November 29, 2003: I Could Keep Waiting Forever ...
In which a bunch of records get thrown against the wall and fail to stick.
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Music by people who are dead, crazy, foreign, or cheated out of royalties. Ideally all of the above.
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November 29, 2003: I Could Keep Waiting Forever ...
In which a bunch of records get thrown against the wall and fail to stick.
Listen to this show:
RealAudio
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|
|
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| Artist | Track | Album | Label | Approx. start time | |
|---|---|---|---|---|---|
| Cecil Augusta | Stop All the Buses | Alan Lomax: The Blues Songbook | Rounder Select | 0:00:00 (Real) | |
| Freddy Fender | Cuando Quieras Carino | Interpreta el Rock | Arhoolie | 0:03:08 (Real) | |
| Christian Poirier feat. Seba | De L'art de la Fellation | Beats as Politics | Chocolate Industries | 0:04:51 (Real) | |
| KGB | Agradable Sobremesa Con Una Japonesa | Punk Que? Punk? | Munster | 0:08:53 (Real) | |
| John Robert Tyrone & His Electric Band | Soulade | Mr. Finewines' Detroit Soul: 2003 Marathon Premium | WFMU | 0:11:59 (Real) | |
| Tommy McCook | Riding West 12 Mix | Blazing Horns: Tenor in Roots | Blood and Fire | 0:15:19 (Real) | |
| Vitamin D | No Good | 12" | Rhymesayers | 0:20:36 (Real) | |
| Amr Diab | Aktar Wahed Beyhebak | Rough Guide to Egypt | WMN | 0:26:32 (Real) | |
| Frau Theunissen's Kegel | Association P. C. | Tighten Up: Messin' Around 3 | Universal Jazz | 0:27:32 (Real) | |
| Extra Production | The Mothership | Microfunk Klickhouse | Neuton/Alive | 0:36:17 (Real) | |
| Ratatat | Spanish Armada | Seventeen Years 12" | Audio Dregs | 0:42:09 (Real) | |
| Nino and April | Let it Be Me | All Strung Out | Rev-Ola | 0:45:06 (Real) | |
| Jiorgos Katsaros | Mana Mu Ime Fthisikos | Rembetika: Songs of the Greek Underground 1925-47 | Trikont | 0:47:53 (Real) | |
| Susie Ibarra & Mark Dresser | Untold | Tone Time | Wobbly Rail | 0:52:17 (Real) | |
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Music behind DJ: Candido |
Candido's Funk | Tighten Up: Messin' Around 3 | Universal Jazz | 0:58:29 (Real) | |
| Ben Webster | Perdido | Confluence | Fuel 2000 | 1:03:45 (Real) | |
| Barney Childs / Harvey & Sophie Sollberger | Music for Two Flute Players | CRI SD 253 | CRI | 1:13:32 (Real) | |
| La Monte Young | Map of 49's Dream the Two Systems of Eleven Sets of Galactic Intervals Ornamental Lightyears Tracery (excerpt) | Der Zweck Dieser Serie Ist Nicht Unterhaltung (1957-73) | Dreamwerks | 1:27:44 (Real) | |
| Pandit Jasraj | Nat-Bhairav | ECLP-2325 | Gramophone Company of India | 2:05:16 (Real) | |
| Shex | Bantam | Bpoqd | 19-T | 2:29:16 (Real) | |
| Rhythm & Sound | Friend Version | The Versions | Asphodel | 2:29:48 (Real) | |
| Rhythm & Sound w/ Love Joy | Best Friend | With the Artists | Asphodel | 2:32:20 (Real) | |
| Indang Pariaman | Samisar | Folk and Pop Sounds of Sumatra Vol 1. | Sublime Frequncies | 2:42:34 (Real) | |
| Unidentified Italian Woman | Nu Giorno Andavo a Spasso | Lomax Italian Treasury: Abruzzo | Rounder | 2:47:30 (Real) | |
| Terry Hall & Mushtaq | Epilogue | The Hour of Two Lights | Honest Jons | 2:51:46 (Real) | |
| Cell Auto Mata | Ish Galil | The Devil is in the Detail | Ant-Zen | 3:00:04 (Real) | |
| Stars as Eyes vs. Casio vs. Japan | Our Light Remix | Revenge of the Fight Club | Tigerbeat 6 | 3:04:19 (Real) | |
| 310 | Pacific Gravity (Vocal Version) | Recessional | Leaf | 3:09:14 (Real) | |
| Rachel's | Moscow is in the Telephone | Systems/Layers | Quarterstick | 3:13:08 (Real) | |
| Shin/Mikami/Sato/Ishizuki/Sawada | track 6 | Fu-Kon | PSF Records | 3:16:33 (Real) | |
| Lol-Lee feat. Tweakin' B | Up On | Du Bist Die Stadt | Scheinselbstandig | 3:21:44 (Real) | |
| Jim Fassett | Strange to your Ears (excerpt) | http://showandtellmusic.com | Columbia | 3:25:50 (Real) | |
| Alvin Lucier / Arditti Quartet | Navigations for Strings | Navigations for Strings / Small Waves | Mode | 3:26:38 (Real) | |
| Tba | Eta Raz! + Eta Draz! = Akunin B | Tba | Max Ernst | 3:46:44 (Real) | |
| Ustad Farida Mahwash | Tchi Chawad Ba Tchera-E-Zard-E-Man | Radio Kaboul | Accords Croises | 3:46:56 (Real) | |
| Vera Ward Hall | I Been Drinkin' | Alan Lomax: The Blues Songbook | Rounder Select | 3:56:58 (Real) | |
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