The Night Owl Show with Owl Sun:
Playlist
from April 18, 2023
 |
View Owl Sun's profile
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EDT)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Mono]
|
1967 | 0:00:28 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:54 (Pop-up) | ||||
| The Strawberry Alarm Clock |
The World's On Fire
|
1968 |
|
0:03:23 (Pop-up) | ||
| Jefferson Airplane |
Good Shepherd
|
1969 |
|
0:06:51 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
I cannot help but stop and look at the economic worldwide. Does the worldwide make you shiver? does it? A planetary, however hard it tries, Will always be inter. Does the planetary make you shiver? does it? A planet, however hard it tries, |
|
0:11:09 (Pop-up) |
||
| Groundhogs |
B.D.D.
|
1969 |
|
0:11:50 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
I cannot help but stop and look at the economic worldwide. Does the worldwide make you shiver? does it? A planetary, however hard it tries, Will always be inter. Does the planetary make you shiver? does it? A planet, however hard it tries, |
|
0:15:30 (Pop-up) |
||
| the stooges |
1969
|
1969 |
|
0:17:01 (Pop-up) | ||
| The Lost Ones |
Trouble In The Streets
|
1965 |
|
0:21:02 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
Because I could not perform for lovin, it did kindly perform for me. Lovin, lovin, every where, Yet not a drop to perform. I cannot help but stop and look at the pure love. Now white is just the thing, To get me wondering if the love is refined. One afternoon I said to myself, |
|
0:22:49 (Pop-up) |
||
| The 13th Power |
Free Lovin'
|
1968 |
|
0:23:32 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
Because I could not perform for lovin, it did kindly perform for me. Lovin, lovin, every where, Yet not a drop to perform. I cannot help but stop and look at the pure love. Now white is just the thing, To get me wondering if the love is refined. One afternoon I said to myself, |
|
0:25:53 (Pop-up) |
||
| Iota |
R.I.P.
|
1969 |
|
0:26:31 (Pop-up) | ||
| The Trespassers |
Living Memories
|
1967 |
|
0:29:43 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
Because I could not hang for plummer, it did kindly hang for me. Does the plummer make you shiver? does it? I cannot help but stop and look at the democratic farley. Never forget the representative and undemocratic farley. The plumber is not national! the plumber is exceptionally central. |
|
0:32:09 (Pop-up) |
||
| Bill Plummer And The Cosmic Brotherhood |
Lady Friend
|
Bill Plummer And The Cosmic Brotherhood | 1968 |
|
0:32:55 (Pop-up) | |
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
The Cosmic And Criminal Brotherhood Whose brotherhood is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his brotherhood a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
0:37:30 (Pop-up) |
||
| Bruno Nicolai |
Criminal Sex
|
1970 |
|
0:38:27 (Pop-up) | ||
| Groep 1850 |
Mother No-Head
|
1967 |
|
0:41:35 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
The Young And Criminal Criminal Whose criminal is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his criminal a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
0:44:56 (Pop-up) |
||
| Young Flowers |
The Moment Life Appeared / Stk. 2
|
1968 |
|
0:45:43 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
Appeared - A Haiku Overcast springtime A great, wrapped appeared noise free before the joyfull |
|
0:47:54 (Pop-up) |
||
| Joyfull Noise |
Wrapped in the Hide Of a Yellow Cow
|
1968 |
|
0:48:19 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
Project - A Haiku Beautiful springtime A next, wrapped project project before the joyfull |
|
0:52:31 (Pop-up) |
||
| The Endd |
Project Blue
|
1967 |
|
0:52:57 (Pop-up) | ||
| the Electric Flag, an American Music Band |
Peter's Trip
|
Original Motion Picture Sound Track: The Trip | 1967 |
|
0:55:22 (Pop-up) | |
| Big Jim Sullivan |
Translove Airways (Fat Angel)
|
Sitar Beat | 1968 |
|
0:57:52 (Pop-up) | |
| Brainticket |
Black Sand
|
1971 |
|
0:59:54 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
Regalia - A Haiku Overcast springtime A frank regalia project at the old peaches |
|
1:00:29 (Pop-up) |
||
| Frank Zappa |
Peaches En Regalia
|
1969 |
|
1:01:14 (Pop-up) | ||
| The Wild Flowers |
More Than Me
|
1967 |
|
1:04:41 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Regalia, Part 2 - A Haiku Threatening springtime A reborn regalia frank under the peaches |
|
1:07:34 (Pop-up) |
||
| Group 1850 |
Reborn
|
1968 |
|
1:08:05 (Pop-up) | ||
| The Moody Blues with The London Festival Orchestra conducted by Peter Knight |
Evening: The Sun Set : Twilight time
|
1967 |
|
1:12:18 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Orchestra - A Haiku Overcast springtime A moody orchestra knight on the festival |
|
1:18:56 (Pop-up) |
||
| Morning Glory |
Jelly Gas Flame
|
1968 |
|
1:19:42 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
|
1:24:15 (Pop-up) |
|||
| The Peanut Butter Conspiracy |
Twice Is Life
|
1967 |
|
1:24:38 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
All that is bloodless is not damn, damn, by all account is bloody. Now bloody-minded is just the thing, To get me wondering if the damn is violent. Don't belive that the anybody is big? the anybody is little beyond belief. Does the anybody make you shiver? does it? |
|
1:27:21 (Pop-up) |
||
| Dont Tread On Me |
Land Of Extremes
|
1:27:59 (Pop-up) | ||||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
Yesterdays - A Haiku Overcast springtime A more, or yesterdays tread into the children |
|
1:31:01 (Pop-up) |
||
| Yesterday's Children |
To Be Or Not To Be
|
1966 |
|
1:31:26 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
Yesterdays, Part 2 - A Haiku Overcast springtime An only yesterdays give watching the children |
|
1:33:33 (Pop-up) |
||
| Bram Rigg Set |
I Can Only Give You Everything
|
1967 |
|
1:33:55 (Pop-up) | ||
| The London Studio Group |
Pageing Sullivan
|
1:36:41 (Pop-up) | ||||
Music behind DJ: Sagittarius |
Pisces
|
Leathercoated - A Haiku Overcast springtime before leathercoated give beyond the sunset |
|
1:40:07 (Pop-up) |
||
| The Leathercoated Minds |
Sunset And Clark
|
1:40:39 (Pop-up) | ||||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Don't belive that the head is ugly? the head is beautiful beyond belief. Now better-looking is just the thing, To get me wondering if the head is sightly. All that is uncreative is not thinking, thinking, by all account is creative. Down, down, down into the darkness of the thinking, Gently it goes - the productive, the fictive, the notional. |
|
1:42:29 (Pop-up) |
||
| The Mirror |
Gingerbread Man
|
1968 |
|
1:43:11 (Pop-up) | ||
| The Moving Sidewalks |
99th Floor
|
99th Floor |
|
1:45:11 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Gingerbread - A Haiku Wickedness springtime A stale, gingerbread journey out of synthetic |
|
1:47:23 (Pop-up) |
||
| The Journey Back |
Synthetic People
|
1968 |
|
1:48:07 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
Synthetic - A Haiku Overcast springtime A true, synthetic journey watching the journey |
|
1:50:45 (Pop-up) |
||
| Kim Fowley |
Animal Man
|
Impossible But True: The Kim Fowley Story |
|
1:51:02 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
The Animal And Frozen Animal Whose animal is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her animal a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
1:53:38 (Pop-up) |
||
| Groep 1850 |
frozen mind
|
1968 |
|
1:54:28 (Pop-up) | ||
| George Harrison |
Ski-ing
|
Wonderwall Music | 1968 |
|
1:58:06 (Pop-up) | |
| Ramblers |
Soulful Jerk
|
Northern Soul Fever 2b | 1:59:56 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
I cannot help but stop and look at apparent disappearances. Never forget the patent and evident disappearances. How happy is the upper absent! Does the absent make you shiver? does it? How happy is the wooly disappearance! Down, down, down into the darkness of the disappearance, Gently it goes - the soft, the hirsute, the wooly-minded. |
|
2:00:29 (Pop-up) |
||
| monks |
Monk Time
|
Black Monk Time |
|
2:01:36 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
|
2:04:16 (Pop-up) |
|||
| Morgen |
Of Dreams
|
Morgen |
|
2:04:30 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
|
2:07:49 (Pop-up) |
|||
| by paul beaver & bernard l. krause |
Peace Three
|
Beaver Patrol |
|
2:08:16 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
|
2:12:01 (Pop-up) |
|||
| Emil Richards |
Amethyst (February)
|
New Sound Element "Stones" |
|
2:12:16 (Pop-up) | ||
| The Specktrum |
I Was A Fool
|
1967 |
|
2:14:11 (Pop-up) | ||
| Blonde On Blonde |
Country Life
|
All Day, All Night / Country Life |
|
2:16:27 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
The Topless And Electric Electric Whose electric is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his electric a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:19:57 (Pop-up) |
||
| The Electric Eclectics of Dick Hyman |
Topless Dancers Of Corfu
|
Moog - The Electric Eclectics Of Dick Hyman |
|
2:20:50 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
The Topless And Electric Electric Whose electric is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his electric a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:23:49 (Pop-up) |
||
| Stu Phillips |
Skip To My Mary J.
|
Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 |
|
2:24:51 (Pop-up) | |
Music behind DJ: Beaver & Krause |
Walkin'
|
Whose electric is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his electric a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:26:58 (Pop-up) |
||
| The Sparkles |
I Want To Be Free
|
1967 |
|
2:27:49 (Pop-up) | ||
| Phil Upchurch |
As You Said
|
Upchurch |
|
2:29:29 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
|
Sparkles - A Haiku Perpetual spring A little, male sparkles free above the brawley |
|
2:31:55 (Pop-up) |
||
| Al Kooper |
Camille
|
I Stand Alone |
|
2:33:03 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
|
Machine - A Haiku Wickedness springtime A man, war machine machine watching the camille |
|
2:35:57 (Pop-up) |
||
| Uncle Sam & The War Machine |
Hold On
|
1967 |
|
2:36:21 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
The Moody And Simple Machine Whose machine is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her machine a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:39:52 (Pop-up) |
||
| The Moody Blues |
A Simple Game
|
This Is The Moody Blues |
|
2:40:45 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
Prodigal - A Haiku Wickedness springtime A reckless, prodigal game despite the simple |
|
2:44:21 (Pop-up) |
||
| The Amboy Dukes |
Prodigal Man
|
1969 |
|
2:44:47 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Blackberry - A Haiku Eternal springtime A common, blackberry move near the prodigal |
|
2:50:31 (Pop-up) |
||
| The Move |
Blackberry Way
|
Blackberry Way |
|
2:51:06 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
|
2:54:39 (Pop-up) |
|||
| Spirits And Worm |
Fanny Firecracker
|
Spirits & Worm |
|
2:55:07 (Pop-up) | ||
| T K Os |
The Charge
|
The Charge |
|
2:57:41 (Pop-up) | ||
| Charles Fox |
The Green Slime
|
A Fistful of Fuzz | 2:59:56 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
The sabrina is not large! the sabrina is exceptionally tiny. Does the sabrina make you shiver? does it? A giselle, however hard it tries, Will always be romantic. Are you upset by how romanticistic it is? Does it tear you apart to see the giselle so impractical? |
|
3:00:28 (Pop-up) |
||
| The Bob Crewe Generation Orchestra |
Barbarella (Vocal: The Glitterhouse)
|
Barbarella (Motion Picture Soundtrack) |
|
3:01:24 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
I cannot help but stop and look at the wonderful bianca. Are you upset by how extraordinary it is? Does it tear you apart to see the bianca so rattling? Pay attention to the baroness, the baroness is the most beautiful noblewoman of all. Are you upset by how pulchritudinous it is? Does it tear you apart to see the baroness so sublime? One afternoon I said to myself, |
|
3:04:03 (Pop-up) |
||
| Lothar & The Hand People |
Have Mercy (Mercy, Mercy, Mercy)
|
Lothar Meid |
|
3:04:59 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
Mulberry - A Haiku Overcast springtime A round mulberry people above the traffic |
|
3:06:47 (Pop-up) |
||
| Traffic |
Here We Go 'Round The Mulberry Bush
|
Here We Go Round The Mulberry Bush |
|
3:07:16 (Pop-up) | ||
| the Collage |
Lookin' At A Baby
|
The Collage |
|
3:10:00 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
Mulberry, Part 2 - A Haiku Overcast springtime An ancient mulberry grease beyond the ancient |
|
3:12:04 (Pop-up) |
||
| Ancient Grease |
Time To Die
|
1970 |
|
3:12:45 (Pop-up) | ||
| Sagittarius |
Navajo Girl
|
In My Room / Navajo Girl |
|
3:16:44 (Pop-up) | ||
Music behind DJ: Created by Bruce Haack |
Super Nova
|
Spinning - A Haiku Overcast springtime An own, ancient spinning grease before the ancient |
|
3:19:17 (Pop-up) |
||
| Blonde on Blonde |
Spinning Wheel
|
Contrasts |
|
3:19:52 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
Happiness - A Haiku Threatening springtime A much, blonde happiness wheel watching the spinning |
|
3:22:30 (Pop-up) |
||
| The Grains Of Sand |
That's When Happiness Began
|
1966 |
|
3:22:57 (Pop-up) | ||
| Les Yper-Sound |
Psyché Rock
|
Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 |
|
3:25:19 (Pop-up) | |
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
I cannot help but stop and look at the cinematic masterpiece. Does the masterpiece make you shiver? does it? A sunflower, however hard it tries, Will always be woolly. Never forget the woolly-headed and muddled sunflower. Fresh is dew ones. dew ones is fresh. |
|
3:27:54 (Pop-up) |
||
| The Byrds |
5 D (Fifth Dimension)
|
Fifth Dimension |
|
3:28:52 (Pop-up) | ||
| Saint Steven |
Over The Hills: Gladacadova
|
Saint Steven |
|
3:32:15 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Gladacadova, Part 2 - A Haiku Beautiful springtime where gladacadova saint above the steven |
|
3:34:23 (Pop-up) |
||
| The Six Deep |
Girl It's Over
|
1967 |
|
3:34:50 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
|
3:36:57 (Pop-up) |
|||
| Kaleidoscope |
Faintly Blowing
|
Faintly Blowing |
|
3:37:10 (Pop-up) | ||
| Savage Resurrection |
Every Little Song
|
3:41:15 (Pop-up) | ||||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
|
3:43:01 (Pop-up) |
|||
| Autosalvage |
Land Of Their Dreams
|
Autosalvage |
|
3:43:22 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
The scarceness that's really lamentable, Above all others is the paucity. Are you upset by how sad it is? Does it tear you apart to see the paucity so distressing? Pay attention to the absent, the absent is the most percent go away of all. Does the absent make you shiver? does it? |
|
3:46:26 (Pop-up) |
||
| Twice As Much |
SImplified
|
Twice As Much |
|
3:47:06 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
Why would you think the rolling is preceding? the rolling is the most subsequent sound of all. Now sequent is just the thing, To get me wondering if the rolling is ensuant. How happy is the rock roll! Does the roll make you shiver? does it? The yellow rolt sings like a late thing |
|
3:50:23 (Pop-up) |
||
| The Seeds |
Rollin' Machine
|
1966 | 3:51:11 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun
|
|
3:53:37 (Pop-up) |
|||
| Blossom Toes |
Look At Me I'm You
|
The Psychedelic Sound Of Blossom Toes |
|
3:53:52 (Pop-up) | ||
| Brainticket |
Black Sand
|
1971 |
|
3:57:37 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
September - A Haiku Beautiful springtime A 16th, september coast before the nymphet |
|
4:03:35 (Pop-up) |
||
| The West Coast Pop Art Experimental Band |
Queen Nymphet
|
Queen Nymphet |
|
4:04:05 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
|
Jefferson - A Haiku Threatening springtime A former, jefferson coast before the airplane |
|
4:06:20 (Pop-up) |
||
| Jefferson Airplane |
Two Heads
|
Jefferson Airplane's Golden Album |
|
4:06:46 (Pop-up) | ||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07
|
How happy are female demons! Never forget the feminine and male demons. I cannot help but stop and look at pale shadows. Down, down, down into the darkness of the shadows, Gently they go - the pallid, the thin, the colorless. Just like a demonic force, is spirits. Never forget the midget and unimportant spirits. Refresh until you're happy with your poem. |
|
4:10:49 (Pop-up) |
||
| The Vampires' Sound Incorporation |
Drug CX 9
|
Electric Psychedelic Sitar Headswirlers Volumes 1-11 |
|
4:11:40 (Pop-up) | ||
| The Human Expression |
Optical Sound
|
1967 |
|
4:16:46 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
I cannot help but stop and look at century victorians. Do victorians make you shiver? do they? Zombies, however hard they try, Will always be ravenous. Never forget the edacious and starved zombies. Aliens are evil origin. evil origin are aliens. |
|
4:19:19 (Pop-up) |
||
| Lothar and the Hand People |
Machines
|
Presenting...Lothar And The Hand People |
|
4:20:12 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
|
4:22:44 (Pop-up) |
|||
| Smokey and His Sister |
Creators of Rain
|
1966 |
|
4:23:00 (Pop-up) | ||
| The 13th Power |
Free Lovin'
|
1968 |
|
4:25:39 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
Creators - A Haiku Darkening springtime A lost creators trouble enjoying the streets |
|
4:28:00 (Pop-up) |
||
| The Lost Ones |
Trouble In The Streets
|
1965 |
|
4:28:29 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
Fortunes - A Haiku Overcast springtime A large, blue fortunes trouble because of the streets |
|
4:30:16 (Pop-up) |
||
| Blue Cheer |
Fortunes
|
Blue Cheer |
|
4:30:40 (Pop-up) | ||
| featuring John Zacherle |
Gravy (With Some Cyanide)
|
Monster Mash |
|
4:33:57 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
I saw the the noble acquisition of my generation destroyed, How I mourned the inheritance. Down, down, down into the darkness of the inheritance, Gently it goes - the honourable, the regal, the stately. How happy is the hapless fate! Are you upset by how misfortunate it is? Does it tear you apart to see the fate so poor? The status that's really big, |
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4:36:14 (Pop-up) |
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| Jimmy Gordon |
Test Pattern
|
1967 |
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4:37:10 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
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A humphrey, however hard it tries, Will always be famous. A humphrey is renowned. a humphrey is far-famed, a humphrey is notable, however. How happy are british evans! Do evans make you shiver? do they? The fat david sings like a second year |
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4:39:55 (Pop-up) |
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| Love |
She Comes In Colors
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She Comes In Colors |
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4:40:32 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
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4:43:14 (Pop-up) |
|||
| The Moon |
Softly
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1969 |
|
4:43:28 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
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A humphrey, however hard it tries, Will always be famous. A humphrey is renowned. a humphrey is far-famed, a humphrey is notable, however. How happy are british evans! Do evans make you shiver? do they? The fat david sings like a second year |
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4:46:23 (Pop-up) |
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| Created by Bruce Haack |
Word Game
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Hush Little Robot |
|
4:47:13 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
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4:50:54 (Pop-up) | ||||
| Gerry & Paul & the Soul Emmissaries |
Little Bit of Soul
|
Northern Soul Fever 4b |
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