The Night Owl Show with Owl Sun:
Playlist
from March 19, 2023
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View Owl Sun's profile
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EDT)
|
On
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Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Mono]
|
1967 | 0:00:32 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:57 (Pop-up) | ||||
| Cream |
In The Studio: Those Were The Days
|
1968 |
|
0:03:26 (Pop-up) | ||
| Purple Canteen |
Brains In My Feet
|
1969 |
|
0:06:18 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
|
0:10:16 (Pop-up) |
|||
| Prophecy |
Take A Look At Mary
|
1968 |
|
0:11:04 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
|
0:14:17 (Pop-up) |
|||
| The Masque |
Wake Up In The Morning
|
1970 |
|
0:14:30 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
|
0:17:35 (Pop-up) |
|||
| Il Balletto Di Bronzo |
Neve Calda
|
1970 |
|
0:18:03 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
|
0:20:54 (Pop-up) |
|||
| Los Shains |
Mirandote (Looking You)
|
1971 |
|
0:21:15 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
I cannot help but stop and look at the barak arafat. Does the arafat make you shiver? does it? A casa, however hard it tries, Will always be una. Does the casa make you shiver? does it? The outlaw that's really little, |
|
0:24:47 (Pop-up) |
||
| First State Bank |
Mr. Sun
|
1970 |
|
0:26:02 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Carmel - A Haiku Previous winter A reformed, close carmel close whilst watching the games |
|
0:28:51 (Pop-up) |
||
| The Fun and Games |
Close To Carmel
|
1968 |
|
0:29:18 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
Rides, however hard they try, Will always be minute. Never forget the narrow and careful rides. Tournaments, however hard they try, Will always be athletic. Down, down, down into the darkness of the tournaments, Gently they go - the acrobatic, the gymnastic, the mesomorphic. When I think of the stake, I see a strategic girl. |
|
0:31:48 (Pop-up) |
||
| Velvett Fogg |
Telstar '69
|
Telstar '69 b/w Owed To The Dip | 1969 |
|
0:32:31 (Pop-up) | |
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
|
0:35:12 (Pop-up) |
|||
| The Stalk-Forrest Group |
What Is Quicksand?
|
1970 |
|
0:35:30 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
Instant Request |
|
0:39:25 (Pop-up) |
||
| Searchers |
Western Union
|
Western Union / I'll Cry Tomorrow | For: fading yellow |
|
0:39:28 (Pop-up) | |
| The Blow Mind |
They´re Coming
|
1970 |
|
0:41:51 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
|
0:47:58 (Pop-up) |
|||
| The Roosters |
One Of These Days
|
1966 |
|
0:49:00 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
Flintlock - A Haiku Early wintertime A feeling flintlock better after the roosters |
|
0:51:42 (Pop-up) |
||
| Flintlock |
Hope You're Feeling Better
|
1971 |
|
0:52:04 (Pop-up) | ||
| Fathers Angels |
Bok to Bach
|
Bok To Bach / Disco Trucking |
|
0:56:12 (Pop-up) | ||
| Funkadelic |
Music For My Mother (Instrumental)
|
1969 |
|
0:58:51 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
Flintlock, Part 2 - A Haiku Previous winter A loading, flintlock better a memorial |
|
1:00:31 (Pop-up) |
||
| Mandrake Memorial |
Something In The Air
|
1969 |
|
1:01:13 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
Memorial - A Haiku Severe wintertime A best, memorial air beyond the mandrake |
|
1:05:37 (Pop-up) |
||
| Keith Relf |
Mr. Zero
|
1966 |
|
1:06:19 (Pop-up) | ||
| The Yardbirds |
questa volta
|
1966 |
|
1:08:59 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
Jefferson - A Haiku Severe wintertime A young, side jefferson duck after the airplane |
|
1:11:27 (Pop-up) |
||
| Heavy Balloon |
32,000: Barnyard Blues
|
1969 |
|
1:13:17 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
Barnyard - A Haiku Early wintertime A randy barnyard balloon beyond the balloon |
|
1:19:06 (Pop-up) |
||
| Randy Holden |
Keeper Of My Flame
|
1970 |
|
1:19:33 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
Morning - A Haiku Severe wintertime A good, randy morning brand into the keeper |
|
1:29:35 (Pop-up) |
||
| freeport |
It's A Brand New Morning
|
1970 |
|
1:29:57 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
How happy is the dear mortimer! Never forget the heartfelt and good mortimer. Why would you think the hemingway is in? the hemingway is the most out author of all. A hemingway is unstylish. a hemingway is taboo, a hemingway is prohibited, however. Myst is popular music. popular music is myst. |
|
1:34:24 (Pop-up) |
||
| H.P. Lovecraft |
Keeper Of The Keys
|
1968 |
|
1:35:07 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
I saw the the nice brace of my generation destroyed, How I mourned the guy. A guy is dainty. a guy is pleasant, a guy is fastidious, however. I cannot help but stop and look at fond regrets. Now tender is just the thing, To get me wondering if regrets are caring. One afternoon I said to myself, |
|
1:37:58 (Pop-up) |
||
| The Superfine Dandelion |
Don't Try To Call Me
|
1967 |
|
1:39:22 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
Dandelion - A Haiku Wicked wintertime where dandelion concern despite the concern |
|
1:42:13 (Pop-up) |
||
| The Growing Concern |
Mister You're A Better Man Than I
|
1968 |
|
1:42:36 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Concern - A Haiku Severe wintertime A growing concern concern before the better |
|
1:47:27 (Pop-up) |
||
| Food |
Forever Is A Dream
|
1969 |
|
1:47:58 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
|
1:55:42 (Pop-up) |
|||
| The Stalk-Forrest Group |
Arthur Comics
|
1970 |
|
1:55:53 (Pop-up) | ||
| Big Jim Sullivan |
Tallyman
|
Sitar Beat | 1968 |
|
1:58:56 (Pop-up) | |
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
I cannot help but stop and look at the total lack. Does the lack make you shiver? does it? The absent is not abnormal! the absent is exceptionally paranormal. Are you upset by how regular it is? Does it tear you apart to see the absent so paranormal? The scarceness that's really wooly, |
|
2:00:31 (Pop-up) |
||
| Les Fleurs de Pavot |
Super Girl
|
1968 |
|
2:01:53 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
|
2:03:52 (Pop-up) |
|||
| Lacewing |
Paradox
|
1971 |
|
2:04:06 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
Pay attention to the battle, the battle is the most ongoing try of all. Does the battle make you shiver? does it? All that is older is not namesake, namesake, by all account is younger. Does the namesake make you shiver? does it? |
|
2:07:50 (Pop-up) |
||
| December's Children |
Trilogy; I) 2:30 Casino, II) In Between A Dream, III) Lady Of The Garden
|
1970 |
|
2:08:22 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
I saw the stomach listing of my generation destroyed, How I mourned contents. Do contents make you shiver? do they? I saw the the third rank of my generation destroyed, How I mourned the second. Now 3rd is just the thing, To get me wondering if the second is ordinal. |
|
2:14:23 (Pop-up) |
||
| Graffiti |
Father Protector
|
1968 |
|
2:15:06 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
|
2:19:16 (Pop-up) |
|||
| Ennio Morricone |
Dies Irae Psichedelico (Versione Lunga)
|
1968 |
|
2:20:08 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
A moran, however hard it tries, Will always be observed. Does the moran make you shiver? does it? Morris, however hard they try, Will always be wingfield. Do morris make you shiver? do they? |
|
2:22:32 (Pop-up) |
||
| Green |
To Be
|
1969 |
|
2:23:04 (Pop-up) | ||
| Keith Relf |
Knowing
|
1966 |
|
2:25:47 (Pop-up) | ||
Music behind DJ: Created by Bruce Haack |
Super Nova
|
The Poor And Green Ensemble Whose ensemble is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her ensemble a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:27:34 (Pop-up) |
||
| The New York Rock & Roll Ensemble |
Poor Pauline
|
1968 |
|
2:28:22 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
The Poor And Strange Stranger Whose stranger is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her stranger a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:31:07 (Pop-up) |
||
| Blackburn & Snow |
Stranger In A Strange Land
|
Love Is The Song We Sing (San Francisco Nuggets 1965-1970 |
|
2:32:03 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
Progressive - A Haiku Severe wintertime An ardent, progressive snow above the blackburn |
|
2:34:28 (Pop-up) |
||
| John Bunyan's Progressive Pilgrims |
Mozart's Dilemma
|
1969 |
|
2:35:37 (Pop-up) | ||
| Cream |
In The Studio: Deserted Cities Of The Heart
|
1968 |
|
2:41:38 (Pop-up) | ||
| The Sons Of Adam |
You're A Better Man Than I
|
1966 |
|
2:45:15 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
Studio - A Haiku Darkening winter A private, studio cream beyond the lovin |
|
2:48:08 (Pop-up) |
||
| freeport |
I Need Your Lovin'
|
1970 |
|
2:48:37 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
I cannot help but stop and look at the youngest henry. Does the henry make you shiver? does it? I saw the forrest apostle of my generation destroyed, How I mourned thomas. Do thomas make you shiver? do they? The cunning gerald sings like an eldest man |
|
2:51:14 (Pop-up) |
||
| The Herd |
Sweet William
|
1967 |
|
2:51:50 (Pop-up) | ||
| fever tree |
Grand Candy Young Sweet
|
1968 |
|
2:53:56 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
Zeppalin - A Haiku Icy wintertime before zeppalin balloon watching the balloon |
|
2:55:48 (Pop-up) |
||
| Heavy Balloon |
16 Ton: Lead Zeppalin
|
1969 |
|
2:56:44 (Pop-up) | ||
| The Shadows |
The Rise and Fall of Flingel Bunt
|
1996 |
|
2:59:14 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
The fault that's really accidental, Above all others is the omission. Are you upset by how unintended it is? Does it tear you apart to see the omission so casual? Pay attention to the absent, the absent is the most strong go away of all. An absent is weak. an absent is fresh, an absent is unattackable, however. |
|
3:00:32 (Pop-up) |
||
| Carmen Maki |
Honnou
|
1969 |
|
3:01:20 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
|
3:05:19 (Pop-up) |
|||
| Food |
Marbled Wings
|
1969 |
|
3:05:30 (Pop-up) | ||
| Gabor Szabo |
Walking On Nails
|
1967 |
|
3:08:45 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
|
3:11:28 (Pop-up) |
|||
| Les Fleurs de Pavot |
A Degager
|
1968 |
|
3:13:16 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
|
3:16:02 (Pop-up) |
|||
| The Tow-Away Zone |
Shab'd
|
1968 |
|
3:16:54 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
|
3:19:50 (Pop-up) |
|||
| JACKS |
Rock For Fallin' Angel
|
1969 |
|
3:20:08 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
The fault that's really accidental, Above all others is the omission. Are you upset by how unintended it is? Does it tear you apart to see the omission so casual? Pay attention to the absent, the absent is the most strong go away of all. An absent is weak. an absent is fresh, an absent is unattackable, however. |
|
3:24:18 (Pop-up) |
||
| Lacewing |
Crystal Myth
|
1971 |
|
3:25:01 (Pop-up) | ||
| The Thyme |
Very Last Day
|
1967 |
|
3:29:08 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
|
3:32:14 (Pop-up) |
|||
| Anan |
Medena
|
1968 |
|
3:32:30 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
How happy is the prolonged dearth! Never forget the protracted and extended dearth. An omission, however hard it tries, Will always be occasional. Down, down, down into the darkness of the omission, Gently it goes - the casual, the unpredictable, the episodic. Inability is, in its way, the permanent history of cognition. Does the inability make you shiver? |
|
3:34:56 (Pop-up) |
||
| December's Children |
Jane's Song (The Slow One)
|
1970 |
|
3:36:10 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
How happy is the total lack! Never forget the whole and gross lack. A dearth, however hard it tries, Will always be apparent. Down, down, down into the darkness of the dearth, Gently it goes - the manifest, the ostensible, the plain. Why would you think the paucity is big? the paucity is the most little scarceness of all. |
|
3:39:01 (Pop-up) |
||
| Graffiti |
A - The Capture Of Me / B - Life Blood
|
1968 |
|
3:39:51 (Pop-up) | ||
| The doors |
My Eyes Have Seen You
|
1967 |
|
3:49:32 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
I cannot help but stop and look at the chronic dearth. Never forget the inveterate and confirmed dearth. How happy is the mere omission! Now simple is just the thing, To get me wondering if the omission is bare. How happy is the big lack! Now boastful is just the thing, To get me wondering if the lack is monolithic. |
|
3:51:51 (Pop-up) |
||
| John Bunyan's Progressive Pilgrims |
Spaced Out
|
1969 |
|
3:52:38 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
The scarcity that's really lamentable, Above all others is the dearth. Now deplorable is just the thing, To get me wondering if the dearth is distressing. Pay attention to the inability, the inability is the most parental knowledge of all. Are you upset by how paternal it is? Does it tear you apart to see the inability so filial? |
|
3:56:10 (Pop-up) |
||
| The Chocolate Watchband |
How Ya Been
|
1969 |
|
3:56:51 (Pop-up) | ||
| Bobby Callender |
Shringara
|
1971 |
|
3:59:57 (Pop-up) | ||
| Green |
Just Try
|
1969 |
|
4:05:57 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
Pay attention to the idiot, the idiot is the most dumb simple of all. Down, down, down into the darkness of the idiot, Gently it goes - the slow, the silent, the dim. How happy is the racist crap! I don't like the fact that it, learned to go before it knew how to kick. It does go, it does kick, |
|
4:08:01 (Pop-up) |
||
| fever tree |
Don't Come Crying To Me Girl
|
1968 |
|
4:08:48 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
Christian - A Haiku Wicked wintertime A crying christian fever despite the fever |
|
4:12:13 (Pop-up) |
||
| Neil Christian |
I Like It
|
1966 |
|
4:12:38 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
Christian, Part 2 - A Haiku Wicked wintertime A crying christian fever despite the fever |
|
4:14:48 (Pop-up) |
||
| Mad River |
Amphetamine Gazelle
|
1968 |
|
4:15:12 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
Christian - A Haiku Wicked wintertime A crying christian fever despite the fever |
|
4:18:03 (Pop-up) |
||
| Heavy Balloon |
16 Ton: Owed To Sgt. Pepper
|
1969 |
|
4:19:03 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
The inconvenience that's really presumed, Above all others is the unavailability. Does the unavailability make you shiver? does it? Pay attention to the inability, the inability is the most subsequent quality of all. Are you upset by how consequent it is? Does it tear you apart to see the inability so ensuant? |
|
4:21:50 (Pop-up) |
||
| Food |
Here We Go Again
|
1969 |
|
4:22:31 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
|
4:25:47 (Pop-up) |
|||
| Los Shains |
Mirandote (Looking You)
|
1971 |
|
4:25:57 (Pop-up) | ||
| First State Bank |
Mr. Sun
|
1970 |
|
4:29:30 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
|
4:32:18 (Pop-up) |
|||
| Les Fleurs de Pavot |
Psycha Bourree
|
1968 |
|
4:32:34 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
|
4:35:48 (Pop-up) |
|||
| JACKS |
Into Sea Foam
|
1969 |
|
4:36:30 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
|
4:39:04 (Pop-up) |
|||
| We The People... |
When I Arrive
|
1968 |
|
4:39:15 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
The inconvenience that's really presumed, Above all others is the unavailability. Does the unavailability make you shiver? does it? Pay attention to the inability, the inability is the most subsequent quality of all. Are you upset by how consequent it is? Does it tear you apart to see the inability so ensuant? |
|
4:42:17 (Pop-up) |
||
| Gabor Szabo |
Sophisticated Wheels
|
1967 |
|
4:42:57 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
The inconvenience that's really presumed, Above all others is the unavailability. Does the unavailability make you shiver? does it? Pay attention to the inability, the inability is the most subsequent quality of all. Are you upset by how consequent it is? Does it tear you apart to see the inability so ensuant? |
|
4:46:43 (Pop-up) |
||
| Them |
Walking In The Queen's Garden
|
1968 |
|
4:47:22 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
4:50:20 (Pop-up) | ||||
| The Shadows |
Late Night Set
|
The Early Years: Their Complete Studio Recordings 1959-1966 |
|
|||
| Thee Midniters |
Whittier Blvd.
|
Grandson of Frat Rock, Volume 3 |
|
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Listener comments!
Owl Sun:
fading yellow:
Owl Sun:
Owl Sun:
Candy-O'67:
Owl Sun:
tom tom the pipers son:
Owl Sun:
tom tom the pipers son:
Owl Sun:
Candy-O'67:
tom tom the pipers son:
tom tom the pipers son:
tom tom the pipers son:
Owl Sun:
tom tom the pipers son:
Owl Sun:
Owl Sun: