The Night Owl Show with Owl Sun:
Playlist
from April 8, 2021
 |
View Owl Sun's profile
|
An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly β Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EDT)
|
On
WFMU's
Rock'N'Soul Radio
<-- Previous playlist | Back to The Night Owl Show with Owl Sun playlists | Next playlist -->
Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Stereo Mix]
|
1967 | 0:00:32 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:57 (Pop-up) | ||||
| Bee Gees |
Sir Geoffrey Saved the World
|
1968 |
|
0:03:42 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
|
0:05:53 (Pop-up) |
|||
| Syd Barrett |
Terrapin
|
1987 |
|
0:06:05 (Pop-up) | ||
| Red Crayola, The |
Vile Vile Grass
|
2008 |
|
0:09:07 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Bonniwell - A Haiku Perpetual spring before sound bonniwell sound out of harrisson |
|
0:11:16 (Pop-up) |
||
| Bob Seger and the Last Heard |
Heavy Music (Part 1)
|
1967 |
|
0:14:21 (Pop-up) | ||
| Wheels |
She Don't Mean It
|
2009 |
|
0:16:55 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
Memorial - A Haiku Beautiful springtime A best, memorial dump whilst watching the mudge |
|
0:19:46 (Pop-up) |
||
| The Fort Mudge Memorial Dump |
Mr. Man
|
1970 |
|
0:20:20 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
Mindbreaker - A Haiku Beautiful springtime before mindbreaker litter the memorial |
|
0:22:54 (Pop-up) |
||
| The Litter |
Mindbreaker
|
1968 |
|
0:23:19 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
Mindbreaker, Part 2 - A Haiku Eternal springtime before mindbreaker litter after the midnight |
|
0:26:24 (Pop-up) |
||
| Frantic |
Midnight To Six Man
|
1970 |
|
0:26:49 (Pop-up) | ||
| Family |
Winter
|
1968 |
|
0:30:53 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
Reverbaration - A Haiku Eternal springtime For reverbaration floor into the thirteenth |
|
0:33:13 (Pop-up) |
||
| The Thirteenth Floor Elevators |
Reverbaration (Doubt)
|
1966 |
|
0:33:55 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
Reverbaration, Part 2 - A Haiku Beautiful springtime why reverbaration floor watching the thirteenth |
|
0:37:08 (Pop-up) |
||
| McGough and McGear |
So Much
|
1968 |
|
0:37:36 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
Instant Request |
|
0:41:29 (Pop-up) |
||
| King Crimson |
Cirkus including Entry of the Chameleons
|
1970 | Requested by: The Ayatolluh of Rock 'n Rolluh |
|
0:41:31 (Pop-up) | |
| Mr. Clean |
Mr. Clean
|
1964 |
|
0:47:53 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
|
0:49:57 (Pop-up) |
|||
| The Sparrow |
Isn't it Strange
|
1966 |
|
0:50:40 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
A been, however hard it tries, Will always be have. Does the been make you shiver? does it? A neglected, however hard it tries, Will always be precautions. Does the neglected make you shiver? does it? |
|
0:53:00 (Pop-up) |
||
| The Mirage |
The World Goes On Around You
|
1969 |
|
0:53:30 (Pop-up) | ||
| Shere Khan |
No Reason
|
1969 |
|
0:55:40 (Pop-up) | ||
| The Shadows |
Late Night Set
|
The Early Years: Their Complete Studio Recordings 1959-1966 |
|
0:58:27 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
Because I could not start for naturals, they did kindly start for me. Do naturals make you shiver? do they? Divas, however hard they try, Will always be great. Divas are dandy. divas are heavy, divas are peachy, however. |
|
1:00:31 (Pop-up) |
||
| The Naturals |
Say Hay Ha Ha
|
1967 |
|
1:01:45 (Pop-up) | ||
Music behind DJ: Beaver and Krause |
Another Part Of Time
|
|
1:04:16 (Pop-up) |
|||
| Il Balletto Di Bronzo |
Meditazione
|
1970 |
|
1:04:42 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
|
1:08:31 (Pop-up) |
|||
| MC5 |
Come Together
|
1969 |
|
1:08:45 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
The feeling that's really unexpected, Above all others is the presence. Never forget the unanticipated and unannounced presence. I saw the the upper disappear of my generation destroyed, How I mourned the absent. Does the absent make you shiver? does it? Paucity is, in its way, the consequent lack of scarcity. |
|
1:13:50 (Pop-up) |
||
| Tyrannosaurus Rex |
Cat Black (the wizard's hat)
|
1969 |
|
1:14:33 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
The baboon that's really adult, Above all others is the mandrill. Never forget the juvenile and full-grown mandrill. A colobus, however hard it tries, Will always be black. Now ignominious is just the thing, To get me wondering if the colobus is afro-american. Pay attention to the tyrannosaur, |
|
1:17:18 (Pop-up) |
||
| Unity |
O Wa Nou Me Nou Ma
|
1970 |
|
1:17:58 (Pop-up) | ||
| Syd Barrett |
Two of a Kind
|
1987 |
|
1:21:35 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
One afternoon I said to myself, "Why isn't the head more sheathed?" Never forget the empty and stark head. One afternoon I said to myself, "Why isn't the mama more good?" Does the mama make you shiver? does it? I saw the the zany reunion of my generation destroyed, |
|
1:24:02 (Pop-up) |
||
| Affinity |
I Am And So Are You
|
1970 |
|
1:24:49 (Pop-up) | ||
Music behind DJ: Beaver and Krause |
Walkin'
|
Elephant - A Haiku Beautiful springtime A crazy elephant try the affinity |
|
1:28:13 (Pop-up) |
||
| Crazy Elephant |
Try This When You're Ready
|
1969 |
|
1:28:34 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
Elephant, Part 2 - A Haiku Beautiful springtime A huge, elephant open above the korner |
|
1:31:26 (Pop-up) |
||
| Alexis Korner |
Mary Open The Door
|
1969 |
|
1:31:59 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Smokin - A Haiku Perpetual spring A cigar, last smokin chain before the korner |
|
1:35:24 (Pop-up) |
||
| Bob Seger and the Last Heard |
Chain Smokin'
|
1967 |
|
1:35:50 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
Memorial - A Haiku Eternal springtime A best, memorial spring at the perfect spring |
|
1:39:44 (Pop-up) |
||
| The Fort Mudge Memorial Dump |
What Good Is Spring
|
1970 |
|
1:40:28 (Pop-up) | ||
| The Smoke |
Victor Henry's Cool Book
|
1967 |
|
1:44:25 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
Thirteenth - A Haiku Eternal springtime A mid, thirteenth thirteenth spring the elevators |
|
1:46:48 (Pop-up) |
||
| The Thirteenth Floor Elevators |
'Before You Accuse Me'
|
1967 |
|
1:47:29 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
Trains, however hard they try, Will always be underground. Are you upset by how partisan they are? Does it tear you apart to see the trains so partizan? All that is conspicuous is not escalator, escalator, by all account is invisible. An escalator is seeable. an escalator is inconspicuous, an escalator is concealed, however. |
|
1:50:02 (Pop-up) |
||
| The Freak Scene |
Watered Down Soul
|
1967 |
|
1:50:54 (Pop-up) | ||
| The Litter |
Morning Sun
|
1968 |
|
1:53:25 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
|
1:55:46 (Pop-up) |
|||
| The Tea Company |
Come And Have Some Tea With Me
|
1968 |
|
1:56:01 (Pop-up) | ||
| The Peanut Butter Conspiracy |
Turn On A Friend (To The Good Life)
|
1967 |
|
1:59:29 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
RagnarΓΆk
|
A heartbreak, however hard it tries, Will always be emotional. Now supercharged is just the thing, To get me wondering if the heartbreak is funky. I saw the the unfeigned negative stimulus of my generation destroyed, How I mourned the sorrow. Are you upset by how sincere it is? Does it tear you apart to see the sorrow so true? |
|
2:00:31 (Pop-up) |
||
| Mad River |
They Brought Sadness
|
1969 |
|
2:01:38 (Pop-up) | ||
| Pink Floyd |
Interstellar Overdrive (Reprise)
|
1968 |
|
2:06:26 (Pop-up) | ||
Music behind DJ: Beaver and Krause |
Walkin'
|
Thirteenth, Part 2 - A Haiku New dampness springtime A late, thirteenth thirteenth floor an elevators |
|
2:06:55 (Pop-up) |
||
| Thirteenth Floor Elevators |
I'm Gonna Love You Too
|
1968 |
|
2:07:36 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
Tidesgently - A Haiku New dampness springtime when thirteenth tidesgently the experience |
|
2:09:56 (Pop-up) |
||
| The Jimi Hendrix Experience |
Moon, Turn The Tides...gently gently away
|
1968 |
|
2:10:34 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
Tidesgently, Part 2 - A Haiku Darkening springtime parallel tidesgently an experience |
|
2:19:22 (Pop-up) |
||
| 49th Parallel |
Labourer
|
1967 |
|
2:19:50 (Pop-up) | ||
| The Naturals |
Maiden In The East
|
1967 |
|
2:22:08 (Pop-up) | ||
Music behind DJ: Beaver and Krause |
Another Part Of Time
|
Whereabouts, however hard they try, Will always be vain. Are you upset by how swollen they are? Does it tear you apart to see the whereabouts so sleeveless? Pay attention to the failing, the failing is the most horses imperfectness of all. Does the failing make you shiver? does it? |
|
2:24:17 (Pop-up) |
||
| Il Balletto Di Bronzo |
Incantesimo
|
1970 |
|
2:25:03 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
All that is new is not gloucester, gloucester, by all account is old. Now gray is just the thing, To get me wondering if the gloucester is cold. I cannot help but stop and look at the sarum dorchester. Does the dorchester make you shiver? does it? When I think of the dunstable, I see a rich man. |
|
2:31:46 (Pop-up) |
||
| Curt Newbury |
Let's Hang Some Pictures Tonight
|
1969 |
|
2:32:24 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
Invention - A Haiku Beautiful springtime A cant invention happen despite the pictures |
|
2:36:19 (Pop-up) |
||
| The Mothers Of Invention |
It Can't Happen Here
|
1969 |
|
2:36:58 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
How happy are sick babies! Do babies make you shiver? do they? Kids, however hard they try, Will always be latchkey. Do kids make you shiver? do they? Just like parent prognosis, is families. |
|
2:40:13 (Pop-up) |
||
| Syd Barrett |
Gigolo Aunt
|
1987 |
|
2:40:50 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
Sandalwood - A Haiku Darkening springtime A northwest sandalwood soap under the northwest |
|
2:44:25 (Pop-up) |
||
| Affinity |
I Wonder If I'll Care As Much
|
1970 |
|
2:47:04 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Bluecheer - A Haiku Beautiful springtime suddenly much bluecheer care the affinity |
|
2:50:18 (Pop-up) |
||
| BlueΒCheer |
When It All Gets Old
|
1969 |
|
2:50:41 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Bluecheer, Part 2 - A Haiku Beautiful springtime before heavy bluecheer last into the seger |
|
2:53:35 (Pop-up) |
||
| Bob Seger and the Last Heard |
Heavy Music (Part 2)
|
1967 |
|
2:54:00 (Pop-up) | ||
| T K Os |
The Charge
|
The Charge |
|
2:56:47 (Pop-up) | ||
| The Turtles |
Buzzsaw
|
The Turtles Present The Battle Of The Bands | 1968 |
|
2:59:02 (Pop-up) | |
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Memorial - A Haiku Perpetual spring A best, memorial dump above the singer |
|
3:00:31 (Pop-up) |
||
| The Fort Mudge Memorial Dump |
The Singer
|
1970 |
|
3:01:13 (Pop-up) | ||
| The Litter |
(under the screaming double) Eagle
|
1968 |
|
3:08:49 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
Memorial, Part 2 - A Haiku Early dampness spring A best, memorial round by the company |
|
3:11:24 (Pop-up) |
||
| The Tea Company |
Love Could Make The World Go Round
|
1968 |
|
3:11:49 (Pop-up) | ||
Music behind DJ: Beaver and Krause |
Another Part Of Time
|
Tyrannosaurus - A Haiku Darkening springtime For tyrannosaurus round near the crocodiles |
|
3:15:45 (Pop-up) |
||
| Tyrannosaurus Rex |
Warlord of the Royal Crocodiles
|
1969 |
|
3:16:11 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
|
3:18:17 (Pop-up) |
|||
| The Looking Glasses |
Visions
|
1967 |
|
3:18:47 (Pop-up) | ||
| The Thirteenth Floor Elevators |
Tried To Hide
|
1966 |
|
3:21:33 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
Professor - A Haiku Darkening springtime A full, found professor found after the looking |
|
3:23:47 (Pop-up) |
||
| Lost and Found |
Professor Black
|
1968 |
|
3:24:35 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
RagnarΓΆk
|
Professor, Part 2 - A Haiku Darkening springtime A found professor crimson after the crimson |
|
3:27:14 (Pop-up) |
||
| King Crimson |
Ladies Of The Road
|
1971 |
|
3:27:37 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
Tangerine - A Haiku Depressing springtime A large, tangerine crimson on the collision |
|
3:32:59 (Pop-up) |
||
| tangerine dream |
Fly And Collision Of Comas Sola
|
1971 |
|
3:33:33 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
Tangerine, Part 2 - A Haiku Beautiful springtime A rotten, tangerine fly on the collision |
|
3:46:54 (Pop-up) |
||
| The Naturals |
Theme From A Natural
|
1967 |
|
3:47:19 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
The territorial division that's really far, Above all others is the country. Does the country make you shiver? does it? Countries, however hard they try, Will always be eastern. Down, down, down into the darkness of the countries, Gently they go - the western, the orient, the east. |
|
3:50:27 (Pop-up) |
||
| The United States Of America |
Where Is Yesterday
|
1968 |
|
3:51:27 (Pop-up) | ||
| Free Action inc. |
Rider
|
1970 |
|
3:54:27 (Pop-up) | ||
| Les Yper-Sound |
PsychΓ© Rock
|
Too Fortiche / PsychΓΒ© Rock / Teen Tonic Γ’ΒΒ’ Jericho Jerk | 1967 |
|
3:56:53 (Pop-up) | |
| Les Yper-Sound |
PsychΓ© Rock
|
Too Fortiche / PsychΓΒ© Rock / Teen Tonic Γ’ΒΒ’ Jericho Jerk | 1967 |
|
3:59:29 (Pop-up) | |
| Rainbow Ffolly |
Hey You
|
1968 |
|
4:01:54 (Pop-up) | ||
| Syd Barrett |
Baby Lemonade
|
1987 |
|
4:03:57 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
A rebecca, however hard it tries, Will always be fantastic. A rebecca is phenomenal. a rebecca is strange, a rebecca is unusual, however. A bennett, however hard it tries, Will always be australian. Does the bennett make you shiver? does it? |
|
4:06:22 (Pop-up) |
||
| Affinity |
Three Sisters
|
1970 |
|
4:06:58 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
|
4:11:52 (Pop-up) |
|||
| The Litter |
Kaleidoscope
|
1968 |
|
4:13:04 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
|
4:15:17 (Pop-up) |
|||
| Shiva's Headband |
Ebeneezer
|
1969 |
|
4:15:29 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
All that is upward is not spins, spins, by all account is down. Never forget the upward and low-spirited spins. How happy are demon flips! Do flips make you shiver? do they? How happy is the yellow lit! Down, down, down into the darkness of the lit, |
|
4:18:15 (Pop-up) |
||
| Rotomagus |
The Sky Turns Red
|
1971 |
|
4:19:01 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
Rotomagus - A Haiku Eternal springtime before rotomagus see because of the things |
|
4:21:48 (Pop-up) |
||
| Pretty Things |
I See You
|
1968 |
|
4:22:12 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
Memorial - A Haiku Perpetual spring A best, memorial dump in spite of the things |
|
4:26:07 (Pop-up) |
||
| The Fort Mudge Memorial Dump |
Mr. Man
|
1970 |
|
4:26:43 (Pop-up) | ||
| Wheels |
She Don't Mean It
|
2009 |
|
4:29:17 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
Hapshash - A Haiku Eternal springtime before coloured hapshash coat a memorial |
|
4:32:10 (Pop-up) |
||
| Hapshash And The Coloured Coat |
H-O-P-P-Why?
|
1967 |
|
4:32:36 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
Clockwork - A Haiku Eternal moist spring A like, coloured clockwork coat despite the hapshash |
|
4:40:02 (Pop-up) |
||
| The Tea Company |
You Keep Me Hangin' On
|
1968 |
|
4:41:14 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
4:50:01 (Pop-up) | ||||
| Ramsey Lewis |
Uptight (Everything's Alright)
|
Hang On Ramsey / Wade in the Water | 2002 |
|
<-- Previous playlist | Back to The Night Owl Show with Owl Sun playlists | Next playlist -->
RSS feeds for The Night Owl Show with Owl Sun:
Playlists feed | 
MP3 archives feed
| E-mail Owl Sun | Other WFMU Playlists | All artists played by The Night Owl Show with Owl Sun |Listen on the Internet | Contact Us | Music & Programs | WFMU Home Page | Support Us | FAQ
Live Audio Streams for Rock'N'Soul Radio: Pop-up | 128k MP3 (More streams: [+])
Listener comments!
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Owl Sun:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
JBoogie:
JBoogie:
JBoogie:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
JBoogie:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Paulo AD:
Candy-O'67:
Owl Sun:
Owl Sun:
Owl Sun:
Owl Sun:
Paulo AD:
The Ayatolluh of Rock 'n Rolluh:
Paulo AD:
JBoogie:
JBoogie:
JBoogie:
.....' /
---' (_____
......... ((__)
..... _ ((___)
....... -'((__)
--.___((_)
Owl Sun
Candy-O'67:
Candy-O'67:
Paulo AD:
JBoogie:
Paulo AD:
Paulo AD:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Paulo AD:
Owl Sun:
Owl Sun:
Candy-O'67:
JBoogie:
.....' /
---' (_____
......... ((__)
..... _ ((___)
....... -'((__)
--.___((_)
..../ )
.....' /
---' (_____
......... ((__)
..... _ ((___)
....... -'((__)
--.___((_)
Owl Sun
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Owl Sun:
Owl Sun:
Paulo AD:
The Ayatolluh of Rock 'n Rolluh:
JBoogie:
.....' /
---' (_____
......... ((__)
..... _ ((___)
....... -'((__)
--.___((_)
Owl Sun
Paulo AD:
Paulo AD:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
JBoogie:
Paulo AD:
Paulo AD:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
Candy-O'67:
Candy-O'67:
Paulo AD:
Candy-O'67:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Candy-O'67:
Candy-O'67:
tom tom the pipers son:
Owl Sun:
Owl Sun:
Owl Sun:
Candy-O'67:
tom tom the pipers son:
Paulo AD:
tom tom the pipers son:
Candy-O'67:
Candy-O'67:
Owl Sun:
Paulo AD:
We we're on the greyhound so you know......
Candy-O'67:
coelacanthβ :
greetings sentients and naan-sentients
Paulo AD:
Paulo AD:
coelacanthβ :
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
Candy-O'67:
Candy-O'67:
coelacanthβ :
Candy!
Owl Sun:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
A fishy coelacanth doubts
under the kiwi
Owl Sun:
Candy-O'67:
Candy-O'67:
coelacanthβ :
... go back and look at that comments board; it was never i which questioned that! i think Scott was confused
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
coelacanthβ :
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Paulo AD:
Candy-O'67:
Owl Sun:
Owl Sun:
Owl Sun:
Owl Sun:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
JBoogie:
.....' /
---' (_____
......... ((__)
..... _ ((___)
....... -'((__)
--.___((_)
Owl Sun
coelacanthβ :
Candy-O'67:
JBoogie:
Candy-O'67:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Owl Sun:
Candy-O'67:
Scott67:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Owl Sun:
Paulo AD:
tom tom the pipers son:
Scott67:
ππππ¨
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
coelacanthβ :
Scott67:
Owl Sun:
Owl Sun:
Scott67:
Owl Sun:
Owl Sun:
Scott67:
The Ayatolluh of Rock 'n Rolluh:
Scott67:
Scott67:
Candy-O'67:
coelacanthβ :
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Scott67:
coelacanthβ :
Scott67:
coelacanthβ :
Scott67:
The Ayatolluh of Rock 'n Rolluh:
Paulo AD:
coelacanthβ :
Scott67:
Scott67:
Paulo AD:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
Scott67:
The Ayatolluh of Rock 'n Rolluh:
coelacanthβ :
Scott67:
Paulo AD:
Owl Sun:
Owl Sun:
Scott67:
Paulo AD:
Scott67:
coelacanthβ :
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
Paulo AD:
Scott67:
coelacanthβ :
did you get results back?
Scott67:
Scott67:
coelacanthβ :
Scott67:
Scott67:
Paulo AD:
Paulo AD:
Candy-O'67:
Scott67:
Scott67:
βπβοΈπ΅
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
Paulo AD:
Paulo AD:
The Ayatolluh of Rock 'n Rolluh:
coelacanthβ :
Scott67:
Paulo AD:
tom tom the pipers son:
Owl Sun:
Owl Sun:
Owl Sun:
coelacanthβ :
Candy-O'67:
Candy-O'67:
Scott67:
Candy-O'67:
tom tom the pipers son:
Scott67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Paulo AD:
Candy-O'67:
coelacanthβ :
tom tom the pipers son:
Scott67:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Scott67:
coelacanthβ :
g'night tom tom
Candy-O'67:
Candy-O'67:
Scott67:
coelacanthβ :
Scott67:
Scott67:
coelacanthβ :
crap. now how do i get pizza?
Paulo AD:
The Ayatolluh of Rock 'n Rolluh:
Scott67:
coelacanthβ :
Scott67:
Scott67:
Owl Sun:
Scott67:
coelacanthβ :
coelacanthβ :
Thanks owlsun
good night y'all.
Scott67:
Paulo AD:
coelacanthβ :
Scott67:
βπππ
Owl Sun:
JBoogie:
Scott67:
Scott67:
JBoogie:
The Ayatolluh of Rock 'n Rolluh:
JBoogie:
JBoogie:
JBoogie:
Otis Fodder File Folder:
Scott67:
Paulo AD:
Scott67:
What brings you here tonight??
ππ
Owl Sun:
Owl Sun:
Owl Sun:
Scott67:
Otis Fodder File Folder:
The Ayatolluh of Rock 'n Rolluh:
JBoogie:
Scott67:
Otis Fodder File Folder:
JBoogie:
Candy-O'67:
Otis Fodder File Folder:
Paulo AD:
Otis Fodder File Folder:
Scott67:
How's things going there?
Scott67:
Otis Fodder File Folder:
Candy-O'67:
Owl Sun:
Owl Sun:
Otis Fodder File Folder:
The Ayatolluh of Rock 'n Rolluh:
Scott67:
Actually we need a little rest after a torrid couple of shows.πππ
Owl Sun:
Owl Sun:
Owl Sun:
Owl Sun:
Otis Fodder File Folder:
Scott67:
Otis Fodder File Folder:
Paulo AD:
Scott67:
So many companies are realising it's more efficient and cost-effective for staff to work from home where they can.
Owl Sun:
Scott67:
Scott67:
Paulo AD:
Paulo AD:
Scott67:
Otis Fodder File Folder:
Scott67:
βπ
Owl Sun:
Paulo AD:
Scott67:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
Paulo AD:
Owl Sun: