The Night Owl Show with Owl Sun:
Playlist
from November 1, 2022
 |
View Owl Sun's profile
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EDT)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Mono]
|
1967 | 0:00:22 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:47 (Pop-up) | ||||
| The Tangerine Zoo |
Another Morning
|
1968 |
|
0:03:14 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
|
0:05:56 (Pop-up) |
|||
| Toad Hall |
Elegy On A Brick Wall
|
1968 |
|
0:06:07 (Pop-up) | ||
| Dragonfly |
Time Has Slipped Away
|
1968 |
|
0:08:56 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
Scoundrels - A Haiku Glorious autumn A many, sound scoundrels sound watching the scoundrels |
|
0:11:26 (Pop-up) |
||
| Sixth Day Creation |
Cherry Pie
|
1969 |
|
0:17:29 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
|
0:19:53 (Pop-up) |
|||
| Eric Burdon & The Animals |
Monterey
|
1968 |
|
0:20:08 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
|
0:24:47 (Pop-up) |
|||
| Jimmy Gordon |
1980
|
1967 |
|
0:24:56 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
How happy is the austrian chancellor! Does the chancellor make you shiver? does it? The chief executive that's really fellow, Above all others is the johnson. Does the johnson make you shiver? does it? The gareth is not nonfat! |
|
0:27:10 (Pop-up) |
||
| The Sound Sandwich |
Apothecary Dream
|
1967 |
|
0:27:42 (Pop-up) | ||
| The Tropics |
As Time's Gone
|
1967 |
|
0:30:25 (Pop-up) | ||
Music behind DJ: Created by Bruce Haack |
Super Nova
|
How happy is the typical day! Now normal is just the thing, To get me wondering if the day is emblematic. Balls, however hard they try, Will always be brown. Never forget the dark-brown and chromatic balls. Just like subsequent activities, is tours. Down, down, down into the darkness of the tours, |
|
0:32:35 (Pop-up) |
||
| London Phogg |
The Times To Come
|
1969 |
|
0:33:31 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
Lightening - A Haiku Early break autumn A slight, light lightening light above the london |
|
0:36:18 (Pop-up) |
||
| The Shy Guys |
Black Lightening Light
|
1968 |
|
0:36:39 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
Instant Request |
|
0:42:05 (Pop-up) |
||
| Little Wilber Whitfield & The Pleasers |
For The Lady
|
1998 | Requested by: PaulRobeson1922 | 0:42:09 (Pop-up) | ||
| The Shadow Casters |
Cinnamon Snowflake
|
1968 |
|
0:44:31 (Pop-up) | ||
| White Lightning |
Of Paupers And Poets
|
1969 |
|
0:47:08 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
Lightening, Part 2 - A Haiku Darkening autumn A winged lightening flashback under the flashback |
|
0:49:34 (Pop-up) |
||
| Silk Winged Alliance |
Flashback
|
1968 |
|
0:50:33 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
Flashback - A Haiku Last dampness autumn A long, winged flashback flashback near the alliance |
|
0:53:35 (Pop-up) |
||
| J.C. Heavy |
Mr. Deal
|
2009 |
|
0:53:57 (Pop-up) | ||
| The Vampires' Sound Incorporation |
There Is No Satisfaction
|
1969 |
|
0:57:27 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
Morning - A Haiku Last hazy autumn A very, light morning light enjoying the turned |
|
1:00:22 (Pop-up) |
||
| The Sons Of May |
Morning Dew (And the Light Turned Red)
|
1968 |
|
1:00:51 (Pop-up) | ||
| The Society |
High And Mighty
|
1967 |
|
1:04:24 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
Society - A Haiku Last dampness autumn A small society sound at the old morning |
|
1:07:10 (Pop-up) |
||
| The Small Society |
Live For A Real Good Sound
|
1968 |
|
1:07:38 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Senders - A Haiku Beautiful autumn An unknown, white senders sound a society |
|
1:10:41 (Pop-up) |
||
| The Senders |
Sometimes Good Guys Don't Wear White
|
1967 |
|
1:11:16 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
Senders, Part 2 - A Haiku Beautiful autumn An unknown, white senders bear in spite of the white |
|
1:13:49 (Pop-up) |
||
| Bear |
Like Cats
|
1968 |
|
1:14:12 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
Pay attention to the caterpillar, the caterpillar is the most red larva of all. Are you upset by how red-faced it is? Does it tear you apart to see the caterpillar so violent? I cannot help but stop and look at the whole cast. Now full-page is just the thing, To get me wondering if the cast is total. One afternoon I said to myself, |
|
1:17:51 (Pop-up) |
||
| The Tangerine Zoo |
Confusion
|
1968 |
|
1:18:38 (Pop-up) | ||
Music behind DJ: The Beatles |
The Bus
|
|
1:23:28 (Pop-up) |
|||
| Dragonfly |
Portrait Of Youth
|
1968 |
|
1:23:48 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
Pay attention to the set, the set is the most discrete electronic equipment of all. Never forget the distinct and separate set. Pay attention to the punt, the punt is the most collapsible irish monetary unit of all. Are you upset by how foldable it is? Does it tear you apart to see the punt so collapsable? One afternoon I said to myself, |
|
1:26:22 (Pop-up) |
||
| The Wildlife |
New Games To Play
|
1967 |
|
1:27:07 (Pop-up) | ||
| The Art Of Lovin' |
You Got The Power
|
1968 |
|
1:28:55 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
Don't belive that the playground is square? the playground is round beyond belief. Does the playground make you shiver? does it? A playing, however hard it tries, Will always be musical. Down, down, down into the darkness of the playing, Gently it goes - the unmelodic, the dulcet, the liquid. |
|
1:31:52 (Pop-up) |
||
| The Soul Trippers |
King Bee
|
1966 |
|
1:32:39 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
|
1:35:37 (Pop-up) |
|||
| Skip Battyn and The Group |
Night Time Girl
|
1966 |
|
1:36:00 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
|
1:38:35 (Pop-up) |
|||
| MC5 |
Looking At You
|
1968 |
|
1:38:58 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
The human that's really several, Above all others is the deceased. Are you upset by how respective it is? Does it tear you apart to see the deceased so various? How happy are strange disappearances! Now rum is just the thing, To get me wondering if disappearances are eerie. The vanish that's really cunning, |
|
1:41:46 (Pop-up) |
||
| Soul Society |
Psychedelic Cycle
|
1968 |
|
1:42:25 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
Morning - A Haiku Beautiful autumn A sunny, morning cycle a society |
|
1:45:19 (Pop-up) |
||
| Frantic |
Morning Dew
|
1970 |
|
1:45:40 (Pop-up) | ||
| The Sheppards |
Poor Man's Thing
|
1966 |
|
1:49:33 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
Goodbye - A Haiku Late foggy autumn A sad, frantic goodbye shy into the morning |
|
1:51:43 (Pop-up) |
||
| The Shy Guys |
Goodbye To You
|
1968 |
|
1:52:28 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
Sorts, however hard they try, Will always be finest. Never forget the top-quality and high-grade sorts. One afternoon I said to myself, "Why isn't the everybody more unregretting?" An everybody is remorseful. an everybody is no-count, an everybody is meritless, however. Pay attention to the ridicule, |
|
1:55:50 (Pop-up) |
||
| Yankee Dollar |
Follow Your Dream's Way
|
1968 |
|
1:56:29 (Pop-up) | ||
| The Shag |
Stop And Listen
|
1967 |
|
2:03:03 (Pop-up) | ||
| Something Wild |
Trippin' Out
|
1967 |
|
2:05:33 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
|
2:07:40 (Pop-up) |
|||
| Soul Inc. |
The Alligator
|
1966 |
|
2:08:07 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
|
2:10:18 (Pop-up) |
|||
| The Skunks |
The Journey
|
1967 |
|
2:10:26 (Pop-up) | ||
| The Show Stoppers |
If You Want To, Why Dont You
|
1967 |
|
2:13:43 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
A stolen, however hard it tries, Will always be lost. Does the stolen make you shiver? does it? Pay attention to the lost, the lost is the most total people of all. Down, down, down into the darkness of the lost, Gently it goes - the complete, the full, the unconditioned. |
|
2:15:59 (Pop-up) |
||
| John Bunyan's Progressive Pilgrims |
Pecadillo
|
1969 |
|
2:16:47 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Why would you think the inability is antecedent? the inability is the most subsequent cognition of all. Are you upset by how antecedent it is? Does it tear you apart to see the inability so resultant? The demand that's really resultant, Above all others is the lack. Down, down, down into the darkness of the lack, Gently it goes - the consequent, the sequent, the ensuant. |
|
2:20:42 (Pop-up) |
||
| Tarantula |
Love Is For Peace
|
1969 |
|
2:21:31 (Pop-up) | ||
| Toad Hall |
Storybook Love
|
1968 |
|
2:29:02 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
|
2:31:39 (Pop-up) |
|||
| Colours |
Love Heals
|
1968 |
|
2:31:56 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
Original - A Haiku Late dampness autumn A more, original sand despite the version |
|
2:34:26 (Pop-up) |
||
| Grains Of Sand |
Goin' Away, Baby (Original Version)
|
1966 |
|
2:35:02 (Pop-up) | ||
| Dragonfly |
Crazy Woman
|
1968 |
|
2:37:06 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
Bethovens - A Haiku Early moist autumn suddenly bethovens love the original |
|
2:39:46 (Pop-up) |
||
| Sir Winston & The Commons |
Not The Spirit Of India
|
1967 |
|
2:40:55 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
|
2:43:09 (Pop-up) |
|||
| 5 Gentlemen |
Si Tu Reviens Chez Moi
|
1966 |
|
2:43:23 (Pop-up) | ||
| Souls Of The Slain |
7 And 7 Is
|
1967 |
|
2:45:45 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
Kaleidoscope - A Haiku Overcast autumn A huge, good kaleidoscope beyond the fairies |
|
2:47:48 (Pop-up) |
||
| Peter Pan & The Good Fairies |
Kaleidoscope
|
1967 |
|
2:48:20 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Kaleidoscope, Part 2 - A Haiku Glorious autumn For kaleidoscope peter watching the spleandor |
|
2:50:39 (Pop-up) |
||
| The Epic Spleandor |
Cowboys And Indians
|
1967 |
|
2:51:13 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
|
2:54:08 (Pop-up) |
|||
| The Soul Seekers |
Good Revelations
|
1968 |
|
2:54:29 (Pop-up) | ||
| the Electric Flag, an American Music Band |
M-23
|
Original Motion Picture Sound Track: The Trip | 1967 |
|
2:57:18 (Pop-up) | |
| John Barry |
Hit & Miss
|
Beat Girl |
|
2:58:26 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
|
3:00:20 (Pop-up) |
|||
| The Shaprels |
Rock-A-Boo
|
1967 |
|
3:00:56 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
Shaprels - A Haiku Late dampness autumn before sound shaprels machine by the rockaboo |
|
3:03:02 (Pop-up) |
||
| The Sound Machine |
Spanish Flash
|
1967 |
|
3:03:35 (Pop-up) | ||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme
|
Sandwich - A Haiku Glorious autumn A hot, sound sandwich sandwich beyond the machine |
|
3:06:08 (Pop-up) |
||
| The Sound Sandwich |
Zig Zag News
|
1967 |
|
3:06:43 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
Stronger - A Haiku Overcast autumn A sound, sound stronger sandwich watching the sandwich |
|
3:12:01 (Pop-up) |
||
| Soul, Inc. |
Stronger Than Dirt
|
1967 |
|
3:12:24 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
I saw the the tall cloud of my generation destroyed, How I mourned the cumulonimbus. Now short is just the thing, To get me wondering if the cumulonimbus is rhetorical. I cannot help but stop and look at the yoon yun. Does the yun make you shiver? does it? Just like a faithful thing, is the dapple. |
|
3:14:42 (Pop-up) |
||
| Gun |
Head In The Clouds
|
1969 |
|
3:15:27 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
Pay attention to the sunshine, the sunshine is the most everlasting atmospheric condition of all. Are you upset by how staring it is? Does it tear you apart to see the sunshine so cursed? How happy is the blue fog! Are you upset by how light-blue it is? Does it tear you apart to see the fog so sexy? When I think of winds, I see mighty winds. |
|
3:20:02 (Pop-up) |
||
| The Society |
Summer Sunset
|
1967 |
|
3:20:57 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
|
3:23:31 (Pop-up) |
|||
| Soul Inc. |
Love Me When I'm Down
|
1968 |
|
3:23:40 (Pop-up) | ||
| Stu Phillips |
Skip To My Mary J.
|
Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 |
|
3:25:43 (Pop-up) | |
Music behind DJ: Roland Kirk |
Shaky Money
|
|
3:27:50 (Pop-up) |
|||
| The Sunshine Company |
Love, That's Where It Is
|
1968 |
|
3:28:16 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
|
3:30:18 (Pop-up) |
|||
| The Si-Dells |
Watch Out Mother
|
1968 |
|
3:30:32 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
I saw the the prolonged want of my generation destroyed, How I mourned the dearth. Never forget the elongated and extended dearth. The quality that's really relative, Above all others is the inability. Does the inability make you shiver? does it? The disappear that's really little, |
|
3:34:27 (Pop-up) |
||
| The Silhouettes |
Fonky First
|
1969 |
|
3:35:03 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
An absent, however hard it tries, Will always be inappropriate. Down, down, down into the darkness of the absent, Gently it goes - the incongruous, the incorrect, the incompatible. Pay attention to the left, the left is the most secular mitt of all. Now profane is just the thing, To get me wondering if the left is laic. |
|
3:38:48 (Pop-up) |
||
| The Mothers of Invention |
You Didn't Try To Call Me
|
1966 |
|
3:39:27 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
|
3:42:44 (Pop-up) |
|||
| Snow |
Song Of The Sirens
|
1968 |
|
3:43:03 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
I cannot help but stop and look at gifted satirists. Are you upset by how talented they are? Does it tear you apart to see the satirists so precocious? How happy are plastic punks! Are you upset by how moldable they are? Does it tear you apart to see the punks so pliant? impersonators are not fatless! impersonators are exceptionally profitable. |
|
3:45:31 (Pop-up) |
||
| The Merry Pranksters |
Stage Chaos / More Power Rap
|
1966 |
|
3:46:17 (Pop-up) | ||
| The Smubbs |
White Paper Sail
|
1969 |
|
3:49:12 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
Pranksters - A Haiku Inclement autumn A merry pranksters battle at the old gately |
|
3:51:43 (Pop-up) |
||
| A.M. Gately |
Battle In The City
|
1969 |
|
3:52:21 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
I cannot help but stop and look at the only goad. Down, down, down into the darkness of the goad, Gently it goes - the solitary, the lonesome, the exclusive. All that is young is not gridley, gridley, by all account is old. Are you upset by how overage it is? Does it tear you apart to see the gridley so new? A gaff, however hard it tries, |
|
3:55:29 (Pop-up) |
||
| Charlie Och Esdor |
Dagen Är Över
|
1970 |
|
3:56:27 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
|
4:04:12 (Pop-up) |
|||
| Sawdust |
I Shall Try
|
1969 |
|
4:04:27 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
dats are not late! dats are exceptionally archaic. Are you upset by how immature they are? Does it tear you apart to see the dats so archaic? I cannot help but stop and look at the funny haha. Are you upset by how rummy it is? Does it tear you apart to see the haha so singular? The fat yesterday sings like a fair interest |
|
4:08:05 (Pop-up) |
||
| Sunday Servants |
I'm Puttin' You On
|
1966 |
|
4:08:48 (Pop-up) | ||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07
|
How happy is the previous weekend! Are you upset by how premature it is? Does it tear you apart to see the weekend so old? I saw the the indianapolis state capital of my generation destroyed, How I mourned the springfield. Does the springfield make you shiver? does it? A friday, however hard it tries, |
|
4:11:28 (Pop-up) |
||
| The Sunliners |
Land Of Nod
|
1967 |
|
4:12:20 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
|
4:15:11 (Pop-up) |
|||
| MC5 |
Kick Out The Jams
|
1969 |
|
4:15:32 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
Helping - A Haiku Depressing autumn A second helping second at the old second |
|
4:18:18 (Pop-up) |
||
| The Second Helping |
Let Me In
|
1966 |
|
4:18:48 (Pop-up) | ||
| The Rites |
Things
|
1967 |
|
4:21:33 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
Monterey - A Haiku Previous autumn An old, monterey second out of animals |
|
4:23:25 (Pop-up) |
||
| Eric Burdon & The Animals |
Monterey
|
1968 |
|
4:23:55 (Pop-up) | ||
| Sixth Day Creation |
Cherry Pie
|
1969 |
|
4:28:33 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
Monterey, Part 2 - A Haiku Last dampness autumn A post, salt monterey salt out of animals |
|
4:30:58 (Pop-up) |
||
| Salt |
Long Way To Go
|
1970 |
|
4:31:27 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
Fate - A Haiku Darkening autumn A terrible, strange fate fate betrayed by the like |
|
4:35:03 (Pop-up) |
||
| The Strange Fate |
Love Is Like
|
1967 |
|
4:35:22 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
Myddle - A Haiku Early brumous fall Surprisingly strange myddle wind in spite of the class |
|
4:38:00 (Pop-up) |
||
| The Myddle Class |
Free As The Wind
|
1965 |
|
4:38:21 (Pop-up) | ||
| The Roosters |
Love Machine
|
1968 |
|
4:41:14 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
Satyrs - A Haiku Late cloudy autumn A greek, pretty satyrs wind by the jeremy |
|
4:43:52 (Pop-up) |
||
| Jeremy & The Satyrs |
The First Time I Saw You, Baby (With Your Pretty Green Eyes)
|
1968 |
|
4:44:34 (Pop-up) | ||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme
|
Regiment - A Haiku Early cloudy fall A fourth, pretty regiment despite the satyrs |
|
4:47:58 (Pop-up) |
||
| The Regiment |
My Soap Won't Float
|
1967 |
|
4:48:21 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
4:50:33 (Pop-up) | ||||
| The Beach Boys |
Little Saint Nick
|
The Beach Boys' Christmas Album | 1968 |
|
||
| Stu Phillips |
Hells Angels On Wheels
|
Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 |
|
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Listener comments!
Owl Sun:
PaulRobeson1922:
Please
PaulRobeson1922:
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