The Night Owl Show with Owl Sun:
Playlist
from October 3, 2022
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EDT)
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On
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Mono]
|
1967 | 0:00:25 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:51 (Pop-up) | ||||
| Eric Burdon And The Animals |
Sky Pilot Part 2
|
1968 |
|
0:03:17 (Pop-up) | ||
| Musique De William Sheller |
Excitissimo
|
1969 |
|
0:06:07 (Pop-up) | ||
| Sagittarius |
I Still Can See Your Face
|
1969 |
|
0:07:15 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
|
0:10:33 (Pop-up) |
|||
| The 13th Floor Elevators |
Earthquake
|
1967 |
|
0:11:14 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
|
0:15:59 (Pop-up) |
|||
| Kirk St. James |
Tears I Cry
|
2009 |
|
0:16:25 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
One afternoon I said to myself, "Why isn't the hanson more bad?" Does the hanson make you shiver? does it? Don't belive that the samuel is good? the samuel is wicked beyond belief. Now satanic is just the thing, To get me wondering if the samuel is severe. |
|
0:20:13 (Pop-up) |
||
| The Velvet Underground & Nico |
Femme Fatale
|
1966 |
|
0:20:50 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
Don't belive that the norway is west? the norway is east beyond belief. Now orient is just the thing, To get me wondering if the norway is easternmost. All that is big is not toni, toni, by all account is little. Now teeny is just the thing, To get me wondering if the toni is least. |
|
0:23:22 (Pop-up) |
||
| Screamin' Jay Hawkins |
Thing Called Woman
|
1970 |
|
0:24:12 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
Butterfly - A Haiku Depressing autumn A rare, butterfly woman before the screamin |
|
0:26:41 (Pop-up) |
||
| Iron Butterfly |
Are You Happy
|
1968 |
|
0:27:05 (Pop-up) | ||
| Eire Apparent |
The Clown
|
1969 |
|
0:31:31 (Pop-up) | ||
| Procol Harum |
Lime Street Blues
|
1967 |
|
0:34:47 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
Underground - A Haiku Glorious autumn A polish, underground clown after the velvet |
|
0:37:58 (Pop-up) |
||
| The Velvet Underground |
Here She Comes Now
|
1967 |
|
0:38:23 (Pop-up) | ||
| Rupert's People |
I've Got The Love
|
1968 |
|
0:40:24 (Pop-up) | ||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07
|
Underground, Part 2 - A Haiku Beautiful autumn An active, underground dance by the electric |
|
0:44:19 (Pop-up) |
||
| The Electric Banana |
(Vocal Tracks): Eagle's Son (Strong melodic dance music)
|
1969 |
|
0:44:50 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Sweetheart - A Haiku Inclement autumn A little, sweetheart people by the electric |
|
0:48:02 (Pop-up) |
||
| People |
Hey Sweetheart
|
1969 |
|
0:48:28 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
|
0:52:06 (Pop-up) |
|||
| Blossom Toes |
What's If For
|
1967 |
|
0:52:28 (Pop-up) | ||
| Gandalf |
Nature Boy
|
1969 |
|
0:55:22 (Pop-up) | ||
| George Kerr |
Airplane Song
|
Northern Soul Fever, Volume One |
|
0:58:26 (Pop-up) | ||
| Ronnie McNeir |
Sitting in My Class (Instr.)
|
The Northern Soul Story 10 (Instrumentals) |
|
1:00:16 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
|
1:00:26 (Pop-up) |
|||
| The Millennium |
5 A.M.
|
1968 |
|
1:01:15 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
I cannot help but stop and look at pygmy hippos. Do hippos make you shiver? do they? I cannot help but stop and look at female camels. Camels are feminine. camels are androgynous, camels are male, however. The ape is not big! the ape is exceptionally piddling. |
|
1:03:54 (Pop-up) |
||
| Mad River |
Amphetamine Gazelle
|
1968 |
|
1:04:32 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
Pay attention to the unavailability, the unavailability is the most persistent inconvenience of all. Are you upset by how relentless it is? Does it tear you apart to see the unavailability so unrelenting? I cannot help but stop and look at the total dearth. Does the dearth make you shiver? does it? I cannot help but stop and look at the big omission. |
|
1:07:23 (Pop-up) |
||
| The Byrds |
Tribal Gatering
|
1967 |
|
1:08:18 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
Yardbirds - A Haiku Threatening autumn A drinking yardbirds water despite the drinking |
|
1:11:16 (Pop-up) |
||
| The Yardbirds |
Drinking Muddy Water
|
1967 |
|
1:11:39 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
Yardbirds, Part 2 - A Haiku Glorious autumn A drinking yardbirds water into the drinking |
|
1:14:25 (Pop-up) |
||
| Razor's Edge |
Get Yourself Together
|
1967 |
|
1:14:51 (Pop-up) | ||
| Aorta |
Shape Of Things To Come
|
1968 |
|
1:17:10 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
|
1:19:19 (Pop-up) |
|||
| Tim Buckley |
Carnival Song
|
1967 |
|
1:19:36 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
|
1:22:35 (Pop-up) |
|||
| Dorothy Ashby |
Soul Vibrations
|
1968 |
|
1:22:50 (Pop-up) | ||
| George Harrison |
Ski-ing
|
Wonderwall Music | 1968 |
|
1:26:02 (Pop-up) | |
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
|
1:27:51 (Pop-up) |
|||
| Joe Byrd And The Field Hippies |
American Bedmusic I - Four Dreams for a Departing President: Nightmare Train
|
1969 |
|
1:28:08 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
Nightmare - A Haiku Inclement autumn For a worst, well nightmare field on the president |
|
1:31:46 (Pop-up) |
||
| Ars Nova |
Well, Well, Well
|
1969 |
|
1:32:16 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
Avantgarde - A Haiku Showery autumn before well avantgarde gall into the honey |
|
1:35:13 (Pop-up) |
||
| The Avant-Garde |
Honey And Gall
|
1968 |
|
1:35:42 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
The traveler that's really regular, Above all others is the absentee. An absentee is irregular. an absentee is normal, an absentee is veritable, however. A gone, however hard it tries, Will always be many. Down, down, down into the darkness of the gone, Gently it goes - the few, the numerous, the umteen. |
|
1:38:24 (Pop-up) |
||
| BlueCheer |
West Coast Child Of Sunshine
|
1969 |
|
1:39:04 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
Bluecheer - A Haiku Inclement autumn before going bluecheer coast despite the sunshine |
|
1:41:31 (Pop-up) |
||
| bonnie dobson |
Winter's Going
|
1969 |
|
1:42:06 (Pop-up) | ||
| Alice Cooper |
Laughing at Me
|
1970 |
|
1:44:45 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
Vanishing - A Haiku Inclement autumn A non, vanishing beaver after the winters |
|
1:46:54 (Pop-up) |
||
| Beaver & Krause |
Salute To The Vanishing Bald Eagle
|
1970 |
|
1:47:22 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
Somethings - A Haiku Showery autumn A sweet, last somethings beaver on the happening |
|
1:50:06 (Pop-up) |
||
| Last Friday's Fire |
Something's Happening
|
1967 |
|
1:50:29 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
Somethings, Part 2 - A Haiku Depressing autumn A several, blonde somethings last on the happening |
|
1:53:22 (Pop-up) |
||
| Blonde On Blonde |
Circles
|
1970 |
|
1:53:50 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
|
2:00:25 (Pop-up) |
|||
| Appaloosa |
Yesterday's Roads
|
1969 |
|
2:00:41 (Pop-up) | ||
| Josefus |
I Saw A Killin'
|
1970 |
|
2:01:08 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
I saw the the celebrated toy spaniel of my generation destroyed, How I mourned the papillon. Are you upset by how famous it is? Does it tear you apart to see the papillon so known? A pup, however hard it tries, Will always be husky. Now burly is just the thing, To get me wondering if the pup is gruff. |
|
2:03:53 (Pop-up) |
||
| Art |
Love Is Real
|
1967 |
|
2:04:30 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
Ayers - A Haiku Darkening autumn A late, insane ayers love after the kevin |
|
2:07:43 (Pop-up) |
||
| Kevin Ayers |
Song For Insane Times
|
1969 |
|
2:08:05 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
How happy is the previous round! Are you upset by how old it is? Does it tear you apart to see the round so former? One afternoon I said to myself, "Why aren't intervals more same?" Down, down, down into the darkness of the intervals, Gently they go - the diametric, the same, the contrastive. Rounds, however hard they try, |
|
2:12:00 (Pop-up) |
||
| The Electric Flag; An American Music Band |
Another Country
|
1968 |
|
2:14:03 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
I saw the the hispanic person of color of my generation destroyed, How I mourned the asian. Does the asian make you shiver? does it? How happy is the peruvian indian! Does the indian make you shiver? does it? I cannot help but stop and look at the cunning african. |
|
2:22:37 (Pop-up) |
||
| featuring John Zacherle |
The Ha-Ha-Ha
|
Monster Mash |
|
2:23:16 (Pop-up) | ||
| Bee Gees |
Turn of the century
|
1967 |
|
2:25:54 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
|
2:28:16 (Pop-up) |
|||
| Gene Clark with the Gosdin Brothers |
Echoes
|
1966 |
|
2:28:35 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
|
2:31:48 (Pop-up) |
|||
| The Surprise Package |
Out Of My Mind
|
1966 |
|
2:31:59 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Surprise - A Haiku Darkening autumn A much, in surprise surprise above the package |
|
2:33:55 (Pop-up) |
||
| The Endd |
Come On In To My World
|
2:34:34 (Pop-up) | ||||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
Family - A Haiku Previous autumn A large, through family come betrayed by the scene |
|
2:38:00 (Pop-up) |
||
| Family |
Scene Through The Eye Of A Lens
|
1967 | 2:38:32 (Pop-up) | |||
| Front Line Assembly |
Got Love
|
Love Is The Song We Sing (San Francisco Nuggets 1965-1970 |
|
2:42:14 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
Feelings - A Haiku Depressing autumn then a such, through feelings breeze in spite of the breeze |
|
2:43:53 (Pop-up) |
||
| Breeze |
I Get Groovy Feelings
|
I Get Groovy Feelings b/w Jersey Thursday | 1966 |
|
2:44:31 (Pop-up) | |
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme
|
Feelings, Part 2 - A Haiku Depressing autumn An own, groovy feelings breeze at the perfect breeze |
|
2:46:18 (Pop-up) |
||
| Ace of Cups |
Glue
|
2004 |
|
2:46:46 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
Intersection - A Haiku Depressing autumn A next, just intersection above the moorpark |
|
2:51:20 (Pop-up) |
||
| Moorpark Intersection |
I Think I'll Just Go And Find Me A Flower
|
1968 |
|
2:51:44 (Pop-up) | ||
| deviled ham |
Come On In
|
0 | 1969 |
|
2:54:43 (Pop-up) | |
| Egyptian Combo |
Gale Winds
|
Greaser Instrumentals 03 |
|
2:58:12 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
Coven - A Haiku Inclement autumn A whole, deviled coven come betrayed by the hell |
|
3:00:26 (Pop-up) |
||
| Coven |
Dignitaries of Hell
|
1969 |
|
3:00:57 (Pop-up) | ||
| Dave Clark Five |
Come Home
|
2000 |
|
3:04:53 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
|
3:07:39 (Pop-up) |
|||
| The Can |
Soul Desert (aus dem roger fritz film: madchen mit gewalt)
|
2017 |
|
3:08:04 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
The Animal And Underground Underground Whose underground is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her underground a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
3:11:54 (Pop-up) |
||
| Don Van Vliet |
A lot of money for you, a lot of money for me.
|
1969 |
|
3:13:43 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
Fourth - A Haiku Inclement autumn A glorious, fourth fourth side enjoying the vliet |
|
3:15:02 (Pop-up) |
||
| The Fourth Way |
The Far Side Of Your Moon
|
1968 |
|
3:15:37 (Pop-up) | ||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07
|
Zombies - A Haiku Glorious autumn An eyed, inside zombies feel because of the chatthe |
|
3:18:22 (Pop-up) |
||
| The Zombies |
Studio Chat-the Way I Feel Inside
|
1997 |
|
3:18:59 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
One afternoon I said to myself, "Why isn't the droid more white?" Are you upset by how violent it is? Does it tear you apart to see the droid so reddish? I cannot help but stop and look at dead dudes. Now unreverberant is just the thing, To get me wondering if dudes are nonliving. When I think of creatures, I see a legged world. |
|
3:21:06 (Pop-up) |
||
| Caravan |
Ride
|
1969 |
|
3:21:46 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
One afternoon I said to myself, "Why isn't the telepath more untruthful?" A telepath is constant. a telepath is reliable, a telepath is dead on target, however. Why would you think the coven is half? the coven is the most whole assembly of all. Never forget the total and fractional coven. Demon is, in its way, the male horse of unpleasant person. |
|
3:25:23 (Pop-up) |
||
| The Vampires' Sound Incorporation |
There Is No Satisfaction
|
1969 |
|
3:26:15 (Pop-up) | ||
| Musiche Originali Di Ennio Morricone |
Beat N° 3
|
1968 |
|
3:29:20 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
Incorporation - A Haiku Showery autumn why frank incorporation the satisfaction |
|
3:32:01 (Pop-up) |
||
| Captain Beefheart and His Magic Band with Frank Zappa |
Alley Cat
|
1969 |
|
3:32:39 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
Productions - A Haiku Previous autumn An own, productions captain after the beefheart |
|
3:35:20 (Pop-up) |
||
| Warlocks |
Can't Come Down
|
Love Is The Song We Sing (San Francisco Nuggets 1965-1970 |
|
3:41:11 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
Prodigal - A Haiku Inclement autumn A careless, prodigal down after the warlocks |
|
3:44:07 (Pop-up) |
||
| The Prodigal |
Reality
|
1967 |
|
3:44:38 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
|
3:46:42 (Pop-up) |
|||
| the Collectors |
Howard Christman's Older
|
1968 |
|
3:46:56 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
I cannot help but stop and look at actual whereabouts. Whereabouts are existent. whereabouts are potential, whereabouts are literal, however. All that is dry is not gone, gone, by all account is sweet. Down, down, down into the darkness of the gone, Gently it goes - the sugared, the saccharine, the treacly. How happy is the fat absentee! |
|
3:52:01 (Pop-up) |
||
| stone country |
Magnolias
|
1968 |
|
3:52:58 (Pop-up) | ||
| The Mighty Typhoons |
Spanish Onions
|
2013 | 3:57:04 (Pop-up) | |||
| Brian Auger |
The In Crowd
|
|
3:59:37 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
Purple - A Haiku Depressing autumn A deep, purple purple use out of lalena |
|
4:09:21 (Pop-up) |
||
| Deep Purple |
Lalena
|
1969 |
|
4:09:44 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
|
4:14:44 (Pop-up) |
|||
| Sagittarius |
Virgo
|
1967 |
|
4:15:13 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
|
4:18:32 (Pop-up) |
|||
| The 13th Floor Elevators |
I've Got Levitation
|
1967 |
|
4:18:56 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
Pay attention to the presence, the presence is the most silent proximity of all. Now mute is just the thing, To get me wondering if the presence is inarticulate. An unavailability, however hard it tries, Will always be total. Does the unavailability make you shiver? does it? |
|
4:21:26 (Pop-up) |
||
| Denis Couldry and The Next Collection |
I Am Nearly There
|
1968 |
|
4:22:13 (Pop-up) | ||
| Wildflower |
Coffee Cup
|
Love Is The Song We Sing (San Francisco Nuggets 1965-1970 |
|
4:25:25 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
Collection - A Haiku Early wet autumn A small, collection captain into the beefheart |
|
4:27:40 (Pop-up) |
||
| Captain Beefheart & His Magic Band |
Son Of Mirror Man - Mere Man
|
1968 |
|
4:28:27 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
Beefheart - A Haiku Glorious autumn suddenly beefheart captain before the captain |
|
4:33:43 (Pop-up) |
||
| Eire Apparent |
The Clown
|
1969 |
|
4:34:08 (Pop-up) | ||
| Procol Harum |
Lime Street Blues
|
1967 |
|
4:37:24 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
Haack - A Haiku Late dampness autumn A karsch, cherubic haack clown at the perfect bruce |
|
4:40:11 (Pop-up) |
||
| Created by Bruce Haack |
Cherubic Hymn
|
1970 |
|
4:40:40 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
The Cherubic And Southwest Southwest Whose southwest is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his southwest a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
4:43:52 (Pop-up) |
||
| The Southwest F.O.B. |
Smell of Incense
|
2004 |
|
4:44:42 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
Whose southwest is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his southwest a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
4:47:20 (Pop-up) |
||
| The Baroques |
Iowa, A Girl's Name
|
1967 |
|
4:48:07 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
4:50:51 (Pop-up) | ||||
| Stu Phillips |
Hells Angels On Wheels
|
Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 |
|
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