The Night Owl Show with Owl Sun:
Playlist
from January 20, 2022
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EDT)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Stereo Mix]
|
1967 | 0:00:24 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:49 (Pop-up) | ||||
| The Savage Resurrection |
Remlap's Cave Part II
|
1968 |
|
0:03:16 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
Resurrection - A Haiku Dour wintertime when resurrection savage at the old remlaps |
|
0:06:08 (Pop-up) |
||
| Linn County |
Moon Food
|
1968 |
|
0:06:34 (Pop-up) | ||
| The Nebulas |
I Can Always Love
|
1970 |
|
0:12:57 (Pop-up) | ||
Music behind DJ: The Beatles |
The Bus
|
|
0:15:33 (Pop-up) |
|||
| Lyd |
Stay high / My way is still okay
|
1970 |
|
0:19:54 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
Reflections - A Haiku Misty wintertime A such, still reflections still near the firebirds |
|
0:23:49 (Pop-up) |
||
| The Firebirds |
Reflections
|
1969 |
|
0:24:12 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
Instant Request |
|
0:29:36 (Pop-up) |
||
| Mecki Mark Men |
Running In The Summernight
|
1969 | For: The Ayatolluh of Rock 'n Rolluh |
|
0:29:39 (Pop-up) | |
| Velvet Night |
Edge Of The Woods
|
1970 |
|
0:34:44 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
A mallory, however hard it tries, Will always be kirkby. Does the mallory make you shiver? does it? How happy are californian jeffers! Do jeffers make you shiver? do they? Redbird is big girl. |
|
0:37:58 (Pop-up) |
||
| Womb |
Evil People
|
1969 |
|
0:38:47 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
Instrumental - A Haiku Darkness wintertime shall instrumental mother the funkadelic |
|
0:49:08 (Pop-up) |
||
| Funkadelic |
Music For My Mother (Instrumental)
|
1969 |
|
0:49:27 (Pop-up) | ||
| The Misunderstood |
Who Do You Love
|
I Can Take You To The Sun / Who Do You Love | 1967 |
|
0:55:35 (Pop-up) | |
| The Shadows |
36-24-36
|
1996 |
|
0:58:00 (Pop-up) | ||
| Brian Auger |
The In Crowd
|
|
0:59:36 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Instrumental, Part 2 - A Haiku Darkness wintertime when instrumental mother the funkadelic |
|
1:00:24 (Pop-up) |
||
| Cream |
In The Studio: Passing The Time
|
1968 |
|
1:01:19 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
Cuadrado - A Haiku Hazy wintertime before cuadrado cream by the vainica |
|
1:05:48 (Pop-up) |
||
| Vainica Doble |
Un Metro Cuadrado
|
1970 |
|
1:06:09 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
A zab, however hard it tries, Will always be male. A zab is priapic. a zab is antheral, a zab is virile, however. How happy are dear ellis! Ellis are beloved. ellis are sincere, ellis are pricey, however. Susie is sweet girls. |
|
1:09:44 (Pop-up) |
||
| Edgar Broughton Band |
Death of an Electric Citizen
|
1969 |
|
1:10:24 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
Better - A Haiku Severe wintertime A better better better under the matti |
|
1:17:01 (Pop-up) |
||
| The Savage Resurrection |
Expectations
|
1:17:34 (Pop-up) | ||||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Ayatolluh - A Haiku Sunless wintertime where ayatolluh message an ayatolluh |
|
1:22:29 (Pop-up) |
||
| Biggy Rat, vocal Shirley Stahara |
Look Inside Yourself
|
1970 |
|
1:23:26 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
The Inside And County County Whose county is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her county a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
1:25:40 (Pop-up) |
||
| Linn County |
Cave Song
|
1968 |
|
1:26:26 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
I will consider my revised. For my revised is fourth because it wants to submit. I don't like the fact that it, learned to submit before it knew how to update. All that is macroscopic is not forgotten, forgotten, by all account is small. Now lowly is just the thing, To get me wondering if the forgotten is diminished. |
|
1:30:48 (Pop-up) |
||
| Lyd |
Crash pad
|
1970 |
|
1:31:29 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
|
1:33:40 (Pop-up) |
|||
| Dorothy Ashby |
Soul Vibrations
|
1968 |
|
1:34:03 (Pop-up) | ||
| The Joyride |
The Crystal Ship
|
0 | 1967 |
|
1:37:14 (Pop-up) | |
Music behind DJ: The Shadows |
Atlantis
|
Encouragement - A Haiku Previous winter A strong, encouragement drive after the greeting |
|
1:39:35 (Pop-up) |
||
| The Leather Boy |
I'm A Leather Boy
|
1967 |
|
1:40:20 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
The reason that's really reason, Above all others is the why. Does the why make you shiver? does it? The solve that's really wrong, Above all others is the guess. Never forget the fallacious and deplorable guess. A wat, however hard it tries, |
|
1:42:36 (Pop-up) |
||
| Velvet Night |
Don't Let Them Stand In Your Way
|
1970 |
|
1:43:09 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
I cannot help but stop and look at foolish regrets. Do regrets make you shiver? do they? I saw the the desperate desire of my generation destroyed, How I mourned the want. A want is hopeless. a want is resolute, a want is despairing, however. I cannot help but stop and look at the fat prohibition. |
|
1:46:00 (Pop-up) |
||
| The Jimi Hendrix Experience |
Calling All The Devil's Children
|
1968 |
|
1:46:44 (Pop-up) | ||
| MC5 |
Looking At You
|
1969 |
|
1:52:11 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
A spd, however hard it tries, Will always be socialist. Down, down, down into the darkness of the spd, Gently it goes - the collectivist, the state-controlled, the capitalistic. A sem, however hard it tries, Will always be 4th. Does the sem make you shiver? does it? |
|
1:55:00 (Pop-up) |
||
| Pink Floyd |
Lucifer Sam
|
1967 |
|
1:56:03 (Pop-up) | ||
| Sagittarius |
Pisces
|
Another Time / Pisces | 1968 |
|
1:59:06 (Pop-up) | |
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
The Pink And Wild Lucifer Whose lucifer is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her lucifer a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:00:23 (Pop-up) |
||
| The Ron-De-Voos |
Trip so wild
|
1967 |
|
2:01:18 (Pop-up) | ||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme
|
Rondevoos - A Haiku Dour wintertime before just rondevoos trip betrayed by the know |
|
2:03:58 (Pop-up) |
||
| MC |
I Just Don't Know
|
1969 |
|
2:04:19 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
Don't belive that the prohibition is unlike? the prohibition is like beyond belief. A prohibition is equal. a prohibition is dissimilar, a prohibition is same, however. One afternoon I said to myself, "Why aren't hes more rich?" Now needy is just the thing, To get me wondering if hes are penniless. |
|
2:06:53 (Pop-up) |
||
| Harry Hellings & The Radials |
Tale Of A Crystal Ship
|
1986 |
|
2:07:37 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
I saw the the lower position of my generation destroyed, How I mourned the left. Are you upset by how nether it is? Does it tear you apart to see the left so junior? I cannot help but stop and look at the beloved absent. Are you upset by how dearest it is? Does it tear you apart to see the absent so dear? Just like a questionnaire training, is the revised. |
|
2:11:00 (Pop-up) |
||
| The Looking Glasses |
Visions
|
1967 |
|
2:11:44 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
The action that's really entrepreneurial, Above all others is the taking. Does the taking make you shiver? does it? How happy are different outlooks! Never forget the contrastive and like outlooks. Pay attention to the review, the review is the most little recall of all. |
|
2:14:30 (Pop-up) |
||
| Saint Steven |
Over The Hills: Gladacadova
|
Saint Steven |
|
2:15:20 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
Gladacadova - A Haiku Misty wintertime shall gladacadova cream near the studio |
|
2:17:28 (Pop-up) |
||
| Cream |
In The Studio: As You Said
|
1968 |
|
2:18:02 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
Refranes - A Haiku Muddy wintertime before said refranes cream by the vainica |
|
2:22:19 (Pop-up) |
||
| Vainica Doble |
Refranes
|
1971 |
|
2:22:40 (Pop-up) | ||
| Bob Seger & The Last Heard |
Vagrant Winter
|
1967 |
|
2:25:26 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
|
2:27:42 (Pop-up) |
|||
| Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
1968 |
|
2:28:09 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
|
2:30:45 (Pop-up) |
|||
| Edgar Broughton Band |
American Boy Soldier
|
1969 |
|
2:31:00 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
|
2:35:15 (Pop-up) |
|||
| Captain Groovy And His Bubblegum Army |
Dark Part Of My Mind
|
1969 |
|
2:38:14 (Pop-up) | ||
| Elmer Gantry's Velvet Opera |
Volcano
|
1969 |
|
2:41:18 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Evolution - A Haiku Early wintertime then evolution captain on the bubblegum |
|
2:43:51 (Pop-up) |
||
| The 3rd Evolution |
Gone, Gone, Gone
|
1966 |
|
2:44:23 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
Evolution, Part 2 - A Haiku Muddy wintertime How evolution fever despite the fever |
|
2:46:34 (Pop-up) |
||
| fever tree |
Don't Come Crying To Me Girl
|
1968 |
|
2:47:10 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
Dandelion - A Haiku Sunless wintertime A first, dandelion wheel after the ferris |
|
2:49:36 (Pop-up) |
||
| Super-Fine Dandelion |
Ferris Wheel
|
1967 |
|
2:50:02 (Pop-up) | ||
| The Leather Boy |
Shadows
|
1967 |
|
2:52:38 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
Dandelion, Part 2 - A Haiku Darkness wintertime A first, dandelion wheel by the mackerel |
|
2:54:45 (Pop-up) |
||
| The Holy Mackerel |
Scorpio Red
|
The Holy Mackerel | 1968 |
|
2:55:28 (Pop-up) | |
| The Turtles |
Buzzsaw
|
The Turtles Present The Battle Of The Bands | 1968 |
|
2:58:41 (Pop-up) | |
Music behind DJ: Sagittarius |
Pisces
|
Mackerel - A Haiku Turbid wintertime A holy mackerel glass by the scorpio |
|
3:00:23 (Pop-up) |
||
| The Glass Family |
Guess I'll Let You Go
|
1967 |
|
3:00:54 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
Family - A Haiku Hazy wintertime An insane family glass in spite of the doors |
|
3:03:35 (Pop-up) |
||
| The Doors |
Insane
|
1965 |
|
3:03:57 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
Candy - A Haiku Heavy wintertime A sweet, insane candy man whilst watching the doors |
|
3:06:19 (Pop-up) |
||
| Mile Ends |
Candy Man
|
1966 |
|
3:06:49 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
How happy are longer pieces! Are you upset by how longest they are? Does it tear you apart to see the pieces so long? Bits, however hard they try, Will always be last. Never forget the unalterable and utmost bits. When I think of remnants, I see a pathetic men. Never forget the foolish and sappy remnants. |
|
3:10:59 (Pop-up) |
||
| 3rd Power |
We, You, I
|
1968 |
|
3:11:50 (Pop-up) | ||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07
|
|
3:15:10 (Pop-up) |
|||
| The Voice |
The Train To Disaster
|
1966 |
|
3:15:21 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
Disaster - A Haiku Smoggy wintertime A great, disaster mother after the tuckers |
|
3:18:13 (Pop-up) |
||
| Mother Tucker's Yellow Duck |
Funny Feeling
|
1968 |
|
3:18:38 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
Machine - A Haiku Heavy wintertime A feeling machine machine into the tuckers |
|
3:22:16 (Pop-up) |
||
| Sound Machine |
Woman
|
1971 |
|
3:22:40 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
|
3:26:27 (Pop-up) |
|||
| The Surprise Package |
Out Of My Mind
|
1966 |
|
3:26:39 (Pop-up) | ||
| Stix & Stonz |
Take A Bus
|
1969 |
|
3:28:35 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
How happy is the obvious paucity! Now palpable is just the thing, To get me wondering if the paucity is overt. Pay attention to the absent, the absent is the most wrist vanish of all. Does the absent make you shiver? does it? I saw the the wooly cancel of my generation destroyed, |
|
3:30:45 (Pop-up) |
||
| Cream |
In The Studio: Pressed Rat And Warthog
|
1968 |
|
3:31:31 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
A pressure, however hard it tries, Will always be sufficient. A pressure is spare. a pressure is insufficient, a pressure is deficient, however. I must weld with the double braced again, Are you upset by how equivocal it is? Does it tear you apart to see the braced so ambiguous? You can weld, you can deck, but can you hinge? |
|
3:36:05 (Pop-up) |
||
| Vainica Doble |
Las Doce Caras De Eva
|
1971 |
|
3:36:58 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
Spirits - A Haiku Previous winter A low, early spirits free by the vainica |
|
3:39:26 (Pop-up) |
||
| The Free Spirits |
Early Mornin' Fear
|
1967 |
|
3:39:46 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
Blackrock - A Haiku Severe wintertime An overhead blackrock cloud out of overhead |
|
3:42:19 (Pop-up) |
||
| Blackrock |
Black Cloud Overhead
|
1970 |
|
3:42:53 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
Everybodys - A Haiku Previous winter everybodys wimple beyond the blackrock |
|
3:46:20 (Pop-up) |
||
| The Wimple Winch |
Everybody's Worried 'Bout Tomorrow
|
1966 |
|
3:46:44 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
I saw the the several individual of my generation destroyed, How I mourned the deceased. Now various is just the thing, To get me wondering if the deceased is respective. I saw the the final going away of my generation destroyed, How I mourned the disappearance. Are you upset by how ultimate it is? Does it tear you apart to see the disappearance so last? |
|
3:49:14 (Pop-up) |
||
| Edgar Broughton Band |
Neptune
|
1969 |
|
3:49:58 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
|
3:54:08 (Pop-up) |
|||
| Graffiti |
He's Got The Knack
|
1968 |
|
3:54:20 (Pop-up) | ||
| T K Os |
The Charge
|
The Charge |
|
3:56:59 (Pop-up) | ||
| Nirvana |
C Side of Ocho Rios
|
All Of Us | 1968 |
|
3:59:14 (Pop-up) | |
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
|
4:04:16 (Pop-up) |
|||
| Yesterday's Obsession |
The Phycle
|
1968 |
|
4:04:31 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
Yesterdays - A Haiku Previous winter A local yesterdays waste near the obsession |
|
4:07:35 (Pop-up) |
||
| The Local Traffic |
Time Gone To Waste
|
1968 |
|
4:08:07 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
Cowsills - A Haiku Dampish wintertime before local cowsills waste watching the traffic |
|
4:10:51 (Pop-up) |
||
| Dick St John |
Lady Of Burning Green Jade
|
1968 |
|
4:12:57 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
Callender - A Haiku Dampness wintertime A burning callender st into the burning |
|
4:16:07 (Pop-up) |
||
| Bobby Callender |
Nature
|
1968 |
|
4:16:27 (Pop-up) | ||
| Sangre Mexicana (Mexican Blood) |
Good Cause
|
1970 |
|
4:20:55 (Pop-up) | ||
Music behind DJ: The Beatles |
The Bus
|
|
4:23:37 (Pop-up) |
|||
| Purple Canteen |
Brains In My Feet
|
1969 |
|
4:23:56 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
|
4:27:54 (Pop-up) |
|||
| The Firebirds |
Reflections
|
1969 |
|
4:28:19 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
Reflections - A Haiku Dismal wintertime A such, still reflections still near the firebirds |
|
4:33:44 (Pop-up) |
||
| Lyd |
Stay high / My way is still okay
|
1970 |
|
4:34:09 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
Mirandote - A Haiku Severe wintertime before still mirandote still before the looking |
|
4:38:05 (Pop-up) |
||
| Los Shains |
Mirandote (Looking You)
|
1971 |
|
4:38:29 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
All that is inconstant is not presence, presence, by all account is constant. Never forget the unswerving and ceaseless presence. Why would you think the inability is imitative? the inability is the most genuine quality of all. Down, down, down into the darkness of the inability, Gently it goes - the honest-to-god, the good, the unquestionable. I cannot help but stop and look at the big void. |
|
4:43:08 (Pop-up) |
||
| Cream |
In The Studio: Those Were The Days
|
1968 |
|
4:44:05 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
Legend - A Haiku Wicked wintertime An old, moody legend cream out of studio |
|
4:46:58 (Pop-up) |
||
| The Moody Blues |
Legend Of A Mind
|
1968 |
|
4:47:31 (Pop-up) | ||
| Prophecy |
Take A Look At Mary
|
1968 |
|
|||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
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Listener comments!
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
Mokka Matti:
Mokka Matti:
tom tom the pipers son:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
Owl Sun:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
Mokka Matti:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
Sly Don:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Owl Sun:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
David (in London):
Owl Sun: