The Stork Club with Stork:
Playlist
from September 18, 2022
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With billows and blasts from choirs and orchesters
Buskers and talkers
Big bands and squawkers,
the Stork Club has retained its qualities of decaying elegance and dwindling significance since the late 1950s.
Sunday
Noon - 3pm
(EDT)
|
On
WFMU's
Give the Drummer Radio
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September 18, 2022: Hear Emily Play
New York City-born, New Jersey-raised jazz guitarist Emily Remler lived only 32 years, and recorded just 6 albums, passing away just as she had reached new heights in musical composition and performance. Her influences began with Wes Montgomery, Herb Ellis, John Coltrane, Egberto Gismonti, and Jimi Hendrix, but she emerged with her own sound, winning over fans and musicians alike. She was convinced that as a woman in the nearly monolithically sexist jazz scene of the eighties, she had to prove herself every time she took the stage.
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| Artist | Track | Album | Comments | Images | Approx. start time |
|---|---|---|---|---|---|
| Dave Pike Set |
Good Time Charlie at the Big Washdown
|
Deutsches Jazz Festival, Frankfurt, 1970 | Dave Pike, vibes; Volker Kriegel, guitar; Hans Rettenbacher, bass; Peter Baumeister, drums; Recorded on March 21, 1970 at the Kongresshalle, Frankfurt, 12th Deutsches Jazzfestival 1970, first concert |
|
0:00:00 (Pop-up) |
| Haruomi Hosono |
Hurricane Dorothy
|
泰安洋行/Tropical Dandy | Shigeru Suzuki - Electric Guitar, Backing Vocals/Choir Tatsuo Hayashi - Drums, Percussion Hiroki Komazawa - Pedal steel guitar Hiroshi Satō - Piano, Clavinet Ginji Itō - Electric Guitar Motoya Hamaguchi - Percussion Makoto Yano - Strings, Horn (Wind and Brass) & String Arrangements Minako Yoshida - Duet Vocals, Backing Vocals/Choir Makoto Kubota - Backing Vocals/Choir, Scat Vocals Teruyuki Fukushima - Trumpet Masayuki Kuniyoshi - Flute Yōji Yamashita - Ukulele Clare Francis - Voice Kayo Ito, Taeko Ōnuki & Kōsetsu Minami - Backing Vocals/Choir - - Recorded Crown Studio Akasaka, Minato, Tokyo - 1975 |
|
0:08:28 (Pop-up) |
| Rotary Connection |
Memory Band
|
Rotary Connection |
|
0:13:54 (Pop-up) | |
| Edda Dell'Orso |
Alla Serenità
|
Dream Within A Dream...The Incredible Voice Of |
|
0:17:11 (Pop-up) | |
| Peer Raben / David Ambach |
Die Tränen einer Dame aus Querelle-Ein Pakt mit dem Teufel
|
The Music From Rainer Werner Fassbinder Films |
|
0:22:32 (Pop-up) | |
| Pascal Comelade |
Red Bologna
|
33 Bars |
|
0:24:48 (Pop-up) | |
| DJ Prize Bin | 0:29:12 (Pop-up) | ||||
| Angel Dean & Sue Garner |
I Still Could Not Forget You Then
|
Pot Liquor | Accordion, Organ – Ted Reichman §§§Bass, Harmonica, Bass Clarinet, Guitar – Doug Wieselman §§§Bass, Keyboards, Producer – JD Foster §§§Bongos – Phil "Lester" Dray* §§§Drums, Percussion, Electronics – Rick Brown §§§Slide Guitar, Electric Guitar – Jeremy Hogg §§§Violin, Mandolin – Clare Mactaggart §§§Vocals, Guitar, Organ, Bass Harmonica, Percussion, Producer – Sue Garner §§§Vocals, Rhythm Guitar, Ukulele, Percussion – Angel Dean - - 2004 |
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0:35:23 (Pop-up) |
| Ember Schrag |
Houston
|
The Sewing Room | Bass – Max Johnson; Clarinet – Amy Denio; Drums – Gary E. Foster; Electric Bass – Greg Talenfeld; Electric Guitar – Alex McManus, Greg Talenfeld; Instruments – Jay Kreimer; Lap Steel Guitar – Greg Talenfeld; Mandolin – Philip Gayle; Organ – A.J. Mogis; Percussion – A.J. Mogis; Piano – PG Six; Viola – Jonah Sirota; Vocals – Ember Schrag, PG Six; - - 2012 |
|
0:38:42 (Pop-up) |
| That Dog. |
She
|
That Dog. | Cello – Tanya Haden; Drums – Tony Maxwell; Vocals, Bass – Rachel Haden; Vocals, Guitar – Anna Waronker; Vocals, Violin – Petra Haden |
|
0:41:57 (Pop-up) |
| Maria Monti |
L'uomo
|
Il Bestiario |
|
0:44:52 (Pop-up) | |
| Jim Hall & Bill Frisell |
Bimini
|
Hemispheres - Duo |
|
0:47:41 (Pop-up) | |
| The Shivers |
House Of The Spirits
|
The Buried Life |
|
0:52:21 (Pop-up) | |
| Hamerkop |
Patience
|
Remote |
|
0:55:23 (Pop-up) | |
| Tara Key |
Burn
|
Ear and Echo | Bass, Resonator Guitar – Wolf Knapp Cello, Guitar, Producer – Tim Harris; Drums – Josh Madell; Guitar, Organ, Accordion, Vocals – Tara Key; Guitar, Slide Guitar, Producer – Jon Williams; - - Recorded during the New Moon at September (2-11) and recorded and mixed under the Full Moon of October (14-23) in the year 1994 Recorded at Vortex, East Albany, VT |
|
0:59:11 (Pop-up) |
| Stereolab |
I'm Going Out Of My Way
|
Transient Random-Noise Bursts With Announcements |
|
1:04:33 (Pop-up) | |
| Fehlfarben |
Sonntag Morgen (mit Gudrun Gut)
|
26 1/2 |
|
1:08:00 (Pop-up) | |
| Bryan Ferry |
Baby I Don't Care
|
These Foolish Things |
|
1:10:06 (Pop-up) | |
| The Go-Betweens |
A Bad Debt Follows You
|
Before Hollywood |
|
1:11:54 (Pop-up) | |
| The Velvet Underground |
Head Held High
|
Loaded: Re-Loaded 45th Anniversary Edition |
|
1:14:15 (Pop-up) | |
| The Bee Gees |
Indian Gin and Whisky Dry
|
Idea |
|
1:17:07 (Pop-up) | |
| DJ Plays Emily | 1:19:01 (Pop-up) | ||||
| Emily Remler |
The Firefly
|
Firefly | Written by - Emily Remler; Emily Remler – electric guitar • Hank Jones – piano • Bob Maize – bass • Jake Hanna – drums - - Recorded April 1981 Studio Coast Recorders, San Francisco |
|
1:28:49 (Pop-up) |
| Emily Remler |
East To Wes
|
East To Wes | Written by Emily Remler; Emily Remler – electric guitar • Hank Jones – piano • Buster Williams – bass • Marvin Smith – drums - - Recorded May 1988 Studio Penny Lane Studios, New YorkEmily Remler – electric guitar • Hank Jones – piano • Buster Williams – bass • Marvin Smith – drums - - Recorded May 1988 Studio Penny Lane Studios, New York |
|
1:32:55 (Pop-up) |
| Emily Remler |
Ode To Mali
|
Transitions | Written by Emily Remler; Emily Remler – electric guitar • John D'earth – trumpet • Eddie Gomez – bass • Bob Moses – drums - - Recorded at Mastermind Sound Studios, New York, October 1983 |
|
1:39:07 (Pop-up) |
| Emily Remler Quartet |
Afro Blue
|
Take Two | Written by Mongo Santamaría; Emily Remler – electric guitar • James Williams – piano • Don Thompson – bass • Terry Clarke – drums. — • Recorded • June 1982 • Studio • Soundmixers, New York - - - Released June 1982 |
|
1:43:48 (Pop-up) |
| David Benoit |
Funkallero
|
Waiting For Spring | Written by Bill Evans; David Benoit – grand piano • Emily Remler – guitar • Luther Hughes – bass • Peter Erskine – drums • Recorded • 1989 • Studio |
|
1:46:14 (Pop-up) |
| Emily Remler |
Catwalk
|
Catwalk | Written by Emily Remler; Emily Remler – electric guitar • John D'earth – trumpet • Eddie Gomez – bass • Bob Moses – drums - - Recorded August 1984 Studio Coast Recorders Studios, San Francisco |
|
1:49:48 (Pop-up) |
| Larry Coryell & Emily Remler |
How Insensitive
|
Together | Written by Antônio Carlos Jobim, Norman Gimbel; Larry Coryell – electric guitar (Gibson Super 400) • Emily Remler – electric guitar (Borys) - -Recorded August 1985 Studio Coast Recorders, San Francisco |
|
1:57:04 (Pop-up) |
| Emily Remler |
Inception
|
Firefly | Written by McCoy Tyner; Emily Remler – electric guitar • Hank Jones – piano • Bob Maize – bass • Jake Hanna – drums - - Recorded April 1981 Studio Coast Recorders, San Francisco |
|
2:05:33 (Pop-up) |
| Emily Remler Quartet |
Waltz for My Grandfather
|
Take Two | Written by Emily Remler; Emily Remler – electric guitar • James Williams – piano • Don Thompson – bass • Terry Clarke – drums. — • Recorded • June 1982 • Studio • Soundmixers, New York - - - Released June 1982 |
|
2:10:42 (Pop-up) |
| Emily Remler |
Hot House
|
East To Wes | Written by Tad Dameron; Emily Remler – electric guitar • Hank Jones – piano • Buster Williams – bass • Marvin Smith – drums - - Recorded May 1988 Studio Penny Lane Studios, New York |
|
2:17:18 (Pop-up) |
| Emily Remler |
Second Childhood
|
This Is Me | Written by Emily Remler; Emily Remler - acoustic guitar • Luis Conte – percussion - - recorded at Ocean Way Studios - Hollywood / Skyline Studios, New York - 1990 |
|
2:23:01 (Pop-up) |
| That was Emily good | 2:26:23 (Pop-up) | ||||
| Bengt Berger w/Don Cherry |
Elixir
|
Organic Music Society | Mridangam, Drums [Log Drums], Drums – Bengt Berger Ngoni [Duoss N'Gouni], Guitar [Gnaua Guitar], Piano – Christer Bothén Voice, Harmonium, Flute, Conch, Ocarina [H'suan], Percussion, Trumpet – Don Cherry • Recorded • August 14, 1972 |
|
2:36:12 (Pop-up) |
| Jan Garbarek Quartet |
Blow Away Zone
|
Afric Pepperbird | Bass, Thumb Piano [African Thumb Piano], Xylophone – Arild Andersen; Guitar, Bugle – Terje Rypdal; Percussion – Jon Christensen; Tenor Saxophone, Bass Saxophone, Clarinet, Flute [Flutes], Percussion – Jan Garbarek; - - Recorded September 1970 Bendiksen Studio, Oslo |
|
2:42:22 (Pop-up) |
| Don Cherry Nana Vasconcelos Colin Walcott |
Que Faser
|
The Codona Trilogy | Berimbau, Cuica, Talking Drum, Percussion, Voice – Nana Vasconcelos; Sitar, Tabla, Hammered Dulcimer, Mbira [Sanza], Timpani, Voice – Collin Walcott; Trumpet, Ngoni [Doussn'Gouni], Flute [Flutes], Organ, Melodica, Voice – Don Cherry - - Recorded September 1979, May 1980 and September 1982 |
|
2:50:57 (Pop-up) |
| Mulatu Astatke & His Ethiopian Quintet |
One for Buzayhew
|
Afro-Latin Soul | Arranged By - Mulatu Astatke; Robert Cuadrado - Bass - Pete Iglesias - Congas Felix Torres - Congas, Bongos - John Perez - Congas, Bongos - - 1966 |
|
2:58:04 (Pop-up) |
| Joe Bataan |
Aftershower Funk
|
Salsoul | Bass, Flute, Saxophone, Percussion – Bobby Rodríguez §§§Congas – Joe de Leon §§§Coro, Saxophone – Dennis Harris §§§Coro, Trombone – Eddie Hernandez §§§Drums [Trap Drums] – Rick §§§Guitar – William Howes, Jr. §§§Leader, Vocals, Piano – Joe Bataán §§§Timbales – Vito de Leon §§§Trumpet – Willie - - 1973 |
|
3:02:32 (Pop-up) |
| Johnny Hammond |
Los Conquistadores Chocolates
|
Gears | Arranged By – Larry Mizell — Backing Vocals, Arranged By [Vocals] – Larry And Fonce Mizell — Clavinet – Fonce Mizell — Drums – Harvey Mason — Electric Bass – Chuck Rainey — Electric Piano – Jerry Peters, Johnny Hammond — Flute, Vibraphone – Roger Glenn — Guitar – Craig McMullen, John Rowen — Keyboards [Solina] – Larry Mizell — Percussion, Cymbal, Gong – Kenneth Nash — Piano – Jerry Peters — Synthesizer, Organ – Johnny Hammond — Tenor Saxophone – Hadley Caliman — Trombone – Julian Priester — Violin – Michael White — Conductor, Copyist – Sigidi - - Recorded at Fantasy Studios, Berkeley, July 1975 |
|
3:07:43 (Pop-up) |
| Tempo 70 |
El Galleton
|
Mericana Records – M-106 7" A-Side - 1972 | Arranged By – Bebu Silvetti, Mandy Vizoso, Maximo Torres ====Bongos – Raúl "Rulo" Rivera ====Cuatro, Guitar – Maximo Torres ====Piano – Bebu Silvetti ====Vocals, Percussion – Alejandro "Chali" Hernandez ====Written-By – B. Silvetti - also available on: Nu Yorica! Culture Clash In New York City Experiments In Latin Music 1970-77 |
|
3:13:47 (Pop-up) |
| Jack Costanzo |
El Diablito
|
Mr Bongo |
|
3:16:55 (Pop-up) | |
| Ocho Featuring Chico Mendoza |
Mamey Colorao
|
Tornado | Alto Saxophone – Leo Johnson Baritone Saxophone – Bill Phipps; Bass – Walter Oyola; Bongos – Charlie Jones; Congas – Joe Armstrong; Leader – Chico Mendoza; Tenor Saxophone – Herbert Morgan; Timbales – Butch Johnson; Trumpet – Ralph Abel; Vocals – Tito Allen, Willy Torres - - 1976 |
|
3:19:04 (Pop-up) |
| Charlie Sepúlveda & The Turnaround |
Peer Magic (Live)
|
This Is Latin Jazz | Charlie Sepúlveda (trumpet); Norberto Ortiz (tenor saxophone); Eduardo Zayas (piano); Gabriel Rodriguez (bass); Francisco Alcalá (drums); Nicholas Cosaboom (congas). Néstor Torres - flute - - - Recorded at Dizzy’s Club, Jazz at Lincoln Center, New York, NY on February 7, 8 & 9, 2020 |
|
3:22:56 (Pop-up) |
| Eddie Palmieri |
Don't Stop The Train
|
Arete | Alto Saxophone – Donald Harrison ====Arranged By – Eddie Palmieri ====Bass – John Benitez ====Bongos – Paoli Mejias ====Congas – Richie Flores ====Timbales, Percussion – Jose Claussell ====Trombone – Conrad Herwig ====Trumpet – Brian Lynch - -1995 |
|
3:38:12 (Pop-up) |
| Tito Puente |
Pent Up House
|
Goza Mi Timbal | Tito Puente - timbales, timbalito, marimba, vibraphone, chekere ====Sonny Bravo - piano ====Sam Burtis - trombone ====Mary Fettig - soprano sax, tenor sax, flute ====Mitch Frohman - soprano sax, tenor sax, flute ====Robbie Kwock - trumpet, flugelhorn ====Jose Madera - congas, percussion ====Bobby Rodriguez - bass ====David Piro Rodriguez - trumpet, flugelhorn ====Johnny Rodriguez - bongos - - 1990 |
|
3:44:52 (Pop-up) |
| DJ Aweigh! | 3:50:36 (Pop-up) |
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Listener comments!
listener james from westwood:
Franco Twinkie:
Stork:
chresti:
Stork:
duke:
TDK60:
Stork:
Stork:
Revolution Rabbit Nov63:
' Emily Remler (September 18, 1957 – May 4, 1990) was an American jazz guitarist, active from the late 1970s until her death in 1990. '
Sem:
Greets, Storkulator and clubbers, from an increasingly-autumnal New Scotland.
Revolution Rabbit Nov63:
CalZone!:
Stork:
WR:
chresti:
DJpeterDE:
Jeff Golick:
Revolution Rabbit Nov63:
Stork:
TDK60:
Michael 98145:
Dean:
Stork:
chresti:
Michael 98145:
aloha, all
doctorjazz:
Got to see Emily Remler once back in the day, have her East To West and Catwalk LP's in the racks, haven't heard her name or music in a kazillion years (those LP's are dated 1984 and 1988). Looking forward to hearing her again!
fred:
Barkeep, a round of Glen Passaic to celebrate the return of the one and only Bryce!
doctorjazz:
Jeff Golick:
Revolution Rabbit Nov63:
- to the triumphant Return of Bryce !
fred:
Doug Schulkind:
doctorjazz:
Stork:
Stork:
Stork:
Revolution Rabbit Nov63:
Franco Twinkie:
Franco Twinkie:
Stork:
doctorjazz:
northguineahills:
Revolution Rabbit Nov63:
Franco Twinkie:
northguineahills:
doctorjazz:
doctorjazz:
doctorjazz:
Franco Twinkie:
fred:
doctorjazz:
Revolution Rabbit Nov63:
Revolution Rabbit Nov63:
doctorjazz:
Revolution Rabbit Nov63:
Revolution Rabbit Nov63:
doctorjazz:
jazztimes.com...
I recall her being a big deal in the 80's, look at the sidemen on these dates.
Stork:
Stork:
doctorjazz:
adamdoesit:
fred:
Stork:
doctorjazz:
adamdoesit:
* Virgin Glen Passaic Sour
2oz Glen Passaic
1oz Jersey virgin's blood
3/4oz simple syrup
3/4oz lemon juice
Dry-shake Glen Passaic and Jersey virgin's blood, add remaining ingredients, shake over ice and serve up in a sippy hat.
NB: I do not want to hear about any of you sacrificing Jersey virgins at the altar of this cocktail. There are few enough to go around. The right way to do it is to open an interest-bearing savings account at your local blood bank. They're desperate these days, so they'll comp you a pint to get started -- plenty enough for your first few nights of vampiric stupor.
Revolution Rabbit Nov63:
adamdoesit:
doctorjazz:
doctorjazz:
Revolution Rabbit Nov63:
adamdoesit:
fred:
adamdoesit:
Revolution Rabbit Nov63:
David in London:
Salutations fellow groovers.
Stork:
fred:
Listening Out There:
Stork:
adamdoesit:
@fred, I read your comment to my lovely wife, who says, Cool! (that sort of thing sounds right up her alley), and adds that she got tix to Gisele Vienne at BAM next month.
Stork:
fred:
Revolution Rabbit Nov63:
doctorjazz:
doctorjazz:
Revolution Rabbit Nov63:
David in London:
Revolution Rabbit Nov63:
Revolution Rabbit Nov63:
doctorjazz:
Revolution Rabbit Nov63:
David in London:
Name the film that quote is culled from... A double Glen Passaic as the prize.
fred:
adamdoesit:
listenmissy:
Revolution Rabbit Nov63:
David in London:
katharsis:
Revolution Rabbit Nov63:
fred:
Michael 98145:
Michael 98145:
doctorjazz:
adamdoesit:
Stork:
David in London:
adamdoesit:
doctorjazz:
fred:
Sem:
fred:
Sem:
I keep forgetting that bus travel was integral to your reading regime. To what level of hell has Paris descended?
Stork:
adamdoesit:
Revolution Rabbit Nov63:
Revolution Rabbit Nov63:
fred:
Sem:
Stork:
Dean:
adamdoesit:
Revolution Rabbit Nov63:
WR:
chresti:
Sem:
Bye all, keep on being Stork raving mad...
Stork: