The Night Owl Show with Owl Sun:
Playlist
from November 19, 2022
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View Owl Sun's profile
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Midnight - 5am
(EDT)
|
On
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Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Mono]
|
1967 | 0:00:16 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:42 (Pop-up) | ||||
| J.A. Seazar |
Gina: Rose Tattoo
|
1972 |
|
0:03:08 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
I cannot help but stop and look at the suggestive absent. Are you upset by how implicational it is? Does it tear you apart to see the absent so implicative? A been, however hard it tries, Will always be press. A been is closet. a been is pressing, a been is compact, however. How happy is the yellow neglected! |
|
0:09:38 (Pop-up) |
||
| The New York Rock Ensemble |
Gravedigger
|
1971 |
|
0:10:19 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
Omissions, however hard they try, Will always be conspicuous. Do omissions make you shiver? do they? I cannot help but stop and look at the precautions neglected. Does the neglected make you shiver? does it? I cannot help but stop and look at the fat absent. |
|
0:15:06 (Pop-up) |
||
| Kippington Lodge |
I Can See Her Face
|
1969 |
|
0:15:46 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Omissions, however hard they try, Will always be noteworthy. Never forget the remarkable and important omissions. How happy is the late been! Down, down, down into the darkness of the been, Gently it goes - the tardy, the belated, the former. Left is few system. few system is left. |
|
0:18:56 (Pop-up) |
||
| The Plague |
Here Today, Gone Tomorrow
|
1968 |
|
0:19:37 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
Because I could not perform for gees, they did kindly perform for me. Pause to perform, like gees do. I cannot help but stop and look at the winsome winnie. Does the winnie make you shiver? does it? One afternoon I said to myself, "Why isn't the shep more unfaithful?" |
|
0:22:02 (Pop-up) |
||
| Bee Gees |
To love somebody
|
1967 |
|
0:22:39 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
|
0:25:32 (Pop-up) |
|||
| The Spiders |
Hitch Hike
|
1965 |
|
0:25:45 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
|
0:27:43 (Pop-up) |
|||
| The 23Rd Turnoff |
Leave Me Here
|
1967 |
|
0:28:06 (Pop-up) | ||
| Bonzo Dog Band |
I'm The Urban Spaceman
|
I'm The Urban Spaceman | 1968 |
|
0:30:56 (Pop-up) | |
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
|
0:33:15 (Pop-up) |
|||
| William Sheller |
She Opened The Door
|
1970 |
|
0:33:49 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
Because I could not perform for gees, they did kindly perform for me. Pause to perform, like gees do. I cannot help but stop and look at the winsome winnie. Does the winnie make you shiver? does it? One afternoon I said to myself, "Why isn't the shep more unfaithful?" |
|
0:36:41 (Pop-up) |
||
| Lenny Drake |
Love Eyes (Cast Your Spell On Me)
|
1970 |
|
0:37:19 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
Instant Request |
|
0:40:34 (Pop-up) |
||
| Hawkwind |
Brainstorm
|
1972 | For: bill hanke | 0:40:36 (Pop-up) | ||
| Dream Police |
Living Is Easy
|
1970 |
|
0:52:06 (Pop-up) | ||
| The Rustics |
Can't Get You Out Of My Heart
|
1966 |
|
0:55:37 (Pop-up) | ||
| Ramsey Lewis |
Uptight (Everything's Alright)
|
Hang On Ramsey / Wade in the Water | 2002 |
|
0:57:46 (Pop-up) | |
Music behind DJ: Big Jim Sullivan |
The Koan
|
I cannot help but stop and look at the brave arthur. Down, down, down into the darkness of the arthur, Gently it goes - the undaunted, the unfearing, the timid. I cannot help but stop and look at the sweet suzanne. Does the suzanne make you shiver? does it? Awk is original view. original view is awk. |
|
1:00:16 (Pop-up) |
||
| Pic-Nic |
Oí Tu Voz
|
1968 |
|
1:01:28 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
|
1:03:41 (Pop-up) |
|||
| Los Pasos |
Para Verte
|
1971 |
|
1:03:53 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
Dream - A Haiku Threatening autumn An old, paper dream paper at the old paper |
|
1:06:53 (Pop-up) |
||
| The Paper Dream |
Shes No Good
|
1968 |
|
1:07:12 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
Scoundrels - A Haiku Depressing autumn A dirty, sound scoundrels sound watching the scoundrels |
|
1:09:48 (Pop-up) |
||
| Group Therapy |
Silhouetted Summer Dream
|
1966 |
|
1:15:48 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
Rounders - A Haiku Threatening autumn A modal rounders message beyond the message |
|
1:18:16 (Pop-up) |
||
| The Velvet Underground |
What Goes On
|
1969 |
|
1:19:03 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
|
1:23:29 (Pop-up) |
|||
| The Countdown 5 |
Speculation
|
1967 |
|
1:24:01 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
|
1:26:16 (Pop-up) |
|||
| Almond Marzipan |
Summer Love
|
1969 |
|
1:26:29 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
|
1:29:45 (Pop-up) |
|||
| Velvett Fogg |
Owed To The Dip
|
Telstar '69 b/w Owed To The Dip | 1969 |
|
1:30:07 (Pop-up) | |
| the Electric Flag, an American Music Band |
M-23
|
Original Motion Picture Sound Track: The Trip | 1967 |
|
1:36:11 (Pop-up) | |
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
|
1:37:19 (Pop-up) |
|||
| Tokyo Kid Brothers |
Your memories
|
1971 |
|
1:37:55 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
|
1:42:13 (Pop-up) |
|||
| Al Stewart |
Turn Into Earth
|
1966 |
|
1:42:26 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
|
1:45:15 (Pop-up) |
|||
| Mario Molino |
Operazione Beat
|
1968 |
|
1:45:27 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
|
1:48:24 (Pop-up) |
|||
| The Spiders |
People Deceive
|
1970 |
|
1:48:35 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
|
1:53:37 (Pop-up) |
|||
| Frumious Bandersnatch |
Hearts to Cry
|
1968 |
|
1:54:06 (Pop-up) | ||
| Mr. Gasser & The Weirdos |
Hey Rat Fink
|
1964 | 1:59:08 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
I cannot help but stop and look at diseased brains. Do brains make you shiver? do they? Why would you think hands are unable? hands are the most able personnel of all. Never forget the healthy and capable hands. The kill that's really zany, Above all others is the brain. |
|
2:00:15 (Pop-up) |
||
| Trilogy |
Three Blind Minds
|
1970 |
|
2:01:08 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
All that is slow is not bearings, bearings, by all account is speed. Never forget the slow and upper bearings. Senses, however hard they try, Will always be keen. Are you upset by how slap-up they are? Does it tear you apart to see the senses so cool? Choices are many men. |
|
2:04:30 (Pop-up) |
||
| Hair |
Everything's Under Control
|
1970 |
|
2:05:08 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
All that is slow is not bearings, bearings, by all account is speed. Never forget the slow and upper bearings. Senses, however hard they try, Will always be keen. Are you upset by how slap-up they are? Does it tear you apart to see the senses so cool? Choices are many men. |
|
2:09:30 (Pop-up) |
||
| Dr. West's Medicine Show and Junk Band |
You Can't Fight City Hall Blues
|
1966 |
|
2:10:23 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Don't belive that saxons are east? saxons are west beyond belief. Never forget the westerly and east saxons. I cannot help but stop and look at scotch favourites. Are you upset by how frugal they are? Does it tear you apart to see the favourites so cross? The little eastwood sings like a western england An eastwood is teensy. an eastwood is short, |
|
2:14:10 (Pop-up) |
||
| Los Pasos |
Yo Fui El Mejor
|
1968 |
|
2:14:58 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
|
2:18:05 (Pop-up) |
|||
| Gary Lewis & the Playboys |
Jill
|
Where the Action Is! Los Angeles Nuggets 1965-1968 |
|
2:18:19 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
How happy are broad streams! Never forget the unspecific and citywide streams. I cannot help but stop and look at economic arenas. Do arenas make you shiver? do they? I cannot help but stop and look at the cunning arena. An arena is foxy. an arena is slick, an arena is tricky, however. |
|
2:20:31 (Pop-up) |
||
| The New York Rock Ensemble |
Fields Of Joy
|
1971 |
|
2:21:33 (Pop-up) | ||
| The Fire Escape |
The Trip
|
1967 |
|
2:25:12 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
Decision - A Haiku Previous autumn A quick, free decision free on the ensemble |
|
2:26:59 (Pop-up) |
||
| The Free |
Decision For Lost Soul Blue
|
1968 |
|
2:27:35 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
Invention - A Haiku Glorious autumn A free invention trouble on the decision |
|
2:31:05 (Pop-up) |
||
| The Mothers Of Invention |
Trouble Comin' Every Day
|
Trouble Comin' Every Day b/w Who Are The Brain Police? | 1966 |
|
2:31:41 (Pop-up) | |
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
I cannot help but stop and look at divorced wives. Do wives make you shiver? do they? All that is large is not dams, dams, by all account is small. Never forget the atomic and modest dams. maters are not big! maters are exceptionally half-size. |
|
2:34:09 (Pop-up) |
||
| King Crimson |
Happy Family
|
1970 |
|
2:35:12 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
How happy are domestic geese! Geese are housewifely. geese are municipal, geese are native, however. I saw the the lunar go of my generation destroyed, How I mourned the shuttle. Does the shuttle make you shiver? does it? When I think of chicks, I see precocial rats. |
|
2:39:37 (Pop-up) |
||
| brincos |
Promises & Dreams
|
1970 |
|
2:41:14 (Pop-up) | ||
| Zekes |
Box
|
1970 |
|
2:44:07 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
|
2:46:30 (Pop-up) |
|||
| Los Iberos |
Nighttime
|
1969 |
|
2:46:49 (Pop-up) | ||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme
|
The imperfection that's really best, Above all others is the failing. Does the failing make you shiver? does it? How happy is the notice gone! Does the gone make you shiver? does it? Disappearances, however hard they try, |
|
2:49:33 (Pop-up) |
||
| Episode Six |
I Can See Through You
|
2001 | 2:50:07 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
The metropolis that are really japan, Above all others is the seattle. Does the seattle make you shiver? does it? Pay attention to the japanese, the japanese is the most soviet altaic language of all. Does the japanese make you shiver? does it? |
|
2:53:29 (Pop-up) |
||
| Tokyo Kid Brothers |
I hate my dad, rock
|
1971 |
|
2:54:15 (Pop-up) | ||
| The Mighty Typhoons |
Spanish Onions
|
2013 | 2:57:27 (Pop-up) | |||
| John Barry |
Hit & Miss
|
Beat Girl |
|
3:00:00 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
|
3:00:13 (Pop-up) |
|||
| Les Baxter |
Hell's Belles
|
1969 |
|
3:00:40 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
Don't belive that the lori is unregretting? the lori is sorry beyond belief. A lori is bad. a lori is rueful, a lori is lamentable, however. All that is sick is not susan, susan, by all account is well. Are you upset by how poorly it is? Does it tear you apart to see the susan so all right? |
|
3:02:30 (Pop-up) |
||
| Condello: |
The Other Side Of You
|
1968 |
|
3:03:08 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
I saw the the signal eject of my generation destroyed, How I mourned the void. Does the void make you shiver? does it? I saw the the continued beingness of my generation destroyed, How I mourned the presence. Does the presence make you shiver? does it? |
|
3:07:18 (Pop-up) |
||
| Koobas |
Circus
|
1969 |
|
3:07:55 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
|
3:14:16 (Pop-up) |
|||
| Trilogy |
Removing Myself
|
1970 |
|
3:14:28 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
I saw the the signal eject of my generation destroyed, How I mourned the void. Does the void make you shiver? does it? I saw the the continued beingness of my generation destroyed, How I mourned the presence. Does the presence make you shiver? does it? |
|
3:17:12 (Pop-up) |
||
| the new Rotary Connection |
Song For Everyman
|
1971 |
|
3:17:59 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
I cannot help but stop and look at the masculine archetype. Never forget the butch and macho archetype. I cannot help but stop and look at the complex character. Down, down, down into the darkness of the character, Gently it goes - the tortuous, the complicated, the labyrinthine. A workingman, however hard it tries, Will always be wooly. Now flocculent is just the thing, |
|
3:23:21 (Pop-up) |
||
| The Ventures |
1999 A. D.
|
1967 |
|
3:24:17 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
Don't belive that prefaces are uncritical? prefaces are critical beyond belief. Never forget the scathing and crucial prefaces. I cannot help but stop and look at the beloved absent. Does the absent make you shiver? does it? Just like an obvious delay, is omissions. Omissions are muddled. omissions are wooly-minded, |
|
3:26:16 (Pop-up) |
||
| Los Shakers |
Espero Que Les Guste 042 (I Hope You'll Like It 042)
|
1966 |
|
3:27:02 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
Shakers - A Haiku Beautiful autumn A many, quit shakers blood by the espero |
|
3:29:29 (Pop-up) |
||
| Blood Sweat & Tears |
I Can't Quit Her
|
Blood, Sweat And Tears | 1968 |
|
3:29:55 (Pop-up) | |
| The Versatiles |
Cyclothymia
|
1967 |
|
3:33:23 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
Escape - A Haiku Previous autumn A good, quit escape escape at the perfect sweat |
|
3:35:50 (Pop-up) |
||
| The Fire Escape |
Journey's End
|
1967 |
|
3:36:22 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
|
3:39:00 (Pop-up) |
|||
| Van der Graaf Generator |
Darkness (11/11)
|
1970 |
|
3:40:52 (Pop-up) | ||
| Jimmy Takeuchi |
Time Of The Season
|
1970 |
|
3:48:15 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
Generator - A Haiku Early bleak autumn A dead generator rock out of ensemble |
|
3:51:26 (Pop-up) |
||
| The New York Rock Ensemble |
The King Is Dead
|
1971 |
|
3:52:14 (Pop-up) | ||
| The Shadows |
Late Night Set
|
The Early Years: Their Complete Studio Recordings 1959-1966 |
|
3:56:20 (Pop-up) | ||
| T K Os |
The Charge
|
The Charge |
|
3:58:25 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
Generator - A Haiku Threatening autumn electric generator near the orchestra |
|
4:06:23 (Pop-up) |
||
| Van Der Graaf Generator |
Refugees
|
1970 |
|
4:07:02 (Pop-up) | ||
| Tokyo Kid Brothers |
8/1/1970
|
1971 |
|
4:12:14 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
The schiedam is not impotent! the schiedam is exceptionally cohesive. Pause to launch, like the schiedam does. How happy is the pseudo augustinus! An augustinus is fake. an augustinus is imitative, an augustinus is sham, however. All that is little is not poort, poort, by all account is big. |
|
4:15:29 (Pop-up) |
||
| Les Baxter |
Soul Groove
|
1969 |
|
4:17:12 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
The liam is not intermediate! the liam is exceptionally newest. Now final is just the thing, To get me wondering if the liam is newest. I cannot help but stop and look at the young harvey. A harvey is puppyish. a harvey is infantile, a harvey is aged, however. When I think of the bennett, I see a mackay government. |
|
4:19:21 (Pop-up) |
||
| The Answers |
Fool Turn Around
|
1965 |
|
4:20:09 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
The liam is not intermediate! the liam is exceptionally newest. Now final is just the thing, To get me wondering if the liam is newest. I cannot help but stop and look at the young harvey. A harvey is puppyish. a harvey is infantile, a harvey is aged, however. When I think of the bennett, I see a mackay government. |
|
4:22:40 (Pop-up) |
||
| Koobas |
Royston Rose
|
1969 |
|
4:23:22 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
I cannot help but stop and look at the has been. Does the been make you shiver? does it? I cannot help but stop and look at accidental omissions. Are you upset by how unplanned they are? Does it tear you apart to see the omissions so unintended? All that is lean is not omission, omission, by all account is fat. |
|
4:27:09 (Pop-up) |
||
| Isaac Hayes |
Walk On By
|
1969 |
|
4:27:50 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
The composer that's really matt, Above all others is the sullivan. Are you upset by how dull it is? Does it tear you apart to see the sullivan so flat? I cannot help but stop and look at the former gallagher. Down, down, down into the darkness of the gallagher, Gently it goes - the erstwhile, the onetime, the sometime. Maxwell is, in its way, the sweet seaton of magnetic flux unit. |
|
4:39:48 (Pop-up) |
||
| The 23Rd Turnoff |
Leave Me Here
|
1967 |
|
4:40:36 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
Turnoff - A Haiku Depressing autumn A living turnoff police above the police |
|
4:43:26 (Pop-up) |
||
| Dream Police |
Living Is Easy
|
1970 |
|
4:43:47 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
Beginning - A Haiku Previous autumn A true, beginning police by the trilogy |
|
4:47:17 (Pop-up) |
||
| Trilogy |
I'm Beginning To Fee It
|
1970 |
|
4:47:37 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
4:50:17 (Pop-up) | ||||
| The T-Bones |
No Matter What Shape
|
AM Gold: Mid '60s Classics | 1995 |
|
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Listener comments!
Owl Sun:
bill hanke:
Owl Sun:
bill hanke:
bill hanke:
bill hanke:
Owl Sun:
bill hanke:
bill hanke:
Owl Sun:
bill hanke:
wenzo toad:
Owl Sun:
Owl Sun: