| Artist |
Track |
Album |
Label |
Comments |
|
DACM
|
LN Start
|
Steretoype
|
Asphodel
|
music by Tujiko Noriko / Peter Rehberg
|
Start at the library, put on the headphones...take a walk
|
|
Janet Cardiff
|
Missing Voice (case study B)
|
Missing Voice
|
|
A journey that begins at the Whitechapel Library -- if you're there, you can walk the path; be inside the mystery.
|
|
|
|
Jose Mataloni
|
Tiempo Dos
|
Electroshock presents Electroacoustic Music VII
|
Electroshock
|
|
Two hundred and fifty years of Preludes...
|
|
Dmitri Shostakovich
|
Prelude & Fugue in C Major
|
24 Preludes and Fugues, Op. 87
|
Hyperion
|
(1950)
|
|
Hector Villa Lobos
|
Prelude No. 1 in e minor
|
Complete Guitar Music
|
|
(1954) performed by Fabio Zanon
|
|
George Gershwin
|
Piano Prelude No. 1
|
Norton Anthology of Music
|
|
arranged by Jasha Heifetz, performed by Joshua Bell (violin) & John Williams (piano)
|
|
Duke Ellington
|
Prelude to a Kiss
|
The Duke's Men, Vol. 2
|
Columbia
|
(1938) performed by Johnny Hodges and his Orchestra
|
|
Alexander Scriabin
|
Prelude No. 4 in d minor, Op. 5
|
Complete Piano Works, Volume III
|
|
|
|
J. S. Bach
|
Praeludium in D major, BWV 925
|
Partitas, Preludes and Fugues
|
|
(ca. 1720) performed by the inimitable Glenn Gould
|
|
J. S. Bach
|
Praeludium in d minor, BWV 935
|
Partitas, Preludes and Fugues
|
|
as above
|
|
Dmitri Kabalevsky
|
III. Moderato quasi andante, moltob tranquillo
|
Four Preludes, Op. 5
|
|
performed by Arthur Pizarro
|
|
Claude Debussy
|
Prelude to the Afternoon of a Faun
|
Complete Music for Two Pianos
|
|
(1894) Debussy's own arrangement for two pianos; performed by Stephen Coombs / Christopher Scott
|
|
Witold Lutoslawski
|
Preldudes 1-7 for 13 solo strings
|
Preludes and Fugues
|
EMI
|
(1972) performed by the Polish Chamber Orchestra, directed by Lutoslawski
|
Out of the chamber, back outdoors. Breathe.
|
|
Peter Cusak
|
Bikal Ice Flow Split 1-2
|
Bikal Ice (Spring 2003)
|
ReR
|
|
|
Aperghis / Drouet / Brahem
|
Charette de la premenade
|
Parcours
|
|
Music by Georges Aperghis adapted by Jean Pierre Drouet on Claudine Brahem's musical machines.
|
|
Christina Kubisch + Fabrizio Plessi
|
Air / Water
|
Two and Two
|
Ampersand
|
"Air" section by CK, on alto flute without headpiece. "Water - CK: electric metronome, FP: waterjet on steeldrum
|
|
|
|
Tower Recordings
|
Harvester
|
The Galaxies' Incredibly Sensual Transmission Field of the Tower Recordings
|
Communion
|
|
|
Rene Lussier + NOW Orchestra
|
Mon Pied Dans L'air
|
Letour de Bloc
|
|
|
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