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April 3, 2009
Why does the drum come hither? | ||
| Add or read comments | ||
| Artist | Selection | Album (Label / Recording date) |
|---|
|
Theme Music: Sarah Webster Fabio |
Jujus: Alchemy of the Blues |
Jujus: Alchemy of the Blues
(Folkways 1976) |
| ECD | In Tempo |
Major Force: The Original Art-Form
(Mo Wax 1990) |
| Mabel Scott |
Baseball Boogie (Listen: Real | ) |
Get Hot: Sleazy Rhythm & Blues Volume 3 ( 1950) |
| Big Mike Gordon | Walkin' Slippin' & Slidin' |
Got My Mojo Workin'
(Flyright 1956) |
| Chuck WIllis | Wrong Lake to Catch a Fish |
![]() Be Good or Be Gone (Edsel 1952) |
| Johnny Guitar Watson | Those Lonely Lonely Nights |
Hot Just Like TNT
(Ace 1959) |
| The Lamplighters | Be Bop WIno |
Great Gooa Mooga
(Ace 1953) |
|
Talkover Music: Bee Houston |
Blues for Rupez |
The Hustler
(Arhoolie 1968) |
| Tony & Howie |
Fun It Up (Listen: Real | ) |
7"
(Banana 1972) |
| The Silvertones | Cheating and Lying |
12"
(Studio 1 1968) |
![]() (click) |
My Life Is a Hard Life |
Sounds of Jamaica Top Ten
(Coxsone ) |
| Im & Count Ossie | Right on Rasta |
7"
(Iron Side 1972) |
| Wentworth Vernal | Rainbow |
7"
(Studio 1 1972) |
| Wailing Souls | Row Fisherman |
Wild Suspense
(mango 1979) |
|
Talkover Music: Alice Coltrane |
Huntington Ashram Monastery |
Huntington Ashram Monastery
(Impulse! 1969) |
| Shamshad Begum |
Jadoo Bhare Nainon Men (Listen: Real | ) |
Babul (Soundtrack)
(EMI 1950) |
| Kuldeep Manak | Tere Tille Ton |
Dev Tharikewala: Treasure Trove, Volume 1
(Sare Sama 1978) |
| Lata Mangeshkar & Kishore Kumar | Nainon Men Darpan Hai |
Aarop (Soundtrack)
(EMI 1973) |
| Gurdas Maan | Alarh Jawani De Alarh Tamsahe |
Masti
(EMI 1983) |
| Amjad Khan & Deven Varma | Jinke Liye Ham |
![]() Josh (EMI 1981) |
|
Talkover Music: Dave Pike Set |
Mathar |
Untouchable Outcaste Beats Volume 1 (Outcaste 1969) |
| Arsenio Rodriguez |
Llevatelo Todo(Listen: Real | ) |
Llévatelo Todo (Tumbao 1946) |
| Celina y Reutilio | A la Caridad del Cobre |
A Santa Barbara
(Discos Fuentes ) |
![]() (click) |
Ely |
Caracoleando
(Tropical ) |
| Pedro Laza y Sus Pelayeros | La Batea |
Porro!
(Discos Fuentes ) |
| Mongo Santamaria | In-A-Gadda-Da-Vida |
Feelin' Alright
(Atlantic 1970) |
| Joe Torres | Get Out of My Way |
Latino con Soul
(World Pacific 1966) |
|
Talkover Music: Bobby Montez |
Kon-Tiki |
Jungle Fantastique!
(Cu-Bop 1958) |
| Michael Carvin Quintet |
Kwebena's Blues (Listen: Real | ) |
The Camel
(Steeplechase 1975) |
| Human Arts Ensemble | Concere Ntasiah |
Human Arts Ensemble Live, Volume 1
(Circle 1978) |
| Dizzy Reece Quintet | Krisis |
![]() From In to Out (Futura 1970) |
| Frank Wright | Do You Like It |
Run With the Cowboys
([private release] 1983) |
| Mal Waldron & Marion Brown | To the Golden Lady in Her Graham Cracker Window |
Songs of Love and Regret
(Free Lance 1985) |
|
Talkover Music: Sonny Simmons |
Cosmic Funk |
Jewels
(Boxholder 1991) |
| Al Hopkins & His Buckle Busters |
Down to the Club (Listen: Real | ) |
The Hill Billies
(Document ) |
| Reno & Smiley | Crazy Finger Blues |
Reno & Smiley and the Tennessee Cut-Ups
(Bear Family 1959) |
![]() Pat Kingery & His Kentuckians w/Tommy Holmes |
Jam on the Lower Shelf |
Boppin' Hillbilly, Volume 8
(Collector 1961) |
| Tex Atchison | Mailman |
Let's All Go WIld
(Sage and Sand 1961) |
| Lloyd McCollough | Half My Fault |
b/w What Can I Tell Them
(Starday 1958) |
|
Talkover Music: East Texas Serenaders |
Sweetest Flower |
East Texas Serenaders 1927-1937
(Document 1927) |
| Jean DuShon |
Second Class Lover (Listen: Real | ) |
Okeh: A Northern Soul Obsession, Volume 2
(Kent 1962) |
| Harvey Scales & The 7 Sounds | I Can't Cry No More |
Get Back Up Again, Volume 4
(Gyro 1968) |
| Bobby Paris | Per-so-nal-ly |
![]() Let Me Show You the Way (Tetragrammaton 1968) |
| The Gaturs | First Taste of Hurt |
Wasted
(Funky Delicacies 1971) |
| Sebastian & the House Rockers | Nobody Can Do the Dog Like I Do |
Harlem Shuffle: The Roots of Soul 1958-1963
(Hip-Bop 1963) |
| The Fans | Roly Poly Mickey Lolich |
Instrumental Explosion: Incendiary Funk and R&B Instrumentals 1966-1973
(BGP 1968) |
| Frank Sinatra | There Used to Be a Ballpark |
Ol' Blue Eyes is Back
(Reprise 1973) |
|
Closing Theme: John Lee Hooker |
Stand By |
I Feel Good
(Jewel 1971) |
Fri. 4/3/09 9:08am
From:
Unclear on the concept
You could take the lyrics in this Mabel Scott song more than one way.
Fri. 4/3/09 9:13am
From:
texas scott
yes,unclear....pitcher,catcher...
different generation though.
Fri. 4/3/09 9:19am
From:
listener rey
bebop wino is the name of a site I linked to from the "motherlode"
Excellent stuff on there. Thanks Doug, your compiled lists have been making my days/weeks!
Fri. 4/3/09 9:25am
From:
Confused WFMU Fan
Why is the show called "Give the Drummer Some", but none of the songs have drum solo's?
Fri. 4/3/09 9:27am
From:
El Thatchmo...
Doug,
Will I see you @ OTB @ the usual time? The Olde English is on me today!
Fri. 4/3/09 9:28am
From:
G.
Is (at least somewhat) Confused FMU Fan redundant? :-P
Cut the DJ Some (Slack)?
Fri. 4/3/09 9:29am
From:
Toby
I'm going to the New Shea tonight!
Fri. 4/3/09 9:29am
From:
dc pat
the dj is the drummer
Fri. 4/3/09 9:29am
From:
Drummer Some
Hey Confused,
The show title derives from James Brown's ubiquitous utterance in performance. At the end of the night after everyone has had their chance to solo and hog the spotlight, the drummer gets his turn. The title is offered metaphorically for all the artists who get the spotlight on the airwaves.
How's dat?
Fri. 4/3/09 9:30am
From:
dc pat
this silvertones is the most perfect morning rainy day music I've heard in a loooooong time.
Fri. 4/3/09 9:32am
From:
Confused WFMU Fan
Drummer Some, Thanks a lot. That clears up everything. It was something I really wanted to understand
Fri. 4/3/09 9:32am
From:
Paul Sherratt
dc pat,
It ain't bad on a gorgeous Spring afternoon, either ... ( p.m. in the a.m. )
Fri. 4/3/09 9:33am
From:
G.
i imagine someday individual show archives will be tagged for optimal fits-with weather, add your own emoticon here
Fri. 4/3/09 9:40am
From:
gumby
Doug you continue to outdo yourself. This Right on Rasta is awesome, as it this set, as is the show. Rockin' steady in the cube here.
Fri. 4/3/09 9:41am
From:
Paul Sherratt
I'm just wondering if some of this gorgeous reggae set are Norwegian exports ?
Fri. 4/3/09 9:42am
From:
Hugo
Fine Coxsone set, that one (but you knew I would say that)
Fri. 4/3/09 9:48am
From:
PMD
Thanks for the clear explanation of your show name Doug. Hadn't read that before. Mornin' all. Off to a meeting.
Fri. 4/3/09 9:48am
From:
stingy d
does anyone know the name of the album, by kevin ayers, that the song "this song isn't called anything" is on?
ps- good morning everyone i hope you are not in physical pain.
Fri. 4/3/09 9:49am
From:
dc pat
yeah I think that was some Scratchy vocals
Fri. 4/3/09 9:57am
From:
annie
thoroughly enjoying this music...
Fri. 4/3/09 9:59am
From:
dc pat
What More Can I Say? at least that's what the internets says
Fri. 4/3/09 10:04am
From:
Cecile
mornin' all ya'll
Fri. 4/3/09 10:04am
From:
stingy d
true. ok, well, ok. anyhow... i have to learn a new mixer today. what a pain, but should be awesome.
Fri. 4/3/09 10:05am
From:
Cecile
what new mixer? Club soda? Quinine water? Jones Orange Soda?
Fri. 4/3/09 10:06am
From:
dc pat
I have to learn a new software program I care absolutely nothing about--should suck dogs.
Fri. 4/3/09 10:07am
From:
stingy d
some mixer korg makes with a kaoss pad built in
Fri. 4/3/09 10:08am
From:
Cecile
Grapefruit juice? Red Bull?
Fri. 4/3/09 10:08am
From:
stingy d
a dj mixer wise guy!
Fri. 4/3/09 10:09am
From:
Drummer Some
If you dig the talkover tune Mathar, my latest blog post on the WFMU blog has a link to a download of an album with it. Here is the blog post:
http://tinyurl.com/cn3ezr
Fri. 4/3/09 10:10am
From:
Cecile
I'm not a guy today. Not today.
bwah.
what is a kaoss pad? that sounds cool
Fri. 4/3/09 10:13am
From:
Hugo
For newer Bollywood, check out A.R.Rahman. It turns out that he won two Academy Awards this year, but he's been at it for many years.
http://www.arrahman.com/v2/
Yep, I had to seek out the cd to get the "Mathar" tune. A classic.
Fri. 4/3/09 10:14am
From:
stingy d
well, that's the question...but basically it's a dj mxer with this pad that is touch sensitive, and there are 100 effects. but i have never used a kaoss pad.. but i really hate that word when it's written that way.
Fri. 4/3/09 10:17am
From:
Cecile
So you can make scratch and bew-bew-bew FX?
that sounds cool
Fri. 4/3/09 10:19am
From:
stingy d
yes i will now have the bew bew bew element! it really does soundcool, i am going to write "bew bew bew" over "kaoss", aaahhhhh what a relief thank ou so much cecile
Fri. 4/3/09 10:19am
From:
annie
oh man, bew,bew,bew.... i want that!!
Fri. 4/3/09 10:20am
From:
stingy d
i have bewbewbew
Fri. 4/3/09 10:21am
From:
stingy d
we could make some decent bank on a crumby effects thing if we called it the bew-bew-bew machine or box or something like that.
Fri. 4/3/09 10:25am
From:
still b/p
KAOS = individual enemy of Stardust the Super Wizard and planet earth.
KAOS = organizational enemy of Maxwell Smart and CONTROL
KAOSS = unfamiliar prospective enemy or ally of stingy d
Fri. 4/3/09 10:26am
From:
Cecile
I need to see a pic of that.
I would totally buy that and I could use it with my GarageBand to make Corn Weenie remixes.
Fri. 4/3/09 10:26am
From:
Joe
Doug, Mongo's "In-a-Gadda-da-Vida" is stunning.
Fri. 4/3/09 10:27am
From:
Cecile
ok, Doug, where can I find this Mongo?
Fri. 4/3/09 10:28am
From:
annie
cecile, just got your email... :) slow puter here and not mine so diff schedule totally on checking mail
Fri. 4/3/09 10:29am
From:
Cecile
no problema.
Doug, I can haz Santana?
Fri. 4/3/09 10:29am
From:
Hugo
Some oblique references to "Sunshine of your love" there ...
Fri. 4/3/09 10:33am
From:
tim
What does "out of phase" mean?
Fri. 4/3/09 10:37am
From:
Carmichael
Good morning, Doug and everyone. Tim, in relation to what?
Fri. 4/3/09 10:38am
From:
Drummer Some
Out oh phase means that in a stereo recording, either the left or right channel has become inverted. Recording engineers sometimes screw this up, but it is prevalent with MP3 downloads with people using those USB turntables. If you hook up the cables wrong the track will be out of phase. It's is almost possible to hear the problem with an OoP recording. Though when you play it through a device that splits the stereo tracks, like the audio console at a radio station, the track becomes unlistenable.
Fri. 4/3/09 10:41am
From:
Parq
Cecile (or anyone else who knows), is there a good tutorial for Garage Band? I have some downtime coming up late this spring, and would like to mess around with it.
Fri. 4/3/09 10:42am
From:
Carmichael
Doug, we used to purposely do it with our turntables to drop out vocals on LPs. We would invert two of the four tiny wires at the back of the needle cartridge to achieve the effect. It was secret knowledge in those days, and if you could do it you were considered to be an alchemist.
I used (and still use) a Technics SL-Q3.
Fri. 4/3/09 10:44am
From:
Cecile
the apple site has some ideas, and the help keys are good, but srly, you just need to have a project and mess around with it. I have a hard time using it unless i have a clear idea in mind. And, if you want, you can email me and I can give you some tips.
Fri. 4/3/09 10:46am
From:
Drummer Some
Here is a link to a download of the Mongo Santamaria:
http://tinyurl.com/dmdqvo
Enjoy!
Fri. 4/3/09 10:48am
From:
Cecile
thank you, Doug! Giver of all that is good.
Fri. 4/3/09 10:51am
From:
Parq
Charm, a large number of realy funny parodies were produced that way by Boston's WBCN in the late 70s. Many of them were done for the noon "lunch" spot and involved the word, usually substituted for "love. EG: "Lunch is like oxygen/ You get to much you get fat thighs . . . "
Fri. 4/3/09 10:52am
From:
Parq
"too" much . . .
Fri. 4/3/09 10:55am
From:
still b/p
I was thinking about those very same way-back bits on 'BCN this week when comment talk was all about the hunger and the lunch to come.
Fri. 4/3/09 10:58am
From:
Parq
b/p, to this day, I still make a mental party game of substituting "lunch" for "love" in songs and seeing if I can get it to go anywhere.
Fri. 4/3/09 10:59am
From:
Cecile
When we were in australia for a year as kids, we used to like to sub "sausage roll" for rock 'n' roll.
So, "it's a long way to the shop if you want a sausage roll"
Fri. 4/3/09 10:59am
From:
Hugo
Doug, as you are a man about the blogs, I thought I should mention that a live Human Arts Ensemble recording from 1978 has turned up in the contributions section of the IS blog. I haven't heard it myself yet, but should be interesting. Lotsa interesting stuff in that section. I should probably get around to making proper posts out of it.
Fri. 4/3/09 10:59am
From:
annie
i've always enjoyed adding "in bed" to fortune cookies
Fri. 4/3/09 11:03am
From:
Sean Daily
Not even close to first comment! Woo hoo!
Fri. 4/3/09 11:05am
From:
Carmichael
I just did that last night, Annie ....
Fri. 4/3/09 11:06am
From:
Drummer Some
Hugo,
The Human Arts Ens. track I played probably came from the comments of the IS blog!
Fri. 4/3/09 11:06am
From:
Cecile
in bed, carm?
Fri. 4/3/09 11:06am
From:
Cecile
need the link to that HA track, folks. unless it was part of this week's post, Doug.
Fri. 4/3/09 11:11am
From:
Carmichael
Cecile: http://tinyurl.com/delvlt
Fri. 4/3/09 11:12am
From:
Cecile
oh, unavailable. Too bad.
Fri. 4/3/09 11:13am
From:
tim
Thanks for the explanation on out of phase. It seems like an either/or thing, so maybe a "dedicated" out of phase turntable is the answer, as per Mrs. Carmichael above.
Fri. 4/3/09 11:16am
From:
Carmichael
Thanks for the gender change, Tim ... :-)
Fri. 4/3/09 11:18am
From:
still b/p
Parq, I recall them also playing with any non-love opportunity that allowed a lunch or lunch-food substitution -- e.g. Cars, Let the Lunch Times Roll. And yes, I still do it, too. (btw - tangent time: remember the Cars demo tape they used to play? The 2 tons of production bizness on the subsequent first album was off-puttingly overdressed by comparison. Saw 'em play the Rat for a few bucks.)
Fri. 4/3/09 11:19am
From:
Cecile
hee hee hee hee hee hee hee
Fri. 4/3/09 11:19am
From:
Glenn L
Carmichael's gender is 180 degrees out of phase.
Fri. 4/3/09 11:20am
From:
Hugo
Cecile, this is the one:
http://ajbenjamin2beta.blogspot.com/2008_09_01_archive.html
at the top of the list.
The one I was thinking of is a different recording of the same tune.
The Frank Wright is easier ... ahem ...
Fri. 4/3/09 11:21am
From:
Cecile
thanks, Hugo!!!
Fri. 4/3/09 11:23am
From:
Carmichael
Here's another, Cecile: http://tinyurl.com/dk8zx6
$35.00. Not bad ...
Fri. 4/3/09 11:25am
From:
Parq
b/p, do you remember the 1979 strike? The deejays got into a fracass with Klee Dobra and walked off, to be replaced by lame, generic announcers (the kind one currently finds on all commercial and most non-commercial radio, but that's another rant). They did a one-day outlaw broadcast via the Boston College station, for which they transformed Zevon's "Nighttime in the Switching Yard" into "Lunchtime on the Picket Line".
Carm, Annie, 'Cile, a young friend of ours is very much into tagging everything she hears with "That's what she said!"
Fri. 4/3/09 11:25am
From:
annie
technically, if you have not signed up for benefits, you are not counted... that's why the numbers never make sense.
Fri. 4/3/09 11:25am
From:
Hugo
Cecile, if you do a search of that blog, you'll find lots more Human Arts Ensemble.
Fri. 4/3/09 11:27am
From:
Cecile
hahah!
I have the BLack Saint LP and the Arista freedom, and the Funky Donkey reissue. Although that live one isn't all that bad for vintage rare jazz vinyl...
Fri. 4/3/09 11:27am
From:
Cecile
good for her, Parq. heh.
Fri. 4/3/09 11:31am
From:
Hugo
Both the Aristas are very fine.
And the Frank Wright is right here:
http://inconstantsol.blogspot.com/2008/07/frank-wright-run-with-cowboys.html
Fri. 4/3/09 11:33am
From:
Carmichael
You're correct, Annie. Unemployment levels are counted by the number of people who file for a claim each week. That's how the govt *trends* the rate as either rising or falling. The theory is that, when one is laid off, he or she will immediately file. That's not entirely true, so the numbers aren't entirely accurate. And when your benefits run out, you're dropped from the roles, even if you didn't get a job.
But I can't think of a better way to count *people without jobs*.
Fri. 4/3/09 11:35am
From:
annie
yup charmichael.
Fri. 4/3/09 11:38am
From:
still b/p
Parq - I was just gone from the area by '79, to areas stunningly bereft of anything close in broadcast choices, with friends updating me for a couple yrs. that "'BCN stinks now." Early & mid-70s had some really good eclectic free-form DJs/shows. Would love to peruse old playlists if they exist. Was lamenting the long, long lack of such exposure/accompaniment when -- miracolo! -- I found FMU.
Fri. 4/3/09 11:47am
From:
Mark
Good morning Doug... Sounding great (as usual!). For those interested in Mr. Reece, there is a nice overview/celebration from Ben Young available online @ <http://www.archive.org/details/WkcrDizzyReece2007BirthdayBroadcastHostedByBenYoung>.
Fri. 4/3/09 11:48am
From:
Drummer Some
Mark,
Thanks for sharing that Dizzy Reece tribute info with the gang!
Fri. 4/3/09 11:53am
From:
Cecile
hey Doug, that Mickey Lolich song sound like it would be a good addition to the Joe Belock baseball canon...
Fri. 4/3/09 11:55am
From:
annie
doug, the show has been great, sorry i haven't said alot, i been preoccupied.. i'll be so happy to get my old computer back.
Fri. 4/3/09 7:26pm
From:
miketp
love the sinatra selection.no one has loved and lost like frank has loved and lost. hahahahaha spinal tap dont look now but ol blue balls is back in town. in the wee small hours is a fine sinatra piece too. rip lou the duck
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