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Mona brings you synthpop, disco, darkwave, electronic, new romantic, queer anthems, dance classics, post punk, soul, goth, shoegaze, industrial, britpop, retro r&b, breaks, and more...
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March 11, 2022: 2022 Marathon with Marty McSorely
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Artist | Track | Album | Comments | Images | Approx. start time | |||||
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Bo Diddley |
Mona
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Sisters of Mercy |
Dominion / Mother Russia
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0:03:52 (Pop‑up) | ||||||||
Drab Majesty |
Oxytocin
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Modern Mirror | Pledge just $20 to get in the running for this LP | 0:11:08 (Pop‑up) | ||||||
Xmal Deutschland |
Incubus Succubus II
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Tocsin | 0:14:42 (Pop‑up) | |||||||
This Mortal Coil |
Sixteen Days / Gathering Dust
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0:19:12 (Pop‑up) | ||||||||
Micro Chip League |
New York
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0:29:36 (Pop‑up) | ||||||||
Styloo |
Pretty Face
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0:33:23 (Pop‑up) | ||||||||
Malaria! |
Thrash Me
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0:36:35 (Pop‑up) | ||||||||
Hedwig & the Angry Inch |
Angry Inch
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$20 or more gets you in the running for this fabulous blu ray / dvd thing | 0:45:01 (Pop‑up) | |||||||
45 Grave |
Partytime (Zombie Version)
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0:48:34 (Pop‑up) | ||||||||
The Nerves |
Hanging On The Telephone
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0:51:22 (Pop‑up) | ||||||||
Freeze |
AEIOU
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0:57:55 (Pop‑up) | ||||||||
Connie |
Funky Little Beat
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1:00:19 (Pop‑up) | ||||||||
Madonna |
Everybody (UK 12")
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1:03:54 (Pop‑up) | ||||||||
Book of Love |
Tubular Bells
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1:07:24 (Pop‑up) | ||||||||
Switchblade Symphony |
Bad Trash
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1:15:12 (Pop‑up) | ||||||||
Telex |
The Number One Song In Heaven
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1:24:26 (Pop‑up) | ||||||||
Alan Vega |
Nike Soldier
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Mutator | $20 or more gets you in the running for this LP! Thank you Sacred Bones! | 1:28:51 (Pop‑up) | ||||||
Mantronix |
Who Is It?
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1:35:39 (Pop‑up) | ||||||||
Eve |
Tambourine
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1:35:47 (Pop‑up) | ||||||||
Brian Eno, David Byrne |
Regiment
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1:38:27 (Pop‑up) | ||||||||
Khruangbin |
So We Won't Forget
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Mordechai | $20 gets you in the running for this LP courtesy of Dead Oceans | 1:48:35 (Pop‑up) | ||||||
Rufus & Chaka Khan |
Ain't Nobody
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1:53:18 (Pop‑up) | ||||||||
Soufi |
Tiempo de Maldad
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2:00:06 (Pop‑up) | ||||||||
ABBA |
Money, Money, Money
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2:06:24 (Pop‑up) | ||||||||
Erasure |
Gimme! Gimme! Gimme!
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2:09:32 (Pop‑up) | ||||||||
Shannon |
Sex Shooter
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2:13:22 (Pop‑up) | ||||||||
Depeche Mode |
Behind the Wheel (Shep Pettibone Remix)
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2:16:34 (Pop‑up) | ||||||||
Angel Olsen |
Gloria
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Aisles - EP | $20 or more gets you in the running for this glorious (Gloria-s) LP | 2:27:10 (Pop‑up) | ||||||
Boytronic |
Diamonds and Loving Arms
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2:30:21 (Pop‑up) | ||||||||
Gina X Performance |
No G.D.M.
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2:34:26 (Pop‑up) | ||||||||
Saâda Bonaire |
You Could Be More As You Are
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2:39:56 (Pop‑up) | ||||||||
Floating Points, Pharoah Sanders & The London Symphony Orchestra |
Movement 6
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$20 gets you in the running for this LP <3 | 2:45:25 (Pop‑up) | |||||||
Can |
Stuttgart 75 Eins (Edit)
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A pledge of $75 or more can get you in the running for this Triple LP Can Live album from 1975! | 2:57:39 (Pop‑up) | |||||||
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Listener comments!
No dis to any person or group but thinking it looks a lot
like Cait Jenner? Hair is too dark?
Mona said, "food upstairs?"
thanks...
Maila Nurmi (1922–2008)
https://www.imdb.com/name/nm0885533/
great to hear you .... I'm a slut for life, you too can do it for 10$ a month, do it!
probably influenced "Hedwig & the Angry Inch "
My first 2 weeks in NYC, in 1998, I stayed at the Jane St. Hotel, which at the time was super-sketchy but only $105/week. It also had a theater, and that's where Hedwig was first playing, so it was a curious blend of street and theater people.
"This riot of pain, from 1978, may be Rainer Werner Fassbinder’s most radical effort in primal satire. He summons his full complement of theatrical extravagance and cinematic style to tell the story of Elvira, née Erwin, a former butcher who, after a sex-change operation, lives as a married woman and regrets it all. The litany of Elvira’s woes, from her childhood in a postwar orphanage to her casual manipulation by the slaughterhouse boss to her domestic abuse, is distilled into a universal anguish—the search for love. Fassbinder has Elvira revisit the stages of her life—the slaughterhouse, the orphanage, the monstrous man who ruined her, and the family she left behind—with raucous humor and hysterical melodrama, and Volker Spengler throws himself into the role with heartbreaking abandon. The identity conflict at the film’s center is also Germany’s own: in Fassbinder’s portrait of the gleamingly rebuilt Frankfurt as an emotionally devastated wasteland, Fascism—the need of some to dominate and of others to endure—comes off as a woeful constant of the heart. In German."
— Richard Brody
The Adventures Of Priscilla, Queen Of the Desert
$$$$ before midnight =>
wfmu.org
or
800.989.9368
en.wikipedia.org...
Also, by Leather Nun. What fun!
DM DM DM DM DM
DM DM DM DM DM
DM DM DM DM DM
@marty coming for you tomorrow!