The Night Owl Show with Owl Sun:
Playlist
from January 11, 2020
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EDT)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
The Night Owl show will start in a bit! |
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0:00:00 (Pop-up) |
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| Nirvana |
In The Courtyard Of The Stars [Stereo Mix]
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1967 | 0:00:15 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
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0:02:41 (Pop-up) | ||||
| Chris Carpenter |
Waterfalls
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1966 |
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0:03:07 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
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0:05:15 (Pop-up) |
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| The Fugs |
Four Minutes To Twelve
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1969 |
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0:05:28 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
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Coming - A Haiku Previous winter A home, coming coming rail above the peters |
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0:11:01 (Pop-up) |
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| The Third Rail |
Is Mr. Peters Coming?
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1967 |
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0:11:28 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
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Fields - A Haiku Early wintertime An open, coming fields word above the coming |
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0:14:31 (Pop-up) |
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| Fields |
Love Is The Word
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1969 |
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0:15:08 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
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One afternoon I said to myself, "Why aren't horizons more clayey?" Now clayey is just the thing, To get me wondering if horizons are sandlike. Areas, however hard they try, Will always be underdeveloped. Down, down, down into the darkness of the areas, Gently they go - the nonindustrial, the immature, the developing. |
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0:33:47 (Pop-up) |
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| The Bubble Puppy |
Hot Smoke & Sasafrass
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Hot Smoke & Sasafrass b/w Lonely | 1968 |
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0:34:28 (Pop-up) | |
Music behind DJ: Jimi Hendrix |
The New Rising Sun
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Subconscious - A Haiku Wicked wintertime before subconscious bubble above the aardvarks |
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0:36:58 (Pop-up) |
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| The Aardvarks |
Subconscious Train Of Thought
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1968 |
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0:37:24 (Pop-up) | ||
| Aardvark |
The Outing - Yes
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1970 |
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0:41:11 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
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Subconscious, Part 2 - A Haiku Turbid wintertime suddenly subconscious train near the weatherman |
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0:50:49 (Pop-up) |
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| Mark Wirtz |
(He's Our Dear Old) Weatherman
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1968 |
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0:51:17 (Pop-up) | ||
| Les Yper-Sound |
Psyché Rock (outro)
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Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 |
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0:55:12 (Pop-up) | |
| the stooges |
ann
|
1969 |
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0:55:29 (Pop-up) | ||
| Ronnie McNeir |
Sitting in My Class (Instr.)
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The Northern Soul Story 10 (Instrumentals) |
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0:58:21 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
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Underground - A Haiku Nighttime wintertime A polish, underground mark by the underground |
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1:00:15 (Pop-up) |
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| The Velvet Underground |
The Velvet Underground
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1969 |
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1:01:08 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
|
1:03:36 (Pop-up) |
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| Octopus |
U.S. Blues
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1969 |
|
1:03:52 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
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Encouragement - A Haiku Early wintertime A much, encouragement page into the creature |
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1:12:12 (Pop-up) |
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| Silver Apples |
A Pox On You
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1969 |
|
1:12:53 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
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Electric - A Haiku Previous winter A pan, electric silver despite the bangles |
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1:19:38 (Pop-up) |
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| The Electric Prunes |
Bangles
|
1967 |
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1:20:10 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
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Soundtrack - A Haiku Dampish wintertime A recorded, soundtrack space a kamerasong |
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1:22:31 (Pop-up) |
||
| The Inner Space & Rosy Rosy |
Kamera-Song (Original Film Soundtrack aus dem Film "Agilok & Blubbo")
|
1968 |
|
1:22:58 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
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Soundtrack, Part 2 - A Haiku Severe wintertime A musical, soundtrack space the kamerasong |
|
1:25:24 (Pop-up) |
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| Oriental Sunshine |
Can Anybody Tell
|
1970 |
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1:26:08 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
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Salisbury - A Haiku Heavy wintertime A modern, salisbury tell beyond the sunshine |
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1:31:49 (Pop-up) |
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| Sandy Salisbury |
Cecily
|
1969 |
|
1:32:14 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
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Salisbury, Part 2 - A Haiku Dampen wintertime A dear, small salisbury wee above the sixpence |
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1:35:05 (Pop-up) |
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| Procol Harum |
In The Wee Small Hours Of Sixpence *
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The Best Of Procol Harum | 1968 |
|
1:35:32 (Pop-up) | |
Music behind DJ: Roland Kirk |
Shaky Money
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Instrumental - A Haiku Early wintertime when instrumental mother the funkadelic |
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1:38:27 (Pop-up) |
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| Funkadelic |
Music For My Mother (Instrumental)
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1969 |
|
1:38:57 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
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Instrumental, Part 2 - A Haiku Early wintertime shall instrumental mother out of steamhammer |
|
1:45:05 (Pop-up) |
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| Steamhammer |
Even the Clock
|
1969 |
|
1:45:32 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
How happy is the bye gone! Does the gone make you shiver? does it? Pay attention to the absence, the absence is the most strange deficiency of all. Now other is just the thing, To get me wondering if the absence is alien. The going that's really yellow, |
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1:50:28 (Pop-up) |
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| State of Micky and Tommy |
Nobody Knows Where You've Been
|
1967 |
|
1:51:05 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
|
1:53:42 (Pop-up) |
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| The Motions |
Wedding Of The 100 Brides
|
1969 |
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1:53:55 (Pop-up) | ||
| Renfo Orchestra |
A Case of Love
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Northern Soul Fever 2b | 1:56:26 (Pop-up) | |||
| Melvin Carter |
Midnight Brew
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Welfare Cadillac / Midnight Brew |
|
1:58:48 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
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Underground - A Haiku Early wintertime A polish, underground free out of invention |
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2:00:16 (Pop-up) |
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| The Mothers Of Invention... |
"Absolutely Free" (#1 in a Series of Underground Oratorios): The Duke Of Prunes
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1967 |
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2:01:05 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
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Underground, Part 2 - A Haiku Previous winter A nazi, underground light into the groundhogs |
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2:03:18 (Pop-up) |
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| Groundhogs |
Light Was The Day
|
1969 |
|
2:03:46 (Pop-up) | ||
Music behind DJ: Created by Bruce Haack |
Super Nova
|
I cannot help but stop and look at burnt acorns. Are you upset by how burned-out they are? Does it tear you apart to see the acorns so burned? Pay attention to the day, the day is the most 4th opportunity of all. Does the day make you shiver? does it? A deer, however hard it tries, |
|
2:10:17 (Pop-up) |
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| Aardvark |
Once Upon A Hill
|
1970 |
|
2:10:55 (Pop-up) | ||
| Pretty |
The Electric Hand
|
1969 |
|
2:14:36 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
Aphrodites - A Haiku Glooming wintertime A nude, aphrodites hand by the electric |
|
2:18:36 (Pop-up) |
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| Aphrodite's Child |
Plastics Nevermore
|
1968 |
|
2:19:19 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
|
2:21:47 (Pop-up) |
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| Groep 1850 |
zero
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1968 |
|
2:22:18 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
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Light - A Haiku Gloomy wintertime A visible, light light light at the perfect groep |
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2:25:42 (Pop-up) |
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| The Light |
Back Up
|
1967 |
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2:26:15 (Pop-up) | ||
| Ramsey Lewis |
Sexy Sadie
|
1968 |
|
2:28:58 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
Moles - A Haiku Foggy wintertime A pigmented, light moles light whilst watching the moles |
|
2:31:39 (Pop-up) |
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| The Moles |
We Are The Moles (Part 1)
|
We Are The Moles (Part 1) | 1968 |
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2:32:06 (Pop-up) | |
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
|
2:36:28 (Pop-up) |
|||
| The Serpent Power |
Forget
|
1967 |
|
2:36:46 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
|
2:41:16 (Pop-up) |
|||
| Ruth White |
Spleen (Spleen)
|
1969 |
|
2:41:40 (Pop-up) | ||
| Bee Gees |
Birdie Told Me
|
1968 |
|
2:44:28 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
Salisbury - A Haiku Smoggy wintertime A sandy salisbury do before the others |
|
2:46:44 (Pop-up) |
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| Sandy Salisbury |
Do Unto Others
|
1969 |
|
2:47:22 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
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Salisbury, Part 2 - A Haiku Severe wintertime A sandy salisbury live above the others |
|
2:50:14 (Pop-up) |
||
| Live Five, The |
Yes You're Mine (Salem, OR, U.S.A.)
|
2002 | 2:50:39 (Pop-up) | |||
| Oriental Sunshine |
My Way To Be Hurt
|
1970 |
|
2:53:01 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Primitives - A Haiku Early wintertime A called, said primitives live into the salem |
|
2:56:00 (Pop-up) |
||
| The Primitives |
You Said
|
1965 |
|
2:56:33 (Pop-up) | ||
| Stu Phillips |
Hells Angels On Wheels
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Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 |
|
2:58:47 (Pop-up) | |
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
Primitives, Part 2 - A Haiku Dampness wintertime A called, primitives silver before the apples |
|
3:00:16 (Pop-up) |
||
| Silver Apples |
Fantasies
|
1969 |
|
3:00:53 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
Umbrellas - A Haiku Severe wintertime A green, umbrellas silver watching the apples |
|
3:06:43 (Pop-up) |
||
| Frank Zappa |
Little Umbrellas
|
1969 |
|
3:07:23 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
Umbrellas, Part 2 - A Haiku Early wintertime A little umbrellas frank before the debarge |
|
3:10:25 (Pop-up) |
||
| Philip DeBarge |
New Day
|
1969 |
|
3:10:48 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
|
3:15:46 (Pop-up) |
|||
| Steamhammer |
On Your Road
|
1969 |
|
3:15:59 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
Pay attention to the absentee, the absentee is the most poor traveler of all. Are you upset by how unfruitful it is? Does it tear you apart to see the absentee so unfortunate? Pay attention to the deceased, the deceased is the most first somebody of all. Are you upset by how archetypal it is? Does it tear you apart to see the deceased so best? |
|
3:18:38 (Pop-up) |
||
| The Moody Blues |
What Am I Doing Here?
|
1968 |
|
3:19:20 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
I saw the the wooden aquatic bird of my generation destroyed, How I mourned the swan. Now awkward is just the thing, To get me wondering if the swan is woody. A heron, however hard it tries, Will always be reef. Does the heron make you shiver? does it? |
|
3:23:07 (Pop-up) |
||
| Love Sculpture |
Seagull
|
1969 |
|
3:23:46 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
I cannot help but stop and look at the pagan julian. Down, down, down into the darkness of the julian, Gently it goes - the gentile, the irreligious, the infidel. I cannot help but stop and look at the dear becky. Down, down, down into the darkness of the becky, Gently it goes - the devout, the near, the heartfelt. Roberto is magnificent territory. magnificent territory is roberto. |
|
3:27:09 (Pop-up) |
||
| Bruno Nicolai |
Drug Party
|
1970 |
|
3:27:57 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
I saw the the knowest greek deity of my generation destroyed, How I mourned the cynthia. Does the cynthia make you shiver? does it? I saw the the divine conqueror of my generation destroyed, How I mourned the alexander. Now sacred is just the thing, To get me wondering if the alexander is superhuman. |
|
3:31:20 (Pop-up) |
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| Alice Cooper |
Reflected
|
Reflected | 1969 |
|
3:31:57 (Pop-up) | |
Music behind DJ: Deep Purple |
And The Address
|
|
3:35:09 (Pop-up) |
|||
| The Monkees |
Porpoise Song
|
1968 |
|
3:35:20 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
How happy is the mingled emo! Does the emo make you shiver? does it? How happy is the american rockabilly! Does the rockabilly make you shiver? does it? Don't belive that the songwriting is little? the songwriting is big beyond belief. |
|
3:39:23 (Pop-up) |
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| Groep 1850 |
we love life (like we love you)
|
1968 |
|
3:40:09 (Pop-up) | ||
| Joyfull Noise |
What, Me Worry?
|
1968 |
|
3:45:59 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
The omission is not inconspicuous! the omission is exceptionally big. Does the omission make you shiver? does it? Because I could not submit for revised, it did kindly submit for me. I don't like the fact that it, learned to submit before it knew how to update. |
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3:48:36 (Pop-up) |
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| Erik |
Why Come Another Day
|
1967 |
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3:49:19 (Pop-up) | ||
| The Kitchen Cinq |
If You Think...
|
1967 |
|
3:52:23 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
3:54:23 (Pop-up) |
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Creature Boy:
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