mourned the unavailability. Are you upset by how relentless it is? Does it tear you apart to see the unavailability so caducous? I cannot help but stop and look at the permanent presence. Never forget the perpetual and eternal presence. How happy is the big omission! Never forget the bragging and life-size omission. |
|
1:43:32 (Pop-up) |
||
| Groundhogs |
Times
|
1969 |
|
1:44:19 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
Groundhogs - A Haiku Early dampen fall A young, heavy groundhogs last before the seger |
|
1:49:32 (Pop-up) |
||
| Bob Seger and the Last Heard |
Heavy Music (Part 1)
|
1967 |
|
1:49:55 (Pop-up) | ||
| the FUGS |
Doin' All Right
|
1966 |
|
1:52:30 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
Memorial - A Haiku Late dampness autumn A best, memorial dump despite the singer |
|
1:55:07 (Pop-up) |
||
| The Fort Mudge Memorial Dump |
The Singer
|
1970 |
|
1:55:40 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
I cannot help but stop and look at hovland sears. Do sears make you shiver? do they? A macaulay, however hard it tries, Will always be beloved. Does the macaulay make you shiver? does it? The fat introduction sings like a biographical view |
|
2:00:12 (Pop-up) |
||
| The Tea Company |
Come And Have Some Tea With Me
|
1968 |
|
2:00:55 (Pop-up) | ||
| The Naturals |
Maiden In The East
|
1967 |
|
2:03:14 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
|
2:04:22 (Pop-up) |
|||
| Il Balletto Di Bronzo |
Meditazione
|
1970 |
|
2:04:38 (Pop-up) | ||
| The Thirteenth Floor Elevators |
'Before You Accuse Me'
|
1967 |
|
2:08:27 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
Pay attention to the void, the void is the most mere change of all. Does the void make you shiver? does it? Pay attention to the unavailability, the unavailability is the most occasional inconvenience of all. Never forget the irregular and casual unavailability. How happy is the wooly dearth! |
|
2:11:22 (Pop-up) |
||
| The Litter |
(under the screaming double) Eagle
|
1968 |
|
2:12:11 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
The Dead And Double Litter Whose litter is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her litter a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:14:44 (Pop-up) |
||
| Peter Kelley |
The Man Is Dead
|
1969 |
|
2:15:29 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
The Dead And Home Miller Whose miller is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his miller a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:22:19 (Pop-up) |
||
| Steve Miller Band |
Baby's Callin' Me Home
|
1968 |
|
2:23:18 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
Affinity - A Haiku Depressing autumn A home affinity band despite the miller |
|
2:26:35 (Pop-up) |
||
| Affinity |
I Am And So Are You
|
1970 |
|
2:26:58 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
I cannot help but stop and look at the small forgotten. Never forget the microscopical and atomlike forgotten. An absent, however hard it tries, Will always be respiratory. Does the absent make you shiver? does it? Revised is carefully based. carefully based is revised. |
|
2:30:22 (Pop-up) |
||
| Eric Burdon And The Animals |
Ain't That So
|
Monterey / Ain't That So | 1967 |
|
2:31:02 (Pop-up) | |
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
|
2:34:18 (Pop-up) |
|||
| Big Jim Sullivan |
Tallyman
|
Sitar Beat | 1968 |
|
2:34:44 (Pop-up) | |
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
Pay attention to the roberts, roberts are the most lloyd sea rover of all. Do roberts make you shiver? do they? I cannot help but stop and look at the welsh craig. Does the craig make you shiver? does it? Bennett is craig words. |
|
2:37:14 (Pop-up) |
||
| Syd Barrett |
Love Song [Take 1]
|
1970 |
|
2:37:53 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
I cannot help but stop and look at the eureka rebecca. Does the rebecca make you shiver? does it? How happy is the dear jenna! A jenna is sincere. a jenna is near, a jenna is high-priced, however. Just like norma baldes, is the hoffman. Now littlest is just the thing, |
|
2:41:05 (Pop-up) |
||
| Mad River |
They Brought Sadness
|
1969 |
|
2:41:46 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
Sadness - A Haiku Overcast autumn An intense, ground sadness ground above the bamboo |
|
2:46:34 (Pop-up) |
||
| The Bamboo Shoot |
The Fox Has Gone to Ground
|
1968 |
|
2:46:55 (Pop-up) | ||
| The Byrds |
Artificial Energy
|
The Notorious Byrd Brothers |
|
2:49:37 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Aggregation - A Haiku Overcast autumn A red, aggregation ground before the flying |
|
2:51:55 (Pop-up) |
||
| The Aggregation |
Flying Free
|
1969 |
|
2:52:30 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
Tyrannosaurus - A Haiku Beautiful autumn then tyrannosaurus free the aggregation |
|
2:55:35 (Pop-up) |
||
| Tyrannosaurus Rex |
Warlord of the Royal Crocodiles
|
1969 |
|
2:56:05 (Pop-up) | ||
| Pink Floyd |
Interstellar Overdrive (Reprise)
|
1968 |
|
2:58:11 (Pop-up) | ||
| Charles Fox |
The Green Slime
|
A Fistful of Fuzz | 2:58:41 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
|
3:00:12 (Pop-up) |
|||
| Pretty Things |
She Says Good Morning
|
1968 |
|
3:00:32 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
Persecution - A Haiku Previous autumn A much, persecution last watching the morning |
|
3:03:46 (Pop-up) |
||
| Bob Seger and the Last Heard |
Persecution Smith
|
1967 |
|
3:04:07 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
I cannot help but stop and look at the everlasting beatitude. Does the beatitude make you shiver? does it? An archaism, however hard it tries, Will always be medieval. Never forget the gothic and mediaeval archaism. When I think of the gratuitousness, I see an absolute darkness. Does the gratuitousness make you shiver? |
|
3:07:08 (Pop-up) |
||
| Rotomagus |
Eros
|
1970 |
|
3:07:52 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
Balsams, however hard they try, Will always be cheaper. Do balsams make you shiver? do they? How happy are depilatory creams! Do creams make you shiver? do they? Cosmetics are, in their way, decorative pot of toiletry. |
|
3:11:07 (Pop-up) |
||
| The Naturals |
Theme From A Natural
|
1967 |
|
3:11:43 (Pop-up) | ||
| The Shadows of Knight |
It Always Happens That Way
|
1966 |
|
3:13:52 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
Naturals - A Haiku Beautiful autumn A many, naturals round on the company |
|
3:15:42 (Pop-up) |
||
| The Tea Company |
Love Could Make The World Go Round
|
1968 |
|
3:16:11 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
A lack, however hard it tries, Will always be utter. Does the lack make you shiver? does it? Don't belive that the void is noninstitutional? the void is institutional beyond belief. Never forget the noninstitutional and uninteresting void. The zany dearth sings like obvious periods |
|
3:19:36 (Pop-up) |
||
| Il Balletto Di Bronzo |
Incantesimo
|
1970 |
|
3:20:15 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
Pay attention to the absent, the absent is the most present vanish of all. Down, down, down into the darkness of the absent, Gently it goes - the existing, the ubiquitous, the absent. The imperfection that's really whom, Above all others is the failing. Does the failing make you shiver? does it? |
|
3:26:58 (Pop-up) |
||
| The Fun and Games |
Close To Carmel
|
1968 |
|
3:27:39 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
I cannot help but stop and look at regular matches. Do matches make you shiver? do they? Don't belive that the play is unpopular? the play is popular beyond belief. Down, down, down into the darkness of the play, Gently it goes - the general, the touristy, the hot. Don't belive that contests are nonfat? |
|
3:30:09 (Pop-up) |
||
| Blood Sweat & Tears |
My Days Are Numbered
|
Blood, Sweat And Tears | 1968 |
|
3:30:52 (Pop-up) | |
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
|
3:34:04 (Pop-up) |
|||
| The Litter |
Kaleidoscope
|
1968 |
|
3:34:34 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
Kaleidoscope - A Haiku Shivering autumn A vast, much kaleidoscope an affinity |
|
3:38:50 (Pop-up) |
||
| Affinity |
I Wonder If I'll Care As Much
|
1970 |
|
3:39:11 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Affinity - A Haiku Depressing autumn A great, much affinity watching the dudley |
|
3:42:23 (Pop-up) |
||
| Peter Cook And Dudley Moore |
Bedazzled
|
1967 |
|
3:42:57 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
|
How happy are storey vestibules! Do vestibules make you shiver? do they? How happy are spacious balconies! Down, down, down into the darkness of the balconies, Gently they go - the commodious, the convenient, the wide. yellow trolleys sings like a movable ocean Are you upset by how chickenhearted they are? |
|
3:45:19 (Pop-up) |
||
| Thirteenth Floor Elevators |
Splash 1
|
1968 |
|
3:46:00 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
3:49:47 (Pop-up) | ||||
| Tempos |
Sad, Sad Memories (Instr.)
|
West Coast Winners |
|
3:57:27 (Pop-up) |
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The Night Owl:
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Yvang:
The Ayatolluh of Rock n' Rolluh:
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Yvang:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
Yvang:
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Yvang:
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DA The DJ:
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Yvang:
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The Night Owl:
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The Night Owl:
The Night Owl:
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