The Stork Club with Stork:
Playlist
from April 16, 2023
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View Stork's profile
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With billows and blasts from choirs and orchesters
Buskers and talkers
Big bands and squawkers,
the Stork Club has retained its qualities of decaying elegance and dwindling significance since the late 1950s.
Sunday
Noon - 3pm
(EDT)
|
On
WFMU's
Give the Drummer Radio
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April 16, 2023: Birthday-Palooza!
...where we celebrate a half-dozen birthdays, with great brevity, flippancy, and, ultimately, inadequacy! WHOOPEE!
The cast, in order of appearance:
Esbjörn Svensson - Swedish pianist, composer - - -
Henry Mancini - 99 years old today! - - -
Walt Dickerson - Philly-born vibraphonist - - -
Peteris Vasks - Latvian composer/double bassist - - -
Herbie Mann - Brooklyn boy with the flute, and lotsa other reeds - - -
and
Dusty Springfield - British-born singer with bottomless wells of soul
Listen to this show:
Pop-up player!
| Artist | Track | Album | Comments | Images | Approx. start time |
|---|---|---|---|---|---|
| Esbjörn Svensson Trio |
Silly Walk
|
When Everyone Has Gone | Double Bass, Whistle – Dan Berglund; Drums, Percussion, Vocals [Arabic Style] – Magnus Öström; Piano [Grand Piano], Electric Piano [Fender Rhodes], Synthesizer [Roland D 50, Arranged By – Esbjörn Svensson Trio; Composed By – Esbjörn Svensson - - Recorded at Sun Studio, Copenhagen July 2-4, September 2 and 3, 1993 |
|
|
| Esbjörn Svensson Trio |
Good Morning Susie Soho (Live)
|
e.s.t. live in Gothenburg | Bass – Dan Berglund; Drums – Magnus Öström; Piano – Esbjörn Svensson - - Recorded live in concert 10 October 2001 at Gothenburg Concert Hall |
|
0:05:53 (Pop-up) |
| E.S.T. |
Definition Of A Dog
|
Live In Hamburg | Bass – Dan Berglund Drums – Magnus Öström Piano – Esbjörn Svensson - - Recorded live by NDR at Laeiszhalle, Hamburg on November 22, 2006 |
|
0:18:45 (Pop-up) |
| It's A Birthday Cake Carousel ! | 0:36:56 (Pop-up) | ||||
| Henry Mancini |
Mystery Movie Theme
|
The Cop Show Themes & Symphonic Soul | Organ, Soloist – Clare Fischer; Trumpet, Soloist – Graham Young; Written-By – Mancini |
|
0:43:28 (Pop-up) |
| Henry Mancini |
Timothy
|
The Music From Peter Gunn (Complete Edition) | Pete Candoli, Ray Linn, Frank Beach, Uan Rasey, Conrad Gozzo - trumpet • Dick Nash, Jimmy Priddy, Milt Bernhart, Karl DeKarske - trombone • John Graas, Vincent DeRosa, Richard Perissi, John Cave - French horn • Ted Nash, Plas Johnson, Ronny Lang, Paul Horn, Gene Cipriano - reeds • John Williams - piano • Bob Bain, Al Hendrickson - guitar • Victor Feldman, Larry Bunker - vibraphone • Rolly Bundock - bass • Shelly Manne, Alvin Stoller, Jack Sperling - drums - - ca. 1958-59 |
|
0:45:25 (Pop-up) |
| Edie Adams & Ernie Kovacs with The Henry Mancini Orchestra |
Indian Love Call
|
The Ernie Kovacs Record Collection | Edie Adams & Ernie Kovacs with The Henry Mancini Orchestra - - Written-By – Oscar Hammerstein II, Otto Harbach, Rudolf Friml |
|
0:47:55 (Pop-up) |
| Henry Mancini |
Platter
|
The Thief Who Came to Dinner | LET'S LIST THE WHOLE ORCHESTRA, WHY DON'T WE? Composed By, Conductor – Henry Mancini Drums, Percussion – Kurt E. Wolff, Sheldon "Shelly" Manne*, Tommy Vig French Horn – Alan I. Robinson*, Marilyn Robinson, Richard E. Perissi*, Vincent N. DeRosa* Orchestrated By – Jack Hayes, Leo Shuken Piano – James G. Rowles* Piano, Keyboards – Larry G. Muhoberac, Jr.* Piano, Keyboards, Organ – Artie Kane, Clark Spangler Piano, Organ, Saxophone, Clarinet – Douglas Clare Fischer* Saxophone, Clarinet – Ray Pizzi Saxophone, Clarinet, Flute – Donald Menza*, Ronald Langinger (aka Ronny Lang)* Saxophone, Flute – Ethmer Roten Trombone – Bill Williams (aka George Davenport), David Howard Wells*, Dick Hyde, Richard "Dick" Nash*, Hoyt Bohannon, James Priddy, Sr.*, Lewis Melvin McCreary*, Terry C. Woodson* Trumpet – Albert Aarons*, Austin "Bud" Brisbois*, Graham Young, Oscar Brashear, Raymond Triscari* Tuba – John T. "Tommy" Johnson - - Music recorded on November 13, 16 and 17, 1972 at The Burbank Studios, Burbank, California |
|
0:51:09 (Pop-up) |
| Henry Mancini |
Final Out At Candlestick Park
|
Experiment In Terror (Music From The Motion Picture) | from the 1962 movie Experiment in Terror by Blake Edwards. T |
|
0:54:08 (Pop-up) |
| Henry Mancini |
The Pink Panther Theme
|
The Pink Panther |
|
0:57:06 (Pop-up) | |
| Henry Mancini |
Party Poop
(Listen:
Pop-up)
|
The Party | recorded at RCA Victor's Music Center Of The World, Hollywood, California on February 12th, 13th and 14h, 1968 |
|
0:59:42 (Pop-up) |
| Henry Mancini |
Mambo Parisienne
|
Charade | Recorded on July 1, 2 and 3, 1963 at RCA Victor's Music Centre of the World, Hollywood, California |
|
1:02:12 (Pop-up) |
| Henry Mancini |
Holly
|
Breakfast at Tiffany's | Accordion – Carl Fortina • Bass – Red Mitchell • Chorus – RCA Victor Chorus • Drums – Larry Bunker, Milt Holland, Ralph Collier, Shelly Manne • Guitar – Al Hendrickson, Bob Bain, Laurindo Almeida • Harmonica – Toots Thielemans • Organ – Victor Piemonte • Piano – Jimmy Rowles • Percussion - Lou Singer • Reeds – Gene Cipriano, Justin Gordon, Ronald Langinger, Wilbur Schwartz • Trombone – Dick Nash, George Roberts, Jimmy Priddy, John Halliburton, Karl De Karske • Trumpet – Frank Beach, Joe Triscari, Pete Candoli, Ray Triscari • Vibraphone – Larry Bunker • Accompanied By – Henry Mancini And His Orchestra - - 1961 |
|
1:04:41 (Pop-up) |
| Henry Mancini |
Reflection
|
Touch of Evil OST | 1958 |
|
1:08:00 (Pop-up) |
| Henry Mancini & His Orchestra |
The Zoo Chase
|
Arabesque | Recorded in RCA Victor's Music Center of the World, Hollywood, California , 1966 |
|
1:10:59 (Pop-up) |
| DJ Intercedes | 1:16:43 (Pop-up) | ||||
| Walt Dickerson |
I Hear You John
|
I Hear You John | Walt Dickerson – vibraphone • Jimmi Johnsun – drums • Recorded October 2, 1978 - DEDICATED TO JOHN COLTRANE |
|
1:24:28 (Pop-up) |
| DJ Caught Unawares Again | 1:59:25 (Pop-up) | ||||
| Sol Gabetta |
Pēteris Vasks: Musique du Soir, for cello and organ
|
Presence (Vasks: Cello Concerto No. 2; Musique du Soir; Grāmata čellam) | Organ – Irène Timacheff-Gabetta; Sol Gabetta - cello - - released 2016 |
|
2:04:18 (Pop-up) |
| Normunds Šnē |
Pēteris Vasks: Concerto for English horn and orchestra: IV. Postlude
|
Vasks: Cor anglais Concerto; Viatore; Musica adventus | Composed By – Pēteris Vasks Conductor – Normunds Šnē English Horn – Normunds Šnē; Liner Notes – Arnolds Klotiņš; Orchestra – Sinfonietta Rīga - - Recording: Riga, June 2007 |
|
2:17:04 (Pop-up) |
| Kronos Quartet |
Pēteris Vasks: String Quartet No. 4: IV. Toccata II
|
Vasks: String Quartet No. 4 | Composed By – Pēteris Vasks; Cello – Jennifer Culp; Viola – Hank Dutt; Violin – David Harrington, John Sherba — Composed in 1999 Recorded August, 2002 at Skywalker Sound, Nicasio, CA |
|
2:20:00 (Pop-up) |
| Sigvards Kļava |
The Tomtit's Message (Zīles ziņa)
|
Vasks: Plainscapes; etc. | Choir – Latvian Radio Choir; Composed By– Pēteris Vasks; Conductor – Sigvards Kļava; - - A co-production with Latvijas Koncerti Recorded: Riga, St. John's Church, May 2011 |
|
2:23:49 (Pop-up) |
| Sol Gabetta |
Grāmata čellam - The book, for cello solo: I. Fortissimo
|
Presence (Vasks: Cello Concerto No. 2; Musique du Soir; Grāmata čellam) | Cello – Sol Gabetta |
|
2:33:23 (Pop-up) |
| DJ Buckles, Swashingly | (Listen: Pop-up) | 2:38:39 (Pop-up) | |||
| Herbie Mann |
I'll Remember April
|
The Mann With The Most | Herbie Mann, Sam Most - flute • Joe Puma - guitar • Jimmy Gannon - bass • Lee Kleinman - drums • Recorded October 12 & 17, 1955 • New York City |
|
2:43:11 (Pop-up) |
| Herbie Mann |
Bossa Velha (Old Bossa)
|
Do the Bossa Nova with Herbie Mann | With: Zezinho E Sua Escola De Samba - - rec'd: October 15, 16, 17 & 19, 1962 • Rio de Janeiro, Brazil |
|
2:48:10 (Pop-up) |
| Herbie Mann |
Blind Willy
(Listen:
Pop-up)
|
Muscle Shoals Nitty Gritty | Herbie Mann - flute • Richard Waters - drums • Andrew Love & Ed Logan - tenor saxophone • James Mitchell - baritone saxophone • Wayne Jackson - trumpet • Roy Ayers - vibes • Eddie Hinton - guitar • Barry Beckett - piano • David Hood - bass • Roger Hawkins - drums • Roger Hawkins - Jews harp, Bruno Carr on drums - - Recorded at Muscle Shoals Sound Studios, Muscle Shoals, Alabama - • December 9, 10 & 11, 1969 |
|
2:52:31 (Pop-up) |
| Herbie Mann & The Bill Evans Trio |
Willow Weep For Me
|
Nirvana | Bill Evans - piano • Herbie Mann - flute • Chuck Israels - bass • Paul Motian - drums • Recorded on December 8, 1961 |
|
2:57:16 (Pop-up) |
| Herbie Mann |
Black Woman
(Listen:
Pop-up)
|
Live at the Whisky 1969: The Unreleased Masters | Bass – Miroslav Vitous //Drums – Bruno Carr //Flute – Herbie Mann //Guitar – Sonny Sharrock //Lead Vocals – Linda Sharrock (tracks: 2-1, 2-5) //Tenor Saxophone – Steve Marcus //. ——Vibraphone – Roy Ayers Recorded live June 6 and 7, 1969 |
|
3:02:47 (Pop-up) |
| Herbie Mann |
Comin' Home Baby
|
Herbie Mann at the Village Gate | Herbie Mann - flutes • Hagood Hardy - vibraharp • Ahmed Abdul-Malik - bass • Ray Mantilla - conga and percussion • Chief Bey - African drum and percussion • Rudy Collins - drums • Ben Tucker - additional bass (and solo) • Recorded • November 17, 1961 |
|
3:08:25 (Pop-up) |
| DJ Imposes | 3:17:01 (Pop-up) | ||||
| Dusty Springfield |
I Can't Wait Until I See My Baby's Face
|
Look Of Love | Bonus track - From Where Am I Going? Dusty Springfield – lead and backing vocals • Lesley Duncan – backing vocals • Madeline Bell – backing vocals • The Echoes – accompaniment • Alan Tew – accompaniment, orchestra director |
|
3:20:40 (Pop-up) |
| Dusty Springfield |
Silly, Silly Fool
|
A Brand New Me |
|
3:23:16 (Pop-up) | |
| Dusty Springfield |
Don't Forget About Me
|
Dusty In Memphis | Dusty Springfield – vocals • Arif Mardin – producer, arranger, strings arranger, horns arranger • Tom Dowd – producer, arranger, horns arranger, engineer • Jerry Wexler – producer • Gene Orloff – conductor, arranger • The Sweet Inspirations – backing vocals • Reggie Young – guitar, sitar • Tommy Cogbill – bass guitar, guitar on "Don't Forget About Me" • Bobby Emmons – organ, electric piano, congas on "The Windmills of Your Mind" • Bobby Wood – acoustic piano • Gene Chrisman – drums • Mike Leech – congas on "Don't Forget About Me" and "In the Land of Make Believe" • Terry Manning – assistant engineer • Ed Kollis – harmonica • David Redfern – photography Recorded September 1968 at American Sound, Memphis |
|
3:25:41 (Pop-up) |
| Dusty Springfield |
Where Is A Woman To Go
(Listen:
Pop-up)
|
A Very Fine Love |
|
3:28:25 (Pop-up) | |
| Pet Shop Boys |
What Have I Done To Deserve This?
|
Actually |
|
3:32:30 (Pop-up) | |
| Dusty Springfield |
I Just Wanna Be There
|
Cameo |
|
3:36:37 (Pop-up) | |
| Dusty Springfield |
Broken Blossoms
|
Where Am I Going? |
|
3:39:15 (Pop-up) | |
| Dusty Springfield |
Morning (Bon Dia)
|
Dusty... Definitely |
|
3:41:55 (Pop-up) | |
| Dusty Springfield |
Anyone Who Had a Heart
|
A Girl Called Dusty |
|
3:44:41 (Pop-up) | |
| Dusty Springfield |
Goin' Back
|
Philips – BF 1502 7", Single, 45 RPM A-Side | Written-By – Jerry Goffin & Carole King - -rel. 1966 |
|
3:47:42 (Pop-up) |
| Dusty Springfield |
Uptight (Everything's Alright)
|
The Complete BBC Sessions |
|
3:51:12 (Pop-up) | |
| Dusty Springfield |
I Close My Eyes And Count To Ten
|
Philips – BF 1682 Vinyl, 7", 45 RPM - A-Side | Written-By – Clive Westlake |
|
3:54:12 (Pop-up) |
| DJ Bubble Bubble Toil & Trouble | |||||
| Joe Frank |
Windows (eidt)
|
Unknown Source |
|
||
| The Ceyleib People |
Aton I a) Leyshem b) Zendan c) Ceyladd Beyta d) Becal e) Ddom f) Toadda Bb
|
Tanyet | Bass, Engineer – Joseph Osborn; Bass, Keyboards – Larry Knechtel; Drums – Jim Gordon; Guitar – Ry Cooter; Guitar, Sitar – Lybuk Hyd; Horns – Jim Horn; Keyboards – Mike Melvoin; Sitar – Ben Benay; Sitar, Guitar, Tambura, Producer – Mike Deasy; Vocals, Drums – Michael Sean Deasy; - - 1968 |
|
|
| The Incredible String Band |
Painting Box
|
The 5000 Spirits Or The Layers Of The Onion |
|
||
| Roy Harper |
Hallucinating Light
|
When An Old Cricketer Leaves the Crease |
|
||
| Dariush Dolat-Shahi |
Shabistān (Sehtar and Electronic)
|
Electronic Music, Tar and Sehtar |
|
||
| Fifty Foot Hose |
If Not This Time
|
Cauldron... plus rare and unissued tracks |
|
||
| Stereolab |
Old Lungs
|
Emperor Tomato Ketchup (Expanded Edition) |
|
||
| Animal Collective |
Royal and Desire
|
Time Skiffs |
|
||
| DJ Extendomatic! |
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Listener comments!
Revolution Rabbit Nov63:
' Bror Fredrik "Esbjörn" Svensson (16 April 1964 – 14 June 2008) was a Swedish jazz pianist and founder of the jazz group Esbjörn Svensson Trio, commonly known as e.s.t.
Svensson became one of Europe's most successful jazz musicians at the turn of the 21st century before dying, at the age of 44, in a scuba diving accident. '
Revolution Rabbit Nov63:
' Henry Mancini (/mænˈsiːni/ man-SEE-nee; born Enrico Nicola Mancini, Italian: [enˈriːko niˈkɔːla manˈtʃiːni]; April 16, 1924 – June 14, 1994) was an American composer, conductor, arranger, pianist and flautist. Often cited as one of the greatest composers in the history of film, he won four Academy Awards, a Golden Globe, and twenty Grammy Awards, plus a posthumous Grammy Lifetime Achievement Award in 1995.
His works include the theme and soundtrack for the Peter Gunn television series as well as the music for The Pink Panther film series ("The Pink Panther Theme") and "Moon River" from Breakfast at Tiffany's. The Music from Peter Gunn won the inaugural Grammy Award for Album of the Year. Mancini enjoyed a long collaboration in composing film scores for the film director Blake Edwards. Mancini also scored a No. 1 hit single during the rock era on the Hot 100: his arrangement and recording of the "Love Theme from Romeo and Juliet" spent two weeks at the top, starting with the week ending June 28, 1969. '
Revolution Rabbit Nov63:
Walter Roland Dickerson (April 16, 1928 – May 15, 2008) was an American jazz vibraphone player, most associated with the post-bop idiom.
Biography
Born in Philadelphia, Pennsylvania, United States, Walt Dickerson graduated from Morgan State University in 1953 and after two years in the Army he settled in California. There he started to gain attention by leading a group with Andrew Hill and Andrew Cyrille, but it was Dickerson's later period in New York City when he gained some further notice. For the Prestige label he recorded four albums. In 1962 Down Beat named him the best new artist.
From 1965 to 1975, he took a break from jazz, but later he worked again with Andrew Hill and Sun Ra. After 1975 Dickerson recorded several albums for the Danish Steeplechase label.
He died in May 2008 from a cardiac arrest. '
Revolution Rabbit Nov63:
' Pēteris Vasks (born 16 April 1946) is a Latvian composer.
Vasks was born in Aizpute, Latvia, into the family of a Baptist pastor. He trained as a violinist at the Jāzeps Vītols Latvian Academy of Music, as a double-bass player with Vitautas Sereikaan at the Lithuanian Academy of Music and Theatre, and played in several Latvian orchestras before entering the State Conservatory in Vilnius in the neighboring Lithuania to study composition with Valentin Utkin, as he was prevented from doing this in Latvia due to Soviet repressive policy toward Baptists. He started to become known outside Latvia in the 1990s, when Gidon Kremer started championing his works and now is one of the most influential and praised European contemporary composers.
Vasks' early style owed much to the aleatoric experiments of Witold Lutosławski, Krzysztof Penderecki and George Crumb. Later works included elements of Latvian folk music, such as his gentle and pastoral cor anglais concerto (1989). His works are generally extremely clear and communicative, with a solid and muscular sense of harmony. Lyrical passages may be followed by agitated dissonances, or interrupted by sombre sections with a march-like feel. He made extensive use of minimalist techniques as well, but never became attached to any particular method.
Vasks feels strongly about environmental issues, and a sense of nature both pristine and destroyed can be found in many of his works, such as the String Quartet No. 2 (1984). Other important works include Cantabile (1979) and Musica dolorosa (1984) and "Bass Trip" (2003) for solo double bass. He has written six string quartets, the fourth (1999[2]) and fifth (2004[3]) of which were written for the Kronos Quartet. '
Revolution Rabbit Nov63:
' Herbert Jay Solomon (April 16, 1930 – July 1, 2003), known by his stage name Herbie Mann, was an American jazz flute player and important early practitioner of world music. Early in his career, he also played tenor saxophone and clarinet (including bass clarinet), but Mann was among the first jazz musicians to specialize on the flute. His most popular single was "Hi-Jack", which was a Billboard No. 1 dance hit for three weeks in 1975.
Mann emphasized the groove approach in his music. Mann felt that from his repertoire, the "epitome of a groove record" was Memphis Underground or Push Push, because the "rhythm section locked all in one perception." '
Revolution Rabbit Nov63:
' Mary Isobel Catherine Bernadette O'Brien OBE (16 April 1939 – 2 March 1999), better known by her stage name Dusty Springfield, was an English singer. With her distinctive mezzo-soprano sound, she was a popular singer of blue-eyed soul, pop and dramatic ballads, with French chanson, country, and jazz also in her repertoire. During her 1960s peak, she ranked among the most successful British female performers on both sides of the Atlantic. Her image – marked by a peroxide blonde bouffant/beehive hairstyle, heavy makeup (thick black eyeliner and eye shadow) and evening gowns, as well as stylised, gestural performances – made her an icon of the Swinging Sixties. '
Andrew in Toronto:
Stork:
listener james from westwood:
doctorjazz:
doctorjazz:
DJpeterDE:
Stork:
Stork:
Jeff Golick:
Michael 98145:
Hello, All.
Stork:
Yvang:
Stork:
chresti:
Doug Schulkind:
Stork:
Stork:
Sem:
Hello, the Storkest One, and Clubbers.
Stork:
Revolution Rabbit Nov63:
Revolution Rabbit Nov63:
Stork:
Michael 98145:
Revolution Rabbit Nov63:
Stork:
Sem:
doctorjazz:
Andrew Waterloo:
T GRavel:
Stork:
Stork:
Revolution Rabbit Nov63:
Revolution Rabbit Nov63:
T GRavel:
Michael 98145:
Stork:
g00berz:
T GRavel:
Uncle Michael:
Stork:
listener james from westwood:
Uncle Michael:
Stork:
Stork:
Revolution Rabbit Nov63:
Revolution Rabbit Nov63:
Stork:
Jeff g. via app:
Jeff g. via app:
listener james from westwood:
Stork:
Revolution Rabbit Nov63:
Revolution Rabbit Nov63:
Stork:
Revolution Rabbit Nov63:
Revolution Rabbit Nov63:
ERIK / VermonT:
Experiment in Terror 1962 = imo, under-appreciated film
(Yet, I’m a sucker for most retro b&w psychological Noir-adjacent films). I liked it best when Blake Edwards went dark … ‘days of wine & roses’ anyone ?
(Lee Remick Über-Fan : don’t miss ‘A Face in the Crowd’ 1957 & ‘Anatomy of a Murder’ 1959) = whew !
Enjoying this immensely. 🙏
spodiodi:
Stork:
Stork:
ERIK / VermonT:
🙏
adamdoesit:
Revolution Rabbit Nov63:
Stork:
chresti:
adamdoesit:
I’m sitting on a bench by foggy Rockaway Beach, where that bed music was eight on point. Who’s got gulls?
Ok, back on the bike.
Stork:
T GRavel:
plus tamales
Irene:
katharsis:
T GRavel:
Off to a matinee
C y'all Later for LAdy C
katharsis:
Revolution Rabbit Nov63:
Stork:
ERIK / VermonT:
chresti:
Michael 98145:
katharsis:
katharsis:
Stork:
WR:
chresti:
Michael 98145:
Stork:
Michael 98145:
chresti:
spodiodi:
chresti:
katharsis:
Erik/VermonT:
- the one of Dusty in pink w/chick is a classic ! 💕
Michael 98145:
chresti:
spodiodi:
Stork:
Michael 98145:
Dave Mandl:
Sem:
Push, push.
Thanks, Stork.
Jeff Moore:
Sang "Willow, tit willow, tit willow"
And I said to him, "Dicky-bird, why do you sit
Singing 'Willow, tit willow, tit willow'"
"Is it weakness of intellect, birdie?" I cried
"Or a rather tough worm in your little inside"
With a shake of his poor little head, he replied
"Oh, willow, tit willow, tit willow!"
He slapped at his chest, as he sat on that bough
Singing "Willow, tit willow, tit willow"
And a cold perspiration bespangled his brow
Oh, willow, tit willow, tit willow
He sobbed and he sighed and a gurgle he gave*
Then he plunged himself into the billowy wave
And an echo arose from the suicide's grave
"Oh, willow, tit willow, tit willow"
Now I feel just as sure as I'm sure that my name
Isn't Willow, tit willow, tit willow
That 'twas blighted affection that made him exclaim
"Oh, willow, tit willow, tit willow"
And if you remain callous and obdurate, I
Shall perish as he did, and you will know why
Though I probably shall not exclaim as I die
"Oh, willow, tit willow, tit willow"
*Also sometimes performed as, "He shivered and shook and a gurgle he gave / Ere he plunged himself into the billowy wave."
Avrilinmay:
Stork:
Stork:
thank you for those verses - my dad used to read them aloud to us.
Stork:
Doug Schulkind:
doctorjazz:
doctorjazz:
adamdoesit:
adamdoesit:
Katharsis:
listener james from westwood:
adamdoesit:
PINK PASSAIC
2oz Glen Passaic
1 cup crushed ice
1oz amaretto liqueur
6oz pineapple juice
1tsp grenadine syrup
0.02g radium, laboriously scraped from watch dials
piece of broken taxicab mirror
Combine liquid ingredients in blender and puree until smooth. Drop in radium, stir gently, garnish with broken mirror, enjoy the sparkly glow, and ask what you've done to deserve this.
Andrew in Toronto:
adamdoesit:
Stork:
doctorjazz:
Sem:
Another, please. A treble.
Love your mixology / trouble-trouble-toil-and-trouble spirit.
adamdoesit:
Stork:
Revolution Rabbit Nov63:
...being able to find each in the dark seems a fine metaphor...
Andrew in Toronto:
Sem:
Andrew in Toronto:
Andrew in Toronto:
coelacanth∅:
Stork:
Andrew in Toronto:
northguineahills:
Revolution Rabbit Nov63:
...but the range of what she put her indelible signature on is simply awesome.
Sem:
Revolution Rabbit Nov63:
Sem:
northguineahills:
coelacanth∅:
hey Sem... the vocal stylings of the coelacanth are not well publicized but Merzbow's entire catalogue is based on amplified conversations with me!
northguineahills:
spodiodi:
northguineahills:
WR:
Sem:
northguineahills:
Andrew Waterloo:
coelacanth∅:
listener james from westwood:
Revolution Rabbit Nov63:
northguineahills:
listener james from westwood:
listener james from westwood:
Revolution Rabbit Nov63:
northguineahills:
coelacanth∅:
the wheelchair guy
listener james from westwood:
Andrew in Toronto:
Stork:
adamdoesit:
Revolution Rabbit Nov63:
Stork:
northguineahills:
Stork:
Doug Schulkind:
Stork:
listener james from westwood:
Andrew in Toronto:
WR:
adamdoesit:
northguineahills:
(the comment above was about the protagonist is the episode). But, realizing, now, he probably wrote it during his LA years...(still, quite the cab fare)
Revolution Rabbit Nov63:
~ TY Always DJ Stork ~
northguineahills:
coelacanth∅:
coelacanth∅:
coelacanth∅:
Andrew in Toronto:
Thanks for a great show Stork!
chresti:
Stork:
coelacanth∅:
i'd ask Roy Harper if he'd casually perform some songs in an environment of his choosing - i imagine an outdoor courtyard by a café... as low-stress as possible, with a very loose itinerary, for a sum of money double whatever he suggests...
- i suppose i might want to do that with/for a few people
northguineahills:
Doug Schulkind:
coelacanth∅:
Doug Schulkind:
https://wfmu.org/playlists/shows/126751
Stork:
coelacanth∅:
coelacanth∅:
tchau
WR: