The Night Owl Show with Owl Sun:
Playlist
from May 22, 2021
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View Owl Sun's profile
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EDT)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Stereo Mix]
|
1967 | 0:00:25 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:50 (Pop-up) | ||||
| The 13th Floor Elevators |
Street Song
|
1969 |
|
0:03:17 (Pop-up) | ||
| Bee Gees |
I Have Decided To Join The Air
|
1968 |
|
0:08:09 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
Pay attention to the lack, the lack is the most consequent need of all. A lack is resultant. a lack is sequent, a lack is subsequent, however. The nonexistence that's really silent, Above all others is the void. Now uncommunicative is just the thing, To get me wondering if the void is inarticulate. |
|
0:10:14 (Pop-up) |
||
| The Jimi Hendrix Experience |
I Don't Live Today
|
1967 |
|
0:11:02 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
|
An omission, however hard it tries, Will always be conspicuous. An omission is spectacular. an omission is egregious, an omission is eye-catching, however. I cannot help but stop and look at the physical presence. Are you upset by how tangible it is? Does it tear you apart to see the presence so forceful? The scarcity that's really yellow, |
|
0:15:47 (Pop-up) |
||
| The doors |
Take It As It Comes
|
1967 |
|
0:16:29 (Pop-up) | ||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme
|
|
0:18:41 (Pop-up) |
|||
| Chrysalis |
Piece Of Sun
|
1968 |
|
0:18:50 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Chrysalis - A Haiku Overcast springtime An orange chrysalis piece near the animals |
|
0:20:36 (Pop-up) |
||
| Eric Burdon & The Animals |
Orange And Red Beams
|
1968 |
|
0:20:56 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
I cannot help but stop and look at cantilevered trusses. Do trusses make you shiver? do they? Lintels, however hard they try, Will always be iron. Do lintels make you shiver? do they? Don't belive that the reflector is large? |
|
0:24:31 (Pop-up) |
||
| The Soulful Strings |
Jericho
|
1968 |
|
0:25:19 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
The melody is not instrumental! the melody is exceptionally instrumental. Now communicatory is just the thing, To get me wondering if the melody is instrumental. How happy are lovely garlands! Never forget the endearing and lovable garlands. When I think of the portamento, I see an excessive time. Does the portamento make you shiver? |
|
0:28:23 (Pop-up) |
||
| Kaleidoscope |
Holiday Maker
|
Tangerine Dream | 1967 |
|
0:29:06 (Pop-up) | |
| The Mothers Of Invention |
Trouble Comin' Every Day
|
Trouble Comin' Every Day b/w Who Are The Brain Police? | 1966 |
|
0:31:26 (Pop-up) | |
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
How happy are earlier prefaces! Never forget the past and earliest prefaces. Pay attention to the omission, the omission is the most noteworthy neglect of all. Never forget the remarkable and worthy omission. I cannot help but stop and look at the little revised. Are you upset by how elflike it is? Does it tear you apart to see the revised so unimportant? |
|
0:33:56 (Pop-up) |
||
| The Sonic Vibrations Of Tom Dissevelt & Kid Baltan |
Tom Dissevelt: Orbit Aurora
|
1959 |
|
0:35:06 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
The been is not intermediate! the been is exceptionally lowest. Down, down, down into the darkness of the been, Gently it goes - the terminal, the lowest, the penultimate. I cannot help but stop and look at explanatory prefaces. Do prefaces make you shiver? do they? When I think of the revised, I see questionnaire pathologists. |
|
0:38:02 (Pop-up) |
||
Music behind DJ: The Shadows |
Atlantis
|
Instant Request |
|
0:39:55 (Pop-up) |
||
| High Tide |
Blankman Cries Again
|
1970 | Requested by: The Ayatolluh of Rock 'n Rolluh |
|
0:39:58 (Pop-up) | |
| The Rolling Stones |
The Lantern
|
1967 |
|
0:48:10 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
All that is mental is not presence, presence, by all account is physical. Are you upset by how bodily it is? Does it tear you apart to see the presence so physiological? Pay attention to the unavailability, the unavailability is the most presumed inconvenience of all. Does the unavailability make you shiver? does it? |
|
0:52:35 (Pop-up) |
||
| The Scotland Yardlies |
Some Guys Have It (Some Guys Never Will)
|
1966 |
|
0:53:32 (Pop-up) | ||
| Who |
Disguises
|
1966 |
|
0:55:27 (Pop-up) | ||
| John Barry |
Hit & Miss
|
Beat Girl |
|
0:58:34 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
I cannot help but stop and look at the long neglected. Are you upset by how extended it is? Does it tear you apart to see the neglected so extendible? One afternoon I said to myself, "Why isn't the absent more partial?" Does the absent make you shiver? does it? When I think of prefaces, I see a copious sketch. |
|
1:00:25 (Pop-up) |
||
| The Moody Blues |
Ride My See-Saw
|
1968 |
|
1:01:21 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
All that is mortal is not christopher, christopher, by all account is immortal. Does the christopher make you shiver? does it? The hebrew that's really antoine, Above all others is the joseph. Does the joseph make you shiver? does it? |
|
1:05:01 (Pop-up) |
||
| Love |
Robert Montgomery
|
1969 |
|
1:05:34 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
Underground - A Haiku Depressing springtime An active, underground love out of montgomery |
|
1:09:08 (Pop-up) |
||
| The Velvet Underground & Nico |
Venus In Furs
|
1967 |
|
1:09:29 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
Underground, Part 2 - A Haiku Beautiful springtime An active, underground twink after the velvet |
|
1:15:34 (Pop-up) |
||
| Twink |
Fluid
|
1970 |
|
1:16:01 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
Twink - A Haiku Overcast springtime A little, fluid twink twink despite the fluid |
|
1:19:55 (Pop-up) |
||
| The Other Half |
I've Come So Far
|
1967 |
|
1:20:34 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
Lullabye - A Haiku Overcast springtime A soft lullabye machine into the machine |
|
1:22:53 (Pop-up) |
||
| The Soft Machine |
Lullabye Letter
|
1968 |
|
1:23:26 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
Why would you think the jaunt is smooth? the jaunt is the most rough journeying of all. Does the jaunt make you shiver? does it? The windstorm that's really dizzying, Above all others is the whirlwind. Does the whirlwind make you shiver? does it? |
|
1:28:07 (Pop-up) |
||
| The Smoke |
Odyssey
|
1968 |
|
1:28:51 (Pop-up) | ||
| Hat & Tie |
Finding It Rough
|
Hat (2) | 1967 |
|
1:32:32 (Pop-up) | |
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
I cannot help but stop and look at the protracted sojourn. Never forget the prolonged and long sojourn. Pay attention to the detour, the detour is the most laborious route of all. Are you upset by how gruelling it is? Does it tear you apart to see the detour so backbreaking? Wanderings are lonely eyes. lonely eyes are wanderings. |
|
1:35:13 (Pop-up) |
||
| Canterbury Fair |
Days I Love
|
0 | 1967 |
|
1:36:02 (Pop-up) | |
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
A haha, however hard it tries, Will always be insuppressible. Does the haha make you shiver? does it? Don't belive that the sweety is big? the sweety is little beyond belief. Now miniscule is just the thing, To get me wondering if the sweety is narrow. |
|
1:37:56 (Pop-up) |
||
| Eric Burdon & The Animals |
We Love You Lil
|
1968 |
|
1:38:49 (Pop-up) | ||
| The Mothers Of Invention |
Electric Aunt Jemima
|
1969 |
|
1:46:26 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
|
1:48:11 (Pop-up) |
|||
| The Glass Menagerie |
Frederick Jordan
|
1968 |
|
1:48:30 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
Menagerie - A Haiku Early dampness spring A whole, menagerie glass before the frederick |
|
1:51:42 (Pop-up) |
||
| played and composed by the pink floyd |
Main Theme
|
1969 |
|
1:52:18 (Pop-up) | ||
| T K Os |
The Charge
|
The Charge |
|
1:57:28 (Pop-up) | ||
| L. J. Reynolds & the Chocolate Syrup |
The Penguin Break Down
|
L. J. Reynolds |
|
1:59:44 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
Neighbourhood - A Haiku Depressing springtime A composed neighbourhood pink after the children |
|
2:00:24 (Pop-up) |
||
| Tiny Tim |
Neighbourhood Children
|
1969 |
|
2:01:02 (Pop-up) | ||
| The Crazy World Of Arthur Brown |
Spontaneous Apple Creation
|
1968 |
|
2:04:59 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
|
2:07:52 (Pop-up) |
|||
| The Alan Lorber Orchestra |
Djellaba (The Hooded One)
|
1967 |
|
2:08:13 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
|
2:10:28 (Pop-up) |
|||
| The Velvet Underground |
Lady Godiva's Operation
|
1968 |
|
2:10:42 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
Underground - A Haiku Perpetual spring A polish, underground out the operation |
|
2:15:31 (Pop-up) |
||
| Something Wild |
Trippin' Out
|
1967 |
|
2:16:09 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
Boogaloo - A Haiku Beautiful springtime before black boogaloo black into the trippin |
|
2:18:16 (Pop-up) |
||
| The Asylum Choir |
Black Sheep Boogaloo
|
1968 |
|
2:18:32 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
Boogaloo, Part 2 - A Haiku Beautiful springtime A moody boogaloo still near the asylum |
|
2:20:48 (Pop-up) |
||
| The Moody Blues |
Sun is still shining.
|
1969 |
|
2:21:09 (Pop-up) | ||
| The West Coast Pop Art Experimental Band |
Smell Of Incense
|
The West Coast Pop Art Experimental Band | 1967 |
|
2:24:48 (Pop-up) | |
| The Electric Prunes |
You Never Had It Better
|
Everybody Knows You're Not In Love / You've Never Had It Better | 1968 |
|
2:27:09 (Pop-up) | |
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Quicksilver - A Haiku Eternal springtime A more, quicksilver service by the messenger |
|
2:29:14 (Pop-up) |
||
| Quicksilver Messenger Service |
Pride Of Man
|
1968 |
|
2:29:42 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
Quicksilver, Part 2 - A Haiku New dampen springtime A crude, quicksilver service by the messenger |
|
2:34:44 (Pop-up) |
||
| Pearls Before Swine |
these things too
|
1969 |
|
2:35:09 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Sleeping - A Haiku Eternal springtime A sleeping sleeping machine despite the machine |
|
2:38:30 (Pop-up) |
||
| The Soft Machine |
Why Are We Sleeping?
|
1968 |
|
2:38:55 (Pop-up) | ||
| The Appletree Theatre |
Epilogue: What A Way To Go (yes)
|
1967 |
|
2:44:19 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
Sleeping, Part 2 - A Haiku Eternal springtime A sleeping sleeping machine by the caravan |
|
2:47:00 (Pop-up) |
||
| Caravan |
Ride
|
1969 |
|
2:47:42 (Pop-up) | ||
Music behind DJ: Created by Bruce Haack |
Super Nova
|
I saw the the tragic part of my generation destroyed, How I mourned the heroine. Now sad is just the thing, To get me wondering if the heroine is tragical. One afternoon I said to myself, "Why isn't the child more androgynous?" Never forget the androgynous and feminine child. The adult female that's really big, |
|
2:51:20 (Pop-up) |
||
| Morning Glory |
Hey Little Girl
|
1968 |
|
2:52:19 (Pop-up) | ||
| The Jimi Hendrix Experience |
Are You Experienced
|
1967 |
|
2:54:36 (Pop-up) | ||
| The Chocolate Watchband |
Expo 2000
|
The Best Of The Chocolate Watch Band | 1967 |
|
2:58:42 (Pop-up) | |
Music behind DJ: David Axelrod |
The Human Abstract
|
|
3:00:25 (Pop-up) |
|||
| Ill Wind |
People Of The Night
|
1968 |
|
3:00:58 (Pop-up) | ||
| The Mothers Of Invention |
Mr. Green Genes
|
1969 |
|
3:08:37 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
Quicksilver - A Haiku New dampish springtime A more, quicksilver people after the people |
|
3:11:48 (Pop-up) |
||
| played and composed by the pink floyd |
Quicksilver
|
1969 |
|
3:12:17 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
Underground - A Haiku Depressing springtime An active, underground pink by the quicksilver |
|
3:19:20 (Pop-up) |
||
| Tiny Tim |
Ever Since You Told Me That You Loved Me (I'm A Nut)
|
1968 |
|
3:20:46 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
I cannot help but stop and look at the parte milligan. Does the milligan make you shiver? does it? How happy is the little greg! Are you upset by how bitty it is? Does it tear you apart to see the greg so narrow? I cannot help but stop and look at the wooly eric. Does the eric make you shiver? |
|
3:23:27 (Pop-up) |
||
| Donovan |
Epistle To Dippy
|
1967 |
|
3:24:10 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
Underground, Part 2 - A Haiku Eternal moist spring A nazi, underground run on the donovan |
|
3:27:18 (Pop-up) |
||
| The Velvet Underground & Nico |
Run, Run, Run
|
1967 |
|
3:27:43 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
The Brown And Underground Underground Whose underground is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his underground a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
3:32:02 (Pop-up) |
||
| The Crazy World Of Arthur Brown |
Child Of My Kingdom
|
1968 |
|
3:32:50 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
Kingdom - A Haiku Depressing springtime An ancient, brown kingdom ward despite the wonder |
|
3:39:48 (Pop-up) |
||
| Burt Ward |
Boy Wonder I Love You
|
Boy Wonder I Love You b/w Orange Colored Sky | 1966 |
|
3:40:09 (Pop-up) | |
Music behind DJ: Big Jim Sullivan |
The Koan
|
|
3:42:13 (Pop-up) |
|||
| The Ones |
Love Of Mine
|
3:42:30 (Pop-up) | ||||
| The Asylum Choir |
Episode Containing 3 Songs: NY Op.
|
1968 |
|
3:45:31 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
|
3:47:47 (Pop-up) |
|||
| The Moody Blues |
Legend Of A Mind
|
1968 |
|
3:49:03 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
The imperfectness that's really palpable, Above all others is the failing. Never forget the obvious and tangible failing. One afternoon I said to myself, "Why isn't the gone more close?" A gone is farthest. a gone is farthermost, a gone is cold, however. I cannot help but stop and look at the zany stolen. |
|
3:55:39 (Pop-up) |
||
| Wolfrilla |
Song for Jimmi
|
2009 |
|
3:56:33 (Pop-up) | ||
| Ron Geesin Roger Waters |
Give Birth to a Smile
|
1970 |
|
3:59:38 (Pop-up) | ||
| Steve Weber |
If I Had Half A Mind by
|
1966 |
|
4:04:24 (Pop-up) | ||
| The 13th Floor Elevators |
Dr. Doom
|
1969 |
|
4:05:07 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
|
4:08:14 (Pop-up) |
|||
| Bee Gees |
To love somebody
|
1967 |
|
4:09:57 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
Hemisphere - A Haiku Eternal moist spring A northern hemisphere love on the somebody |
|
4:12:49 (Pop-up) |
||
| East of Eden |
Northern Hemisphere
|
1969 |
|
4:13:28 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
The Dark And Northern Hemisphere Whose hemisphere is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her hemisphere a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
4:17:54 (Pop-up) |
||
| Ill Wind |
Dark World
|
1968 |
|
4:18:37 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
Feeling - A Haiku Eternal springtime A feeling feeling litter at the old litter |
|
4:22:16 (Pop-up) |
||
| The Litter |
Feeling
|
1969 |
|
4:22:37 (Pop-up) | ||
| The doors |
Take It As It Comes
|
1967 |
|
4:25:25 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
Strings - A Haiku Eternal springtime A few, soulful strings litter near the jericho |
|
4:27:37 (Pop-up) |
||
| The Soulful Strings |
Jericho
|
1968 |
|
4:28:05 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
I cannot help but stop and look at slow glissandos. Down, down, down into the darkness of the glissandos, Gently they go - the slow-moving, the lazy, the dilatory. How happy is the mournful melody! Never forget the doleful and sorrowful melody. When I think of participles, I see an intransitive stress. Participles are cuckoo. participles are sappy, participles are goofy, however. |
|
4:31:09 (Pop-up) |
||
| Gerard Malanga and Ingrid Superstar |
Gossip by
|
1966 |
|
4:32:00 (Pop-up) | ||
| The Mothers Of Invention |
It's His Voice On The Radio
|
1968 |
|
4:33:20 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
The Old And Man Superstar Whose superstar is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his superstar a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
4:34:29 (Pop-up) |
||
| Elephant's Memory |
Old Man Willow
|
1969 |
|
4:35:33 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
Memory - A Haiku Perpetual spring A good, man memory rain after the willow |
|
4:42:36 (Pop-up) |
||
| KAK |
Rain
|
1969 |
|
4:42:57 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
Children - A Haiku Perpetual spring A poor, ancient children grease watching the ancient |
|
4:44:55 (Pop-up) |
||
| Ancient Grease |
Women And Children First
|
1970 |
|
4:45:24 (Pop-up) | ||
| Lothar and the Hand People |
Today Is Only Yesterday's Tomorrow
|
1969 |
|
|||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
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Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
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