| Artist |
Track |
Album |
Label |
Comments |
|
Christina Carter
|
Suffering
|
Original Darkness
|
Kranky
|
|
|
Grails
|
Immediate Mate
|
Doomsdayer's Holiday
|
Temporary Residence
|
|
|
Overhang Party
|
Track 5
|
2
|
Pataphysique
|
|
|
Subarachnoid Space
|
Tigris
|
Also Rising
|
Strange Attractors
|
|
|
Frankie Dymon, Jnr.
|
Aftermyth
|
Let It Out
|
Germanophon
|
|
|
Sex Mob
|
Exotique
|
Sexotica
|
Thirsty Ear
|
|
|
MC 900 Ft. Jesus
|
Adventures In Failure
|
Welcome To My Dream
|
Nettwerk
|
|
|
Senor Coconut
|
White Horse
|
Around The World
|
Nacional
|
|
|
|
|
Milch
|
FX-1.5
|
Social Park
|
Saas Fee
|
|
|
J.J. Johnson**
|
The Man*
|
Across 110th Street***
|
Rykodisc
|
**Composer of the soundtrack to the ***film from which this *original incidental dialogue is taken.
|
|
Paolo Vasile
|
Escape
|
Beretta 70
|
Crippled Dick Hot Wax
|
|
|
Telepathe
|
Chrome's On It (The Mae Shi Remix)
|
Chrome's On It EP
|
The Social Registry
|
|
|
Psapp
|
Needle And Thread
|
The Only Thing I Ever Wanted
|
Domino
|
|
|
Momus
|
Ashes To Ashes
|
Recovery
|
Fractured
|
From box of 10 7".
|
|
Shugo Tokumaru
|
Button
|
Exit
|
Almost Gold/Startime
|
|
|
Blockhead
|
Cherry Picker
|
Downtown Science
|
Ninja Tune
|
|
|
Nancy Sinatra
|
All By Myself
|
Sugar
|
Sundazed
|
|
|
Al Hibbler
|
The Blues Came Falling Down
|
After The Lights Go Down
|
Atlantic Jazz
|
CD (and I assume original LP) have The Voice of Al Hibbler as the artist listed but right there on the cover is a full body shot of someone who I am assuming is Al Hibbler thereby causing immediate disconnect from a perceived or "as advertised" reality. Did marketing believe that The Voice as distinct from the person should be promoted with the appearance of the body?
|
|
Roland Kirk
|
Roots
|
Here Comes The Whistleman
|
Label M
|
|
|
Chris McGregor Group
|
Heart's Vibrations
|
Very Urgent
|
Polydor
|
|
|
|
|
Jean Derome
|
Elephant Rouge
|
Confitures De Gagaku
|
Ambiances Magnetiques
|
|
|
Noah Creshevsky
|
Red Carpet
|
To Know And Not To Know
|
Tzadik
|
|
|
Pyotr Ilyich Tchaikovsky (Composer)/NY Philharmonic/Leonard Bernstein (Conductor)
|
Tempo Di Valse Ma Non Troppo, Quasi Moderato (from Swan Lake, Op. 20)
|
Excerpts From Nutcracker/Swan Lake/Waltz From Sleeping Beauty/Polonaise From Eugene Onegin
|
Sony Classical
|
|
|
Ludwig Van Beethoven (Composer)/Wendy Carlos
|
Ninth Symphony: Second Movement (Scherzo)
|
Clockwork Orange: Complete Original Score
|
ESD
|
|
|
Spiritualized
|
On Fire
|
Let It Come Down
|
Arista
|
|
|
Boris Kovac
|
All Under The Celestial Cap
|
Ritual Nova I & II
|
ReR
|
|
|
Pedal
|
Herzog
|
Pedal
|
Staubgold
|
|
|
Vienna Art Orchestra
|
Reflections On Idylle
|
The Minimalism Of Erik Satie
|
Hatology
|
|
|
Demetrios Stratos/Lucio Fabbri
|
Le Sirene
|
Recitacantando
|
Cramps
|
|
|
Anton Bruhin
|
Schaf
|
Von Goldabfischer
|
Alga Marghen
|
|
|
Peter Kowald/Damon Smith
|
Track 7
|
Mirrors – Broken But Not Dust
|
Balance Point Acoustic
|
|
|
East Ghost West Ghost
|
Whistle And Water
|
East Ghost West Ghost
|
Triumphant Elephant Triumvirate
|
|
|
Nico
|
Afraid
|
The Frozen Borderline: 1968-1970
|
Rhino
|
|
|
Six Organs Of Admittance
|
Thicker Than A Smokey
|
School Of The Flower
|
Drag City
|
|
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