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Artist
Song
Album
Dick Raaijmakers Achter de Schermen Popular Electronics
Aldo Clementi GiAn(ca)rlo CArDini Punctum Contra Punctum
Nu Creative Methods [untitled]
Bradford Reed Motivational Music for Pedestrians Live! At Home
Cooper-Moore Duo take 11 Outtakes 1978
Anima-Sound n da da uum da Musik für Alle
Berthet - Le Junter J'entends Les Avions
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Comment: holy crap, kagel bit it.
Mauricio Kagel Music for Renaissance Instruments
Mauricio Kagel Blue's Blue
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Mauricio Kagel String Quartet II
Mauricio Kagel Acustica, part 1
Mauricio Kagel Acustica, part 2
Comment:Stuff He Made for AcusticaCastanette-Keyboardwith a scale of diameters from 1 4/5' to 7 1/5' which can be 'tuned' by means of double-bass pegs in the action-tention (with the result that even deep-sounding castanettes will sound clearly when played extremely quickly); two sets of Bull-Roarers (one with an aerodynamic profile, the other out of plain pieces of wood), which are wielded by hand and worked by twisted rubber band.Nail-Violina form of the idiophonic friction-instrument invented in the mid-18th century, with 16 iron rods of equal width but of different lengths (between 2 1/25 and 16 4/5'; temperature 15√8) which vibrate transversally when played with a cello or double-bass bow.Roundpeg-Violina version of the nail-violin (9 wooden sticks between 3 23/25' and 3'; temperature 8√9);Scabellaclapper-sandals worn by Ancient Roman choir-leaders, but fitted with a hinge in the middle of the sole, so that the performer can achieve audible results with the minimum of effort;Hinged-board (Crepitacolo),a flat piece of wood with various handles attached which the iron parts hit according to the force with which it is shaken back and forth ( a new version of the original church bell);Five-Tongued Ratchetwith common crankshaft, the cogwheel frequency of which is tuned in five stages, so that the loudness of the noise can be influenced by altering the tongue-setting;Pick-ups and Diaphragmsin as many forms as possible (other than the usual ones), in order to explore the devious route to higher sub-fidelity: e.g. plastic funnel and knife-feather and ukelele, sandpaper and drawing pin, matches with and without boxCross-blowerfor the timbre-modulation of the pages of a book;Balloonsas resonators for wind instruments and as (regained) air-supply in the production of oral processes;Pipe-brancha piece of narrow hose approx. 130' long with connections (on the ends of which organ pipes [mixtures] and penny-whistles are attached), which is fed by a compressed-air cylinder of 27 cubic feet capacity (an 'aerophone' for collective use, where only generously-minded players can play together: should one of the performers divert the air-current for himself alone, all the others will be made silent);Gas blow-lampto produce vibrations in pipes, the fundamental frequency of which is reached by altering its total length;Mutes for wind instruments with built-in loudspeakerswhich permit a perfect diaphony with the simultaneous playback from the tape recorder of the blown notes;Megaphoneslikewise with built-in loudspeakers (also to be used by contestants, in which case power-saving cassette-recorders are switched on to drown the puny volume of the official side);Humming-loudspeaker(the German term 'Summenlautsprecher' derives both from 'Summe' = sum and from 'summen' = to hum), the diaphragm of which is worked on with various articles during the performance (so that the loudspeaker becomes more of an instrument than an actual loudspeaker).
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