The Night Owl Show with Owl Sun:
Playlist
from April 12, 2022
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EDT)
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On
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
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| Nirvana |
In The Courtyard Of The Stars [Mono]
|
1967 | 0:00:24 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:49 (Pop-up) | ||||
| Bee Gees |
To love somebody
|
1967 |
|
0:03:17 (Pop-up) | ||
| The Moody Blues |
Sun is still shining.
|
1969 |
|
0:06:10 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
|
Somebody - A Haiku Overcast springtime A composed somebody pink out of ibiza |
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0:09:50 (Pop-up) |
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| played and composed by the pink floyd |
Ibiza Bar
|
1969 |
|
0:10:18 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Documentary - A Haiku Overcast springtime For documentary trip above the excerpts |
|
0:13:19 (Pop-up) |
||
| Quicksilver Messenger Service |
Pride Of Man
|
1968 |
|
0:17:30 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Quicksilver - A Haiku Overcast springtime A more, quicksilver service by the messenger |
|
0:21:34 (Pop-up) |
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| The Ghost |
Night Of The Warlock
|
1970 |
|
0:22:09 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
California - A Haiku Overcast springtime before california ghost out of metephore |
|
0:26:30 (Pop-up) |
||
| The United States Of America |
The American Way Of Love: part I - Metephore for an Older Man, Part II - California Good-time Music, Part III - Love Is All
|
1968 |
|
0:26:54 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
California, Part 2 - A Haiku Perpetual spring before california love by the metephore |
|
0:33:30 (Pop-up) |
||
| The Crazy World Of Arthur Brown |
Child Of My Kingdom
|
1968 |
|
0:34:13 (Pop-up) | ||
| The Morning Dew |
Winter Dreams
|
1966 |
|
0:41:11 (Pop-up) | ||
| Bonzo Dog Band |
I'm The Urban Spaceman
|
I'm The Urban Spaceman | 1968 |
|
0:43:26 (Pop-up) | |
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
The Crazy And Brown Kingdom Whose kingdom is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his kingdom a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
0:45:45 (Pop-up) |
||
| Pearls Before Swine |
these things too
|
1969 |
|
0:46:45 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
Don't belive that the forgotten is short? the forgotten is long beyond belief. Are you upset by how long-acting it is? Does it tear you apart to see the forgotten so lengthy? Pay attention to the absent, the absent is the most calcium go away of all. Does the absent make you shiver? does it? |
|
0:50:05 (Pop-up) |
||
| The Appletree Theatre |
Epilogue: What A Way To Go (yes)
|
1967 |
|
0:51:41 (Pop-up) | ||
| Philamore Lincoln |
Rainy Day
|
1970 |
|
0:54:22 (Pop-up) | ||
| The Shadows |
Wonderful Land
|
1996 |
|
0:56:43 (Pop-up) | ||
| Musiche Originali Di Ennio Morricone |
Beat N° 3
|
1968 |
|
0:58:42 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
The tree branch that's really beechen, Above all others is the bough. Does the bough make you shiver? does it? coconuts are not undamaged! coconuts are exceptionally mangled. Now tumble-down is just the thing, To get me wondering if coconuts are mangled. |
|
1:00:23 (Pop-up) |
||
| The Velvet Underground |
I Heard Her Call My Name
|
1968 |
|
1:01:36 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
Underground - A Haiku Overcast springtime A deep, underground people despite the people |
|
1:06:10 (Pop-up) |
||
| Ill Wind |
People Of The Night
|
1968 |
|
1:06:43 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
|
1:14:20 (Pop-up) |
|||
| Graham Bond |
The Magician
|
1970 |
|
1:14:33 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
How happy are noisy downstairs! Do downstairs make you shiver? do they? One afternoon I said to myself, "Why isn't the doorway more covert?" Down, down, down into the darkness of the doorway, Gently it goes - the unsettled, the public, the unprotected. When I think of the window, I see curtained windows. |
|
1:19:29 (Pop-up) |
||
| The Moody Blues |
House Of Four Doors
|
1968 |
|
1:20:21 (Pop-up) | ||
| Sawdust |
I Shall Try
|
1969 |
|
1:24:30 (Pop-up) | ||
| played and composed by the pink floyd |
Quicksilver
|
1969 |
|
1:28:08 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
Quicksilver, Part 2 - A Haiku Overcast springtime A much, quicksilver machine under the sleeping |
|
1:35:12 (Pop-up) |
||
| The Soft Machine |
Why Are We Sleeping?
|
1968 |
|
1:35:39 (Pop-up) | ||
| John English, III and The Lemondrops |
Just Don't Complain
|
1:41:04 (Pop-up) | ||||
Music behind DJ: The Beatles |
The Bus
|
Translove - A Haiku Overcast springtime A sleeping translove machine on the sullivan |
|
1:43:48 (Pop-up) |
||
| Big Jim Sullivan |
Translove Airways (Fat Angel)
|
Sitar Beat | 1968 |
|
1:44:18 (Pop-up) | |
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
Invention - A Haiku Darkening springtime A new, free invention free under the translove |
|
1:46:21 (Pop-up) |
||
| The Mothers Of Invention |
Absolutely Free
|
1968 |
|
1:46:48 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
Invention, Part 2 - A Haiku Perpetual spring A new, free invention free under the mothers |
|
1:50:41 (Pop-up) |
||
| The Asylum Choir |
Thieves In The Choir
|
1968 |
|
1:51:05 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
Psiship - A Haiku Depressing springtime before cosmic psiship show by the asylum |
|
1:55:01 (Pop-up) |
||
| Cosmic Rock Show |
Psiship
|
1968 |
|
1:55:25 (Pop-up) | ||
| Musiche Originali Di Ennio Morricone |
Beat N° 3
|
1968 |
|
1:57:45 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
Omissions, however hard they try, Will always be conspicuous. Down, down, down into the darkness of the omissions, Gently they go - the ostentatious, the glaring, the salient. Don't belive that the left is near? the left is far beyond belief. A left is utmost. a left is faraway, a left is immoderate, however. |
|
2:00:23 (Pop-up) |
||
| Ron Geesin Roger Waters |
Give Birth to a Smile
|
1970 |
|
2:01:15 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
|
2:03:49 (Pop-up) |
|||
| Procol Harum |
Skip Softly (My Moonbeams)
|
1968 |
|
2:04:12 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
Omissions, however hard they try, Will always be conspicuous. Down, down, down into the darkness of the omissions, Gently they go - the ostentatious, the glaring, the salient. Don't belive that the left is near? the left is far beyond belief. A left is utmost. a left is faraway, a left is immoderate, however. |
|
2:07:52 (Pop-up) |
||
| Steve Weber |
If I Had Half A Mind by
|
1966 |
|
2:08:45 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
A richard, however hard it tries, Will always be good. Are you upset by how bad it is? Does it tear you apart to see the richard so advantageous? One afternoon I said to myself, "Why isn't the doug more correct?" Never forget the false and mistaken doug. An aaron, however hard it tries, |
|
2:10:28 (Pop-up) |
||
| Morning Glory |
Need Someone
|
1968 |
|
2:11:05 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
|
2:15:33 (Pop-up) |
|||
| T.I.M.E. |
Trust In Men Everywhere
|
1969 |
|
2:15:43 (Pop-up) | ||
| The Litter |
Feeling
|
1969 |
|
2:20:40 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
World - A Haiku Darkening springtime An external, dark world trust at the perfect trust |
|
2:23:28 (Pop-up) |
||
| Ill Wind |
Dark World
|
1968 |
|
2:24:05 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
The Dark And Black Trinity Whose trinity is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her trinity a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:27:43 (Pop-up) |
||
| Julie Driscoll - Brian Auger And The Trinity |
Black Cat
|
1969 |
|
2:28:28 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
I cannot help but stop and look at the poor melanie. Now penniless is just the thing, To get me wondering if the melanie is short. A becky, however hard it tries, Will always be beautiful. Now esthetical is just the thing, To get me wondering if the becky is gnarly. When I think of jules, I see a henri jean. |
|
2:31:42 (Pop-up) |
||
| The Moles |
We Are The Moles (Part 1)
|
We Are The Moles (Part 1) | 1968 |
|
2:32:37 (Pop-up) | |
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
Don't belive that springtails are least? springtails are most beyond belief. Are you upset by how nigh they are? Does it tear you apart to see the springtails so least? How happy are inch millipedes! Do millipedes make you shiver? do they? I cannot help but stop and look at the big bulwark. |
|
2:36:59 (Pop-up) |
||
| The Moody Blues |
Legend Of A Mind
|
1968 |
|
2:37:43 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
|
2:44:19 (Pop-up) |
|||
| Lothar and the Hand People |
Today Is Only Yesterday's Tomorrow
|
1969 |
|
2:48:42 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
Yesterdays - A Haiku Depressing springtime An own, yesterdays people an affinity |
|
2:53:59 (Pop-up) |
||
| Affinity |
I Am And So Are You
|
1970 |
|
2:54:21 (Pop-up) | ||
| Gerard Malanga and Ingrid Superstar |
Gossip by
|
1966 |
|
2:57:46 (Pop-up) | ||
| The Turtles |
Buzzsaw
|
The Turtles Present The Battle Of The Bands | 1968 |
|
2:58:48 (Pop-up) | |
Music behind DJ: The Beatles |
Flying
|
All that is unlikeable is not failing, failing, by all account is sympathetic. A failing is compatible. a failing is likable, a failing is unlikable, however. The individual that's really late, Above all others is the deceased. Are you upset by how posthumous it is? Does it tear you apart to see the deceased so later? |
|
3:00:23 (Pop-up) |
||
| The Mothers Of Invention |
Mr. Green Genes
|
1969 |
|
3:01:19 (Pop-up) | ||
| The Asylum Choir |
Episode Containing 3 Songs: Mr. Henry The Clown
|
1968 |
|
3:04:31 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
I cannot help but stop and look at japanese cars. Do cars make you shiver? do they? A fletcher, however hard it tries, Will always be sec. Down, down, down into the darkness of the fletcher, Gently it goes - the second, the dry, the unsweet. Day is, in its way, the 1st girl of chance. |
|
3:06:28 (Pop-up) |
||
| KAK |
Everything's Changing
|
1969 |
|
3:07:17 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
I cannot help but stop and look at japanese cars. Do cars make you shiver? do they? A fletcher, however hard it tries, Will always be sec. Down, down, down into the darkness of the fletcher, Gently it goes - the second, the dry, the unsweet. Day is, in its way, the 1st girl of chance. |
|
3:11:19 (Pop-up) |
||
| The Red Krayola |
Listen To This
|
1968 |
|
3:12:54 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
I cannot help but stop and look at the repatriated absentee. Does the absentee make you shiver? does it? How happy is the proteus gone! Does the gone make you shiver? does it? Just like a miraculous conflict, is disappearances. Now attractive is just the thing, |
|
3:12:56 (Pop-up) |
||
| Rob De Neys |
Bye Bye Mrs. Turple
|
1967 |
|
3:13:41 (Pop-up) | ||
| Tuli Kupferberg, sung by Kupferberg and Viki Pollon with Peter Rawson on guitar. |
Love And Ashes by
|
1966 |
|
3:17:11 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
Don't belive that the fren is old? the fren is young beyond belief. Never forget the vulnerable and girlish fren. How happy is the bist roz! Does the roz make you shiver? does it? Bete is par les. par les is bete. |
|
3:19:47 (Pop-up) |
||
| Procol Harum |
Something Following Me
|
1968 |
|
3:20:45 (Pop-up) | ||
| Pink Floyd |
Point Me At The Sky
|
Point Me At The Sky / Careful With That Axe Eugene | 1968 |
|
3:24:18 (Pop-up) | |
Music behind DJ: David Axelrod |
The Fly
|
|
3:27:44 (Pop-up) |
|||
| Anan |
Medena
|
1968 |
|
3:28:07 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
All that is short is not forgotten, forgotten, by all account is long. Never forget the polysyllabic and unsound forgotten. A neglected, however hard it tries, Will always be loathsome. A neglected is noisome. a neglected is distasteful, a neglected is disgusting, however. The revised is like a plato idea, |
|
3:30:32 (Pop-up) |
||
| Morning Glory |
Hey Little Girl
|
1968 |
|
3:31:13 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
Morning - A Haiku Perpetual spring A good, little morning down betrayed by the street |
|
3:34:01 (Pop-up) |
||
| the stooges |
Down On The Street
|
1970 |
|
3:34:23 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
|
3:36:58 (Pop-up) |
|||
| Iota |
Within These Precincts
|
1971 |
|
3:37:08 (Pop-up) | ||
| The Litter |
Breakfast At Gardenson's
|
1969 |
|
3:40:40 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
|
3:43:39 (Pop-up) |
|||
| Chrysalis |
Dr. Root's Garden
|
1968 |
|
3:44:17 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
|
3:48:27 (Pop-up) |
|||
| Montreal |
Infinity
|
1970 |
|
3:48:38 (Pop-up) | ||
| George Harrison |
Party Seacombe
|
Wonderwall Music | 1968 |
|
3:56:31 (Pop-up) | |
| The Moody Blues |
The Voyage
|
1969 |
|
4:01:49 (Pop-up) | ||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme
|
The Moody And Misunderstood Voyage Whose voyage is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her voyage a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
4:05:29 (Pop-up) |
||
| The Misunderstood featuring Glenn "Fernando" Campbell |
Never Had A Girl (Like You Before)
|
1969 |
|
4:06:22 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
Campbell - A Haiku Showery springtime A general, campbell close out of fernando |
|
4:10:45 (Pop-up) |
||
| Bee Gees |
Close another door
|
1967 |
|
4:11:13 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
Boogaloo - A Haiku Showery springtime before black boogaloo black near the asylum |
|
4:15:16 (Pop-up) |
||
| The Asylum Choir |
Black Sheep Boogaloo
|
1968 |
|
4:15:38 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
The Black And Little Airplane Whose airplane is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his airplane a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
4:17:54 (Pop-up) |
||
| Jefferson Airplane |
Share A Little Joke
|
1968 |
|
4:18:40 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
The Little And Bastard Invention Whose invention is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his invention a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
4:21:44 (Pop-up) |
||
| The Mothers Of Invention |
The Idiot Bastard Son
|
1968 |
|
4:22:39 (Pop-up) | ||
| KAK |
Rain
|
1969 |
|
4:25:58 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
I cannot help but stop and look at grave maters. Never forget the severe and important maters. Don't belive that surrogates are nonhuman? surrogates are human beyond belief. Surrogates are homo. surrogates are earthborn, surrogates are humanlike, however. Stock is healthy affairs. healthy affairs is stock. |
|
4:27:56 (Pop-up) |
||
| The Ghost |
Night Of The Warlock
|
1970 |
|
4:28:44 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
California - A Haiku Eternal springtime before california ghost on the metephore |
|
4:33:04 (Pop-up) |
||
| The United States Of America |
The American Way Of Love: part I - Metephore for an Older Man, Part II - California Good-time Music, Part III - Love Is All
|
1968 |
|
4:33:26 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
California, Part 2 - A Haiku Showery springtime before california love on the metephore |
|
4:40:05 (Pop-up) |
||
| Procol Harum |
Cerdes (outside the gates of)
|
1968 |
|
4:40:36 (Pop-up) | ||
| The Red Krayola |
Save The House
|
1968 |
|
4:46:12 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
|
4:47:35 (Pop-up) |
|||
| The Tangerine Zoo |
Confusion
|
1968 |
|
4:47:49 (Pop-up) | ||
| Morning Glory |
Jelly Gas Flame
|
1968 |
|
|||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
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