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View Doug Schulkind's profile
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The finest in Micronesian doo-wop, Appalachian mambo, Turkish mariachi, pygmy yodeling of
Baltimore, Portuguese juju, Cajun gamelan, tuba choirs from Mozambique, Inuit marching bands,
Filipino free jazz, Egyptian kabuki theater, and throat singers of the Lower East Side.
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February 12, 2021: Garden of ear delights
This radio show denounces explicit and implicit racism. It condemns the culture of White supremacy, which enables the brutalization of Black people and other communities of color. It supports Black Lives Matter and the movement it stands for. |
Artist | Track | Album | Label | Year | Approx. start time |
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Music behind DJ: Sarah Webster Fabio |
Jujus: Alchemy of the Blues ![]() |
Jujus: Alchemy of the Blues |
Folkways |
1976 |
0:00:00 (Pop‑up) |
Music behind DJ: ECD |
In Tempo ![]() |
Major Force: The Original Art-Form |
Mo' Wax |
1990 |
0:04:13 (Pop‑up) |
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Oriole Quartette |
Brother Michael, Won't You Hand Down That Rope
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Lost Sounds: Blacks and the Birth of the Recording Industry - 1891-1922 | Archeophone | 1895 | 0:07:24 (Pop‑up) |
Baiano |
Isto é Bom
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Casa Edison | 1902 | 0:09:53 (Pop‑up) | |
Vess L. Ossman |
Ragtime Medley
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Columbia | 1896 | 0:13:23 (Pop‑up) | |
Josef Bauer |
Umgebrungen
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Populäre Jüdische Künstler: Wien 1903-1936 |
Trikont | 1903 | 0:15:39 (Pop‑up) |
Kececi Oglu Mehemmed |
Humayun
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Historical Recordings from Azerbaijan, Part III | Melodia | 1906 | 0:17:18 (Pop‑up) |
Columbia Orchestra |
Peaceful Henry
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b/w Slow Drag | Columbia | 1903 | 0:20:32 (Pop‑up) |
Maximino Rosales Rafael & Herrera Robinson |
San Lunes
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Columbia | 1907 | 0:23:23 (Pop‑up) | |
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Music behind DJ: Matthew Young |
Carmina Burana ![]() |
Traveler's Advisory |
Yoga |
1986 |
0:26:12 (Pop‑up) |
Alton Ellis |
Too Late to Turn Back
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b/w Augustus Pablo: Too Late (version) | Giant | 1972 | 0:32:21 (Pop‑up) |
The Freedom Singers |
Black Is Black
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b/w Roy Richards: Voodoo Man | Fab | 1972 | 0:35:36 (Pop‑up) |
Hugh Mundell |
Time Has Come
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Time and Place | Mun-Rock | 1980 | 0:37:37 (Pop‑up) |
Pat Kelly |
Summer Time
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b/w Version | Sunshot | 1978 | 0:41:14 (Pop‑up) |
The Interns |
Nothing Is Impossible
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b/w The Hardy Boys: Black Out | Techniques | 1974 | 0:44:13 (Pop‑up) |
Earth & Stone |
No Time to Loose
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b/w The Revolutionaries: No Dub to Loose | High Note | 1976 | 0:47:54 (Pop‑up) |
Moja Nyah |
Freedom for Trots
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b/w Jah Guide | Jumbo Caribbean Disco | 1978 | 0:52:55 (Pop‑up) |
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Music behind DJ: Lee Scratch Perry & the Upsetters |
Black Panta ![]() |
Upsetters 14 Dub Blackboard Jungle |
Upsetter |
1973 |
0:58:12 (Pop‑up) |
George Walker |
Piano Sonata No. 2: I. Adagio Non Troppo
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The Music of George Walker | CRI | 1996 | 1:05:18 (Pop‑up) |
George Walker |
Piano Sonata No. 2: II. Presto
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The Music of George Walker | CRI | 1996 | 1:08:49 (Pop‑up) |
George Walker |
Piano Sonata No. 2: III. Adagio
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The Music of George Walker | CRI | 1996 | 1:15:14 (Pop‑up) |
George Walker |
Piano Sonata No. 2: IV. Allegretto Tranquillo
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The Music of George Walker | CRI | 1996 | 1:15:19 (Pop‑up) |
George Walker & Gregory Walker |
Sonata No. 1 for Violin and Piano
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The Music of George Walker | CRI | 1996 | 1:15:39 (Pop‑up) |
George Walker |
Prelude
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The Music of George Walker | CRI | 1996 | 1:24:41 (Pop‑up) |
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Music behind DJ: Mocean Worker |
Counts, Dukes & Strays ![]() |
Mixed Emotional Features |
Palm Pictures |
1999 |
1:26:38 (Pop‑up) |
Julius Hemphill & Abdul Wadud |
Rhapsody
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The Boyé Multi-National Crusade for Harmony | New World | 1:30:20 (Pop‑up) | |
Ernst Reijseger |
Comodo Varan
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Tell Me Everything | Winter & Winter | 2013 | 1:40:57 (Pop‑up) |
David Eyges Trio |
Tree-Life
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Crossroads | Quixotic | 1981 | 1:46:48 (Pop‑up) |
Hannibal Marvin Peterson & the Sunrise Orchestra |
The Rabbit
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Hannibal | MPS | 1975 | 1:53:40 (Pop‑up) |
Alexander Hawkins & Tomeka Reid |
Albert Ayler (His Life Was Too Short)
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Shards and Constellations | Intakt | 2019 | 1:56:14 (Pop‑up) |
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Music behind DJ: Dorothy Ashby |
Lonely Melody ![]() |
Dorothy Ashby |
Argo |
1962 |
2:01:14 (Pop‑up) |
Rochereau & l'African Fiesta National |
Amour Fou
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b/w Mwena & African Fiesta National: Lumumba Liberateur | Flash | 1967 | 2:06:14 (Pop‑up) |
Simaro et T.P.O.K. Jazz [Simaro Massiya Lutumba] |
Décision
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The Very Best of Simaro | Ngoyarto | 2:10:14 (Pop‑up) | |
Empire Bakuba |
Tobokolo Muana
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Sango ya Mawa (Pépé Akundji) | Ngoyarto | 1976 | 2:16:15 (Pop‑up) |
Sam Mangwana et l'African All Stars International |
Est Ce Que ça Tourne?
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Volume 1 | Albarika Store | 1979 | 2:23:17 (Pop‑up) |
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Music behind DJ: Pete Drake & His Talking Steel Guitar |
Forever ![]() |
Forever |
Smash |
1964 |
2:30:49 (Pop‑up) |
Ray Gant & Arabian Knights |
Don't Leave Me Baby
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b/w I Need a True Love | Jay-Walking | 1971 | 2:34:48 (Pop‑up) |
Chet Davenport |
What Would I Do
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b/w War in the Ghetto | Toe-Holt | 2:38:20 (Pop‑up) | |
Paul Kelly |
The Day After Forever
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b/w Stealing in the Name of the Lord | Happy Tiger | 1970 | 2:43:12 (Pop‑up) |
Judy White |
Satisfaction Guaranteed
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b/w I'll Cry | Buddah | 1968 | 2:46:20 (Pop‑up) |
Marjorie Ingram |
Take a Look at Another Fool
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Lost Soul Gems: From Sounds of Memphis | Kent (previously unissued) | 2:49:40 (Pop‑up) | |
Timmy Willis |
Easy as Saying 1-2-3
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b/w I'm a Man | Jubilee | 1970 | 2:53:21 (Pop‑up) |
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Music behind DJ: John Lee Hooker |
Stand By ![]() |
I Feel Good |
Jewel |
1971 |
2:56:25 (Pop‑up) |
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Listener comments!
Just lounging around!
A lovely conjecture. I see what you're seeing. But that is Roy Smeck shown in the animated image. (Choosey mothers chose GIF.)
I am sending you the coffee via interstate pneumatic tube. Listen for the whooosh.
Oh man are you ever right about that. On Twitter last night I shared a link to "Dancing Girls" from that LP. Chick's playing is breathtaking.
I think I could find a nice slot on the Drummer Stream for that kind of presentation.
Pat Kelly makes Horace Andy sound like broken glass, saw blades and sandpaper.
Albert Bailey and Clifton Howell. Which was which?
And in 1965 the Pulitzer committee awarded the Prize to.... NO ONE! They chose no one over Duke Ellington. Unbelievable. (They did toss Mr. Ellington a nifty citation, however.)
i was told that Duke Ellington was initially up for a
Pulitzer in the late 60s or early 70s (my forgetfulness) but a clique of jazz pundits vigorously opposed it saying he was merely a band leader riding on others creativity. I was was told this proudly by one of the pundits.
You are right about that.
I was just relistening to the studio recordings of Chick with Braxton. I then played Chick's Lyric Suite with Gary Burton and String Sextet to mellow out a little from the intenseness.
Read this: ethaniverson.com...
en.wikipedia.org...
Oh wow, such greatness. The newly released collection is a massive addition to recorded humanity. The liner notes by Hemphill's longtime collaborator Marty Ehrlich is a fine work in itself.
Then I realize... I don't have a mailbox!
Good morning, Lewis! and chresti!
Would you like that "to go," or will you be having it here?
NY Times write up:
www.nytimes.com...
It is devastatingly impressive.
I need to do more of that.
@Stork
Hello, sweet man o' Münster!
@Jeff Golick
Shite, I was going to mention that.
@Lewis
He did in my dreams. Was that you?!?!
So glad you're here, Mike East!
And they are here for you, Sir.
pitchfork.com...
Thanks for that. I will dive in. I must dive in.
@sinner
Glad your road crossed mine, my brother!
Such masters they were (are). The sound of the Congo just before soukous took off with its crazy intertwining guitar magic.
@Jeff Golick
I am more than a little chagrined with that particular music bed. The track is by Pete Drake & His Talking Steel Guitar, but I edited out Mr. Drake. (Please don't tell him.)
You should Google "Pete Drake" and "Talking Steel Guitar." It involves a rubber hose he blows into. No really.
Sign me up.
Massive soul heartbreakers don't kill people, People do.
PLAYLIST IS OVER HERE: wfmu.org...
Here, have a pierogi to go.
Thank you, Andrew in Toronto! chresti! Brian in UK! And everyone!!!
Take care and keep warm