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View Jeremiah's profile
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Ambient, transient, poppy, sloppy, danceable, romanceable, and Italians rapping in English with laser noises. Don't be sad because here comes the sun.
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Artist | Track | Album | Label | Approx. start time | ||||||
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Joji Yuasa |
Towards "The Midnight Sun"-Homage to Ze-Ami
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Computer Music Currents 9 | Wergo | 0:00:00 (MP3 | Pop-up) | ||||||
Tózé Ferreira |
This Is Music, As It Was Expected
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Musica de Baixa Fidelidade | Holuzam | 0:19:43 (MP3 | Pop-up) | ||||||
Pye Corner Audio |
Pyroclastic Flow
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Lake Deep Memory | Quiet Details | 0:30:09 (MP3 | Pop-up) | ||||||
Joana Gama & Luís Fernandes |
Debris
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Strata | Holuzam | 0:37:45 (MP3 | Pop-up) | ||||||
Pierre Albert-Birot |
Poème à Deux Voix
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Futura Poesia Vol. 2 | Cramps | 0:44:04 (MP3 | Pop-up) | ||||||
Metro | 0:44:33 (MP3 | Pop-up) | |||||||||
Balalaika | 0:44:57 (MP3 | Pop-up) | |||||||||
Poème à Promethee | 0:46:09 (MP3 | Pop-up) | |||||||||
Crayon Bleu | 0:46:27 (MP3 | Pop-up) | |||||||||
Micah Frank & Chet Doxas |
O Vis Eternitas
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The Music of Hildegard von Bingen, Part One | Puremagnetik Tapes | 0:46:32 (MP3 | Pop-up) | ||||||
Rootless & Starbirthed |
Troposphere
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Rootless & Starbirthed | Feeding Tube | 0:50:42 (MP3 | Pop-up) | ||||||
Chris Brokaw |
Vampire of Rathmines
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Ghost Ship | 12XU | 0:58:03 (MP3 | Pop-up) | ||||||
Tamás Ungváry |
Gipsy Children's Giant Dance
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Computer Music Currents 12 | Schott Wergo Music Media | 1:06:51 (MP3 | Pop-up) | ||||||
The Vernon Spring |
Other Tongues
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Under A Familiar Sun | Bandcamp | 1:25:46 (MP3 | Pop-up) | ||||||
Emahoy Tsege Mariam Gebru |
The Storm
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Church of Kidane Mehret | Mississippi | 1:28:16 (MP3 | Pop-up) | ||||||
Trigg & Gusset |
Stories of All Manor
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Blue Prince - The Original Soundtrack | Bandcamp | 1:34:34 (MP3 | Pop-up) | ||||||
Molero |
Azul Dorado en la Zona Intermedia
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Destellos Del Extasis | Holuzam | 1:39:26 (MP3 | Pop-up) | ||||||
Kryssi and Wednesday |
Calm Club Charter
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Ogden Garden | Decimus | 1:42:30 (MP3 | Pop-up) | ||||||
John M. Bennett |
Light Steams
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Blanksmanship | Editions Basilic | 1:52:49 (MP3 | Pop-up) | ||||||
My Jazzy Child |
Lac Tadryia
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Extracøntinent | Akuphone | 1:58:00 (MP3 | Pop-up) | ||||||
Snakeskin |
Souvenirs Intimes
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They Kept Our Photographs | Ruptured | 2:05:46 (MP3 | Pop-up) | ||||||
真夜中の恋人 (Midnight Lover) |
駅で待っている (Waitng at the Station)
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ラウンジ周辺 (Around the Lounge) | Underwater Computing | 2:11:20 (MP3 | Pop-up) | ||||||
Teal |
Can't Shake The Feeling
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Original Watercolour | Spiritual World | 2:15:42 (MP3 | Pop-up) | ||||||
Endurace |
Glisten
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Verb | Muzan Editions | 2:17:41 (MP3 | Pop-up) | ||||||
Lagartijeando |
Cholula
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7 Caminos | Wonderwheel Recordings | 2:24:12 (MP3 | Pop-up) | ||||||
Lulacruza |
Uno Resuena (Chancha Via Circuito Remix)
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Chancha Via Circuito Remixes | Wonderwheel | 2:29:00 (MP3 | Pop-up) | ||||||
Sunrise Suite |
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Dave Koz, Gerald Albright, Mindi Abair, Richard Elliot |
Reasons
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Dave Koz And Friends: Summer Horns | Concord Music Group | 2:44:31 (MP3 | Pop-up) | ||||||
Richard Elliot |
Shotgun
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Soul Summit: Live at the Berks Jazz Fest | Shanachie | 2:45:30 (MP3 | Pop-up) | ||||||
Najee |
Sire Duke
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Songs From the Key of Life: A Tribute to Stevie Wonder | Capitol Records, LLC | 2:46:11 (MP3 | Pop-up) | ||||||
Peter White |
Walk On By
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Reflections | The Blue Note Label Group | 2:48:07 (MP3 | Pop-up) | ||||||
Boney James |
I'll Be Good To You
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Send One Your Love | 2:53:50 (MP3 | Pop-up) | |||||||
Jeff Golub, Richard Elliot |
Ain't No Woman (Like The One I've Got)
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Grand Central | 2:59:17 (MP3 | Pop-up) |
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Listener comments!
tom tom the pipers son:
Johnny Walsh:
fred:
Ajay / Krommenie (NL):
tom tom the pipers son:
Eric the Hat:
coelacanth∅:
fred:
Spikey BXL:
tom tom the pipers son:
fred:
tom tom the pipers son:
Eric the Hat:
covjones:
Jeremiah:
Jeremiah:
Jeremiah:
Jeremiah:
tom tom the pipers son:
show at p.i.t.
Jeremiah:
Jeremiah:
tom tom the pipers son:
Hubig Pie:
tom tom the pipers son:
Don in Tampere:
Eric the Hat:
tom tom the pipers son:
tom tom the pipers son:
Jeremiah:
tom tom the pipers son:
fred:
Not about the claims that I'll be replaced (most of coding is boilerplate, but I deal with very specific stuff)
Graduate students love it, because they let it do the work, but they learn nothing except where the cool bars are (you don't need a PhD for that though).
Some composers like it because of the weird stuff that comes out. Problem there is that there's no way to play the piece again. Some like that, most don't
tom tom the pipers son:
Don in Tampere:
Jeremiah:
Jeremiah:
Jeremiah:
tom tom the pipers son:
fred:
It's not specific to AI: composers often complain about a new software version not sounding the same. Sometimes it was random stuff due to bugs. Sometimes I suspect it's that their ears are "different" decades later.
But while I can spend days trying to reproduce the original bug, AI oligarchs wouldn't if they could. And they can't, because nobody understands how AI works
tom tom the pipers son:
Jeremiah:
Don in Tampere:
tom tom the pipers son:
Don in Tampere:
tom tom the pipers son:
fred:
fred:
Ajay / Krommenie (NL):
tom tom the pipers son:
Jeremiah:
Eric the Hat:
Eric the Hat:
tom tom the pipers son:
tom tom the pipers son:
fred:
The most important part is I see how these are evaluated, and it's BS throughout
Jeremiah:
Jeremiah:
Jeremiah:
tom tom the pipers son:
tom tom the pipers son:
Spikey BXL:
tom tom the pipers son:
Jeremiah:
Eric the Hat:
fred:
My side of the sausage making is the computer, so I have weird views
fred:
Thanks Jeremiah
Jeremiah:
Jeremiah:
newton:
fred: