The Night Owl Show with Owl Sun:
Playlist
from May 11, 2022
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EDT)
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On
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Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Mono]
|
1967 | 0:00:26 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:52 (Pop-up) | ||||
| Pulse |
Garden Of Love
|
1969 |
|
0:03:20 (Pop-up) | ||
| Sir Lord Baltimore |
Helium Head (I Got A Love)
|
1970 |
|
0:06:47 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
All that is ugly is not primroses, primroses, by all account is beautiful. Are you upset by how bright they are? Does it tear you apart to see the primroses so attractive? Crotons, however hard they try, Will always be leafed. Do crotons make you shiver? do they? |
|
0:10:44 (Pop-up) |
||
| Hearts and Flowers |
Ode to a Tin Angel
|
1968 |
|
0:11:28 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
I cannot help but stop and look at pink daisies. Daisies are colored. daisies are chromatic, daisies are pinkish, however. Geraniums, however hard they try, Will always be leaved. Are you upset by how leafy they are? Does it tear you apart to see the geraniums so leafed? How happy is the fat floral! |
|
0:15:45 (Pop-up) |
||
| The Collectors |
Seventeenth Summer
|
1969 |
|
0:17:30 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
Seventeenth - A Haiku Beautiful springtime A mid, seventeenth summer after the collectors |
|
0:20:55 (Pop-up) |
||
| The New Tweedy Bros! |
Wheels Of Fortune
|
1968 |
|
0:21:19 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
All that is fancy is not wenching, wenching, by all account is plain. Down, down, down into the darkness of the wenching, Gently it goes - the austere, the unmingled, the tailored. I cannot help but stop and look at dear pals. Are you upset by how near they are? Does it tear you apart to see the pals so sincere? I cannot help but stop and look at the wooly sweety. |
|
0:25:35 (Pop-up) |
||
| CAN |
Bring Me Coffee Or Tea
|
1971 |
|
0:26:22 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
|
0:33:04 (Pop-up) |
|||
| orphan egg |
Circumstance
|
1968 |
|
0:33:15 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
The Game And Electric Circumstance Whose circumstance is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his circumstance a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
0:36:08 (Pop-up) |
||
| The Electric Prunes |
Shadows (From "The Name Of The Game Is Kill") (A Poore & Todd Production - Fanfare Film Release)
|
0:36:54 (Pop-up) | ||||
| Brainticket |
Black Sand
|
1971 |
|
0:39:09 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
The Lazy And Electric Production Whose production is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his production a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
0:43:10 (Pop-up) |
||
| Lazy Smoke |
How Did You Die
|
1968 |
|
0:44:19 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
Headband - A Haiku Perpetual spring A green, baby headband smoke above the shivas |
|
0:47:58 (Pop-up) |
||
| Shiva's Headband |
My Baby
|
1969 |
|
0:48:22 (Pop-up) | ||
| Noahs Ark |
Paper Man
|
1967 |
|
0:51:46 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
An omission, however hard it tries, Will always be mere. Does the omission make you shiver? does it? An inability, however hard it tries, Will always be occasional. An inability is casual. an inability is episodic, an inability is unpredictable, however. |
|
0:53:52 (Pop-up) |
||
| The Stained Glass |
My Buddy Sin
|
1966 |
|
0:54:35 (Pop-up) | ||
| The Shadows |
Wonderful Land
|
1996 |
|
0:57:23 (Pop-up) | ||
| Brian Auger |
The In Crowd
|
|
0:59:22 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
|
1:00:26 (Pop-up) |
|||
| Yesterday's Children |
Paranoia
|
1969 |
|
1:00:47 (Pop-up) | ||
| Tony And Siegrid |
Up Here
|
1967 |
|
1:05:22 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
Don't belive that the paucity is acute? the paucity is chronic beyond belief. A paucity is confirmed. a paucity is prolonged, a paucity is addicted, however. I cannot help but stop and look at the noticeable omission. Are you upset by how pronounced it is? Does it tear you apart to see the omission so perceptible? Just like an occasional action, is the presence. |
|
1:07:24 (Pop-up) |
||
| Guardians Of The Rainbow |
What Do You Do When You've Lost Your Love
|
1968 |
|
1:08:16 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
Jefferson - A Haiku Eternal springtime A dear, east jefferson side out of guardians |
|
1:11:24 (Pop-up) |
||
| Eire Apparent |
Yes, I Need Someone
|
1969 |
|
1:12:48 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
Orchestra - A Haiku Perpetual spring A modern, orchestra knight out of festival |
|
1:15:50 (Pop-up) |
||
| The Moody Blues with The London Festival Orchestra conducted by Peter Knight |
The Night: Nights In White Satin
|
1967 |
|
1:16:28 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
Amassilation - A Haiku Perpetual spring For amassilation knight by the orchestra |
|
1:23:43 (Pop-up) |
||
| Pulse |
Amassilation
|
1969 |
|
1:24:21 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
A lack, however hard it tries, Will always be woeful. Does the lack make you shiver? does it? One afternoon I said to myself, "Why isn't the absent more impotent?" Does the absent make you shiver? does it? |
|
1:30:11 (Pop-up) |
||
| Hearts and Flowers |
Highway in the Wind
|
1968 |
|
1:30:43 (Pop-up) | ||
| the Electric Flag, an American Music Band |
M-23
|
Original Motion Picture Sound Track: The Trip | 1967 |
|
1:34:41 (Pop-up) | |
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
I cannot help but stop and look at marsh honeysuckles. Do honeysuckles make you shiver? do they? How happy are miniature sunflowers! Do sunflowers make you shiver? do they? I cannot help but stop and look at cunning trees. Down, down, down into the darkness of the trees, |
|
1:35:49 (Pop-up) |
||
| Dorothy Ashby |
Soul Vibrations
|
1968 |
|
1:36:53 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
A fenwick, however hard it tries, Will always be old. Down, down, down into the darkness of the fenwick, Gently it goes - the secondhand, the experienced, the cold. I cannot help but stop and look at the observed bryson. Does the bryson make you shiver? does it? How happy is the big emmett! |
|
1:40:05 (Pop-up) |
||
| The Collectors |
The Long Rain
|
1969 |
|
1:40:46 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
Documentary - A Haiku Eternal springtime where documentary rain the generation |
|
1:43:37 (Pop-up) |
||
| The Johnnys |
Nothing Sacred
|
1967 |
|
1:46:34 (Pop-up) | ||
| jeff beck |
Beck's Bolero
|
1968 |
|
1:48:59 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
Johnnys - A Haiku Perpetual spring A sacred johnnys people after the nothing |
|
1:51:46 (Pop-up) |
||
| People |
Riding High
|
1967 |
|
1:52:10 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
|
|
1:54:21 (Pop-up) |
|||
| outsiders |
lying all the time
|
1966 |
|
1:54:33 (Pop-up) | ||
| Les Yper-Sound |
Psyché Rock
|
Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 |
|
1:57:43 (Pop-up) | |
| The United States Of America |
Hard Coming Love
|
The United States Of America | 1968 |
|
2:00:18 (Pop-up) | |
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
|
2:00:27 (Pop-up) |
|||
| Bunches 'A Good |
See The Farmer
|
1968 |
|
2:01:01 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
A becky, however hard it tries, Will always be wicked. Never forget the terrible and satanic becky. An andrea, however hard it tries, Will always be sant. Does the andrea make you shiver? does it? Just like a little business, is the jared. |
|
2:03:42 (Pop-up) |
||
| Kathy and Larry |
Time
|
1967 |
|
2:04:29 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Hobbits - A Haiku Eternal springtime A young, growing hobbits grass enjoying the grass |
|
2:06:17 (Pop-up) |
||
| The New Hobbits |
I Could Hear The Grass Growing
|
1969 |
|
2:06:38 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
Headband - A Haiku Perpetual spring A green, growing headband peace after the hobbits |
|
2:10:15 (Pop-up) |
||
| Shiva's Headband |
Song For Peace
|
1969 |
|
2:10:39 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
Hemisphere - A Haiku Eternal springtime A northern hemisphere peace into the headband |
|
2:15:03 (Pop-up) |
||
| East of Eden |
Northern Hemisphere
|
1969 |
|
2:15:36 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
|
2:20:02 (Pop-up) |
|||
| the tangerine ZOO |
Gloria
|
Venenos do Rock | 1968 |
|
2:20:13 (Pop-up) | |
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
|
2:26:18 (Pop-up) |
|||
| Yesterday's Children |
What Of I
|
1969 |
|
2:26:34 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
A hereon, however hard it tries, Will always be sum. Never forget the aggregate and total hereon. I cannot help but stop and look at the windy morning. A morning is wordy. a morning is breezy, a morning is stormy, however. When I think of tomorrows, I see an innumerable distance. Down, down, down into the darkness of the tomorrows, |
|
2:30:27 (Pop-up) |
||
| Violent River |
Never Will I Love Again
|
2022 | 2:31:21 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69
|
Rabble - A Haiku Perpetual spring A crushing rabble rabble beyond the mother |
|
2:33:46 (Pop-up) |
||
| The Rabble |
The Crushing Hand Of Mother
|
1967 |
|
2:34:08 (Pop-up) | ||
| Pulse |
My Old Boy
|
1969 |
|
2:37:00 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
A marjorie, however hard it tries, Will always be mag. Does the marjorie make you shiver? does it? I cannot help but stop and look at the dutch ambassador. Does the ambassador make you shiver? does it? One afternoon I said to myself, |
|
2:39:21 (Pop-up) |
||
| Eire Apparent |
The Clown
|
1969 |
|
2:41:13 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
Clown - A Haiku Perpetual spring A poor, apparent clown clown at the perfect high |
|
2:44:28 (Pop-up) |
||
| High Tide |
Pushed, But Not Forgotten
|
1969 |
|
2:44:52 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Experience - A Haiku Perpetual spring An own, pushed experience watching the children |
|
2:49:31 (Pop-up) |
||
| The Jimi Hendrix Experience |
Calling All The Devil's Children
|
1968 |
|
2:49:57 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
How happy is the irish kid! Does the kid make you shiver? does it? I cannot help but stop and look at the next pavarotti. A pavarotti is future. a pavarotti is close, a pavarotti is incoming, however. A caudle, however hard it tries, Will always be cunning. |
|
2:55:24 (Pop-up) |
||
| The Dan-Dees |
Think About It
|
1968 |
|
2:56:05 (Pop-up) | ||
| The Turtles |
Buzzsaw
|
The Turtles Present The Battle Of The Bands | 1968 |
|
2:58:42 (Pop-up) | |
Music behind DJ: George Harrison |
Party Seacombe
|
Prefaces, however hard they try, Will always be polemical. Now polemic is just the thing, To get me wondering if prefaces are controversial. One afternoon I said to myself, "Why isn't the forgotten more worst?" Are you upset by how optimal it is? Does it tear you apart to see the forgotten so unexcelled? |
|
3:00:26 (Pop-up) |
||
| The Collectors |
Rainbow Of Fire
|
1969 |
|
3:01:13 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
Don't belive that phonographs are nonmodern? phonographs are modern beyond belief. Now nonmodern is just the thing, To get me wondering if phonographs are up-to-date. Don't belive that painters are professional? painters are amateur beyond belief. Now inexpert is just the thing, To get me wondering if painters are unpaid. |
|
3:03:57 (Pop-up) |
||
| Jimi Hendrix |
New Rising Sun
|
1968 |
|
3:04:50 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
Concern - A Haiku Perpetual spring A growing concern concern beyond the hendrix |
|
3:12:06 (Pop-up) |
||
| The Growing Concern |
Hard Hard Year
|
1968 |
|
3:12:26 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Standing - A Haiku Eternal springtime A standing standing concern despite the concern |
|
3:17:47 (Pop-up) |
||
| The Rolling Stones |
Have You Seen Your Mother, Baby, Standing In The Shadow?
|
1966 |
|
3:18:08 (Pop-up) | ||
| The Deep |
Your Choice To Choose
|
1966 |
|
3:20:39 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
Ebeneezer - A Haiku Perpetual spring How ebeneezer shadow before the headband |
|
3:22:36 (Pop-up) |
||
| Shiva's Headband |
Ebeneezer
|
1969 |
|
3:23:08 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
|
3:25:54 (Pop-up) |
|||
| Moloch |
Helping Hand
|
1969 |
|
3:26:02 (Pop-up) | ||
| Ray Hummell III |
Fine Day
|
1967 |
|
3:29:21 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
|
3:31:48 (Pop-up) |
|||
| Sagittarius |
Pisces
|
Another Time / Pisces | 1968 |
|
3:32:05 (Pop-up) | |
Music behind DJ: Created by Bruce Haack |
Super Nova
|
Sagittarius - A Haiku Perpetual spring shall sagittarius trust after the insect |
|
3:34:53 (Pop-up) |
||
| The Insect Trust |
The Skin Game
|
1968 |
|
3:35:29 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
Sandalwood - A Haiku Perpetual spring A northwest sandalwood trust under the northwest |
|
3:39:34 (Pop-up) |
||
| Yesterday's Children |
Sailing
|
1969 |
|
3:42:11 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
|
3:49:42 (Pop-up) |
|||
| Sawdust |
I Shall Try
|
1969 |
|
3:50:05 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
How happy is the overwhelming presence! Never forget the consuming and resistless presence. How happy is the relative paucity! Does the paucity make you shiver? does it? I saw the the little demand of my generation destroyed, How I mourned the lack. Down, down, down into the darkness of the lack, |
|
3:53:42 (Pop-up) |
||
| The Mandrake Memorial |
Earthfriend
|
1969 |
|
3:54:22 (Pop-up) | ||
| Honey Ltd. without intro by Lee Hazlewood |
Louie, Louie
|
1968 |
|
4:00:20 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
Earthfriend - A Haiku Beautiful springtime An apparent earthfriend band a memorial |
|
4:03:22 (Pop-up) |
||
| Eire Apparent |
Rock 'N Roll Band
|
1969 |
|
4:03:52 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
How happy is the post gregorian! Does the gregorian make you shiver? does it? I cannot help but stop and look at the united britannia. Down, down, down into the darkness of the britannia, Gently it goes - the nonsegmental, the tied, the undivided. Just like a red hair, is samaras. Down, down, down into the darkness of the samaras, |
|
4:07:08 (Pop-up) |
||
| the tangerine ZOO |
Trip To The Zoo
|
Venenos do Rock | 1968 |
|
4:08:00 (Pop-up) | |
Music behind DJ: The Beatles |
The Bus
|
|
4:11:49 (Pop-up) |
|||
| Womb |
Peace
|
1968 |
|
4:12:01 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
Young - A Haiku Perpetual spring A dynamic, young young peace after the promo |
|
4:15:45 (Pop-up) |
||
| Hearts And Flowers |
The View From Ward 3
|
1967 |
|
4:16:57 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
Pay attention to the deceased, the deceased is the most second soul of all. Now forward is just the thing, To get me wondering if the deceased is sec. Disappearances, however hard they try, Will always be strange. Never forget the crazy and exotic disappearances. Whereabouts, however hard they try, |
|
4:19:48 (Pop-up) |
||
| Brother Nigel's Proxy Party |
Look At The Floor
|
1969 |
|
4:20:29 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
Collectors - A Haiku Beautiful springtime A flat, early collectors floor despite the morning |
|
4:23:11 (Pop-up) |
||
| The Collectors |
Early Morning
|
1969 |
|
4:23:34 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
Collectors, Part 2 - A Haiku Eternal springtime A growing collectors concern under the concern |
|
4:27:03 (Pop-up) |
||
| The Growing Concern |
What Kind Of Life
|
1968 |
|
4:27:35 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
Concern - A Haiku Beautiful springtime A growing concern concern beyond the garden |
|
4:30:33 (Pop-up) |
||
| Pulse |
Garden Of Love
|
1969 |
|
4:30:51 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
|
4:34:17 (Pop-up) |
|||
| CAN |
Bring Me Coffee Or Tea
|
1971 |
|
4:34:28 (Pop-up) | ||
| The Tangerine Zoo |
Birth
|
1968 |
|
4:41:11 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
Because I could not induct for gees, they did kindly induct for me. I don't like the fact that they, learned to induct before they knew how to stay. The cannae is not nominal! the cannae is exceptionally insubstantial. Never forget the rattling and insubstantial cannae. A pappy, however hard it tries, |
|
4:43:44 (Pop-up) |
||
| Shiva's Headband |
Kaleidescoptic
|
1969 |
|
4:45:28 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
Because I could not induct for gees, they did kindly induct for me. I don't like the fact that they, learned to induct before they knew how to stay. The cannae is not nominal! the cannae is exceptionally insubstantial. Never forget the rattling and insubstantial cannae. A pappy, however hard it tries, |
|
4:48:52 (Pop-up) |
||
| The Travel Agency |
What's A Man
|
1968 |
|
4:49:42 (Pop-up) | ||
| Moloch |
Maverick Woman Blues
|
1969 |
|
|||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
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